As winter turned into almost-spring, I removed the artificial parts of the floral arrangements from outside my home.  All wrapped up, they’d be ready to use again next year.  The mini-Boxwood at the center had been protected through the winter and looked healthy and green, ready to contrast against Pussy Willow and Forsythia branches inserted around them.  The new additions cost $20 total for two planters.  It’s important to shop around for branches like these.  Prices do vary and better to calculate in advance.  Only get as many as you need and avoid wastage by buying ones that are already the right height, no pruning required.  I was lucky to find exactly what I was looking for at the florists on Avenue Road and Davenport (Toronto) and went from store to store, back and forth, to maximize on value and quality.

For context, please look back at the two other posts in this series:
• Staying Green: Fake, Recyclable, and Decorative Winter Florals, Year 2
(January 11, 2009)
• Fake, Recyclable, and Decorative Winter Florals (March 14, 2008)

Stuffed peppers don’t have to be baked.  Dinner guests on their way, I turned crunchy orange ones into attractvie finger-food, while making good use of leftover egg and artichoke salad.  Cut into halves and topped with baby orange tomatoes, garnished with basil leaves, these "pepper boats" brightened up a winter table.  I am sure they would ehnance sunlight on a summer one too! For those on wheat-free or low carb diets, these are a fun alternative to sandwiches.

Other DocSusan recipe creations on this blog can be found in the following posts:

This week, the Hebrew version of my book, Therapeutic Art Directives and Resources.  Activities and Initiatives for Individuals and Groups (with commentaries by mentor/friend, Cathy Malchiodi) was delivered to me.  A nice surprise and a lot fun to see it in another font!  This edition was published in 2006, and I knew it was out there, but hadn’t yet received an author copy.  In Hebrew, the text reads from right to left, and the book, itself, has a more compact format. However, the cover is identical to the English version. The Hebrew edition publishers are Ach Publishing, Ltd. 

For the Korean version, the look (and feel) has been changed: the black and yellow/greens are now white and yellow/oranges. 

For more about the Korean version, please see earlier blog posts:  Found in Translation—Korean (July 23, 2007) and All Good Things Come to Those Who Wait! From Ordinary to Exotic:  Breathing New Life Into an Old Book with Korean Font and Formatting (March 2, 2009). 

Last Friday, a Globe and Mail headline announced "Art Gallery of Ontario Workers Face Layoffs."  There’s a substantial revenue short-fall and too few visitors and memberships.  The flagging economy gets ample blame.  But, obviously, that’s not the only reason…  November 14, 2008, my blog post, The AGO Reopens and ARTISTS Do MATTER was optimistic. But, soon after, impressions shifted.  Personal follow-up demonstrated how things aren’t always as projected: to be more skeptical about what’s put out when there’s lights, cameras, action. The design and layout of the gallery have been altered, but layers of "ice" still visible. Financial assistance and p.r. bestowed by outsiders aren’t always enough, especially if not able to be sustained in a challenging economy.  When consumers are forced to limit choices, feeling welcome, wanted, or involved is all the more significant, influencing  decisions as to where personal resources might be allocated for memberships and donations.  What didn’t count previously does now.  

Eagerness to trust and believe, perhaps, had caused me to take Director Matthew Teitelbaum’s message that "artists matter" too literally, at the AGO’s pre-opening day party.  Afterwards, I contacted him, as he’d advised, to be added to his "artists’ list."  It was my understanding, at the time, that there’d be (regular, local) artist-friendly happenings and mailings, and an openness to suggestions/meeting. Maybe, it was a mistake to put energy into follow-up when the thought-to-be-approachable (and open) weren’t really. A brief meeting with a tardy and distracted Dr. David Moos (Curator of Contemporary Art), who appeared comfortably so, didn’t justify weathering the cold and paying for down-town parking. But, hoping this was just an "off day" for him, and because of the work gone into my preparation, I followed up with a traditional "Thank you for the meeting note," daring to continue a truncated presentation. No response. I tried again. No response. I tried one more time. Still no response…

Probability:  If it’s happening to you, it could be happening to others.  The "Three Rs" still matter:  Respect, Reciprocity, Replies.  (A future blog post will look at this topic further.)

Principle:  Everyone matters, and those you think might matter least (now), could matter more (later).

The AGO’s annual "Massive Party" event April 2, 09, to collect more funds for the gallery, is $125 per participant. Not to be forgotten:  raising spirits and fostering good will, can also help boost funds (and visitor/membership appeal), no party (or extra expense) necessary.

Today, I started my first Facebook Group, Susan Central.  March 8, an auspicious day, hopefully!  Not being a Facebook expert, it’s been another learning curve and adventure!

Susan Central Invitation

By chance, I seem to have been meeting a lot of interesting Susans lately, on- and off-line—nice people, and the reason I decided to start a "Susan group."  Whether you are a Susan, have a Susan in your life, or want to get to know one, please consider joining  "Susan Central."  This group will be a fun way to see where, and to whom, a simple name might lead.  Let’s embrace coincidence and serendipity and keep things positive!  Many thanks for your participation.
In anticipation,
Susan
p.s  Please feel free to forward this invitation to others.  The more the merrier!
http://www.facebook.com/group.php?gid=56222883703
http://profile.to/docsusan
http://www.docsusan.com/
http://docsusan.blogsome.com/

For more about Facebook, please see another recent blog post: Getting to Understand and Appreciate Facebook: in Toronto Tonight, Live and in Person, Not Cyberspace (Facebook Garage 5) February 24, 2009.

Thursday night’s Portrait Society Show opening was a happy and successful happening.  The speeches were short and purposeful, and the curation and way the artwork was displayed very effective.  A steady crowd flowed through, and the ambiance remained warm and animated (like the musical accompaniment), from start to finish.  Kudos to Veronica Tsyglan, Mistress of Ceremonies, guiding light, and Chairwoman.  She thanked all involved and announced the 2010 show theme:  Canadian olympic athletes, past and present.

For more details about this event, please see the earlier blog post:  March 5, 09, Art Events in Toronto, Invitation Reminder: Portrait Society of Canada’s Annual Juried Show, Opening Reception Tomorrow Night. Please Join Us! (March 4, 2009)

The Portrait Society of Canada’s annual show includes the work of 42 member-artists.  One piece was chosen from each. I was at the host gallery (John B. Aird) on the weekend, for delivery, and got a preview.  What a wonderfully varied exhibition!  No two paintings are the same in any way:  size, media, scale, theme…  There truly is something for every taste and interest, and some of the pieces are for sale.  For those who love portrait painting, and are curious to meet the artists behind the paintings, this is a great opportunity. For those who are unfamiliar with portrait painting, this is also a great opportunity—to learn more about it, and get involved with fundraising efforts for a contemporary Canadian portrait gallery in Toronto.

Possible schedule conflicts:  Toronto Art Expo and the The Artist’s Project (Toronto) open the same night (March 5). Having participated in both of these shows last year (The Artist’s Project as part of Artropolis in Chicago), I am happy with my decision to not be involved with them this year.

Artists are repeatedly approached to submit applications and pay big bucks to display their work. Once their money is down, there can be multiple organizational disappointments (not of their creation). Unfortunately, usually, those who gain the most (financially, especially) are those who own and/or manage shows and/or run competitions, or offer to represent artists and/or sell their artwork, in person, on location, or on-line.

Artists, please beware!  General public, please be aware!  What really happens behind the scenes matters, and not just at the time, subsequently. Another blog post will be coming shortly, about scams and advantage-taking of artists, particularly those who are just emerging.  In the meantime, please look back to earlier art show blog posts.  These include:  

• Art Shows: Business Priorities Versus Exhibitor Satisfaction (July 23, 2008)
• Change of Date, Change of Fate: Toronto Art Expo 08 Snowed Under (March 16, 2008)

Numerous unreturned e-mails and phone messages later, the organizer of Toronto Art Expo still hasn’t provided me with receipts from last year.

To see examples of my portraiture (recent and past) please check out the Figurative Gallery on the DocSusan site.

My user-friendly book, Therapeutic Art Directives and Resources.  Activities and Initiatives for Individuals and Groups (with commentaries by mentor/friend, Cathy Malchiodi) was published in Korean last year.  I just received copies!  It’s amazing the difference a change of font can make.  Also, the care and attention to detail the foreign publishers have given to every page is obvious.  This week I’ll be meeting up with the once-little girl who did the cover art.  She’s now 22 years-old!  For an earlier blog post about this book’s translation, please see:  Found in Translation—Korean (July 23, 2007).

Across from the Royal Ontario Museum, there’s a Green P Parking Lot at 9 Bedford Street. It’s one of the few places you can be guaranteed a spot when there’s no on-street parking, It’s also handy if you don’t want to walk very far because of the cold.  I don’t park there often.  Last night was one of those rare occasions—perhaps the last occasion.

There’s underground spaces and above ground spaces.  Above ground was full, so I parked in the underground.  "Clever!" I thought:  close to the door, which led to the stairway to Bloor Street.  The talk I attended at the ROM was given by Lauren Fix, the "Car Coach," TV expert, and author (of Lauren Fix’s Guide to Loving Your Car).

Lauren really brightened up an otherwise very ho-hum event. The Connecting Singles Program, for which she spoke, you’d think would do well because of the venue.  But, it doesn’t.  Price, stigma, or ambiance, something’s not working in it’s favor!  However, the good news is that they are open to feedback, and looking to make improvements!  A program that’s been running for 22 years, even though it’s in a museum, still merits a make-over!

Crossing back to the parking lot, I was excited to have had the opportunity for a one-to-one chat with Lauren, and meet the person behind the performance.  Sometimes, when an event isn’t working for you, you have to seize the moment and see what can… I considered that the evening hadn’t been a complete waste of time because of the simple ideas this very practical, engaging, and approachable speaker had shared about car owning and loving.

A smile on my face, I returned to the parking lot and my lovely car, and started the engine—all automatic movements.  Then I looked up, in order to reverse.  A beam of light shone down on a shattered windscreen. Investigation by lot security confirmed that it must have been a pellet gun or like, for the assault, my car alarm preventing break-in.

Apparently, there’s been a wave of random acts of vandalism and theft in this particular lot lately.  So, the incident wasn’t surprising.  What was surprising was being asked to pay to exit the lot.  I did this without fuss, while waiting for security to arrive.  After all, lot attendees were only doing their job, so why take things out on them?  It’s those who operate the lot, and set the protocols (but aren’t present) who need suggest appropriate flexibility (and social conscience), especially if they’re aware of the extra risk using their facilities might entail.

Before there were digital alternatives, it was easy to accumulate stacks of paper (filed or unfiled).  This year’s spring clean-up, I’ve been able to be a little more ruthless than usual, but probably not ruthless enough… I know I’m not the only one!

Some Spring-Clean Strategies

1. If you haven’t looked at, or used, something in a couple of years, likely you’re not going to again.  Get rid of it!
2. Save the extremely sentimental stuff, or one of everything, but more than that isn’t necessary.  Less is more!
3. Out goes the negative:  rejections, sad letters, photographs of unhappy memories.  Looking forward, it’s preferable not to have reminders of what wasn’t or can’t be!
4. With every year that goes by, it can get easier to part with what we no longer use.  Take advantage of that!  Don’t hoard for the sake of it.
5. Don’t pressure yourself to do it all at once.  Bit by bit, day by day, systematically, work your way from cupboard to cupboard, drawer to drawer.  Don’t just tip everything out on the floor, all together.  Being tidy, and working in stages means you can leave off at anytime without feeling you’re in a total mess.
6. Have background music or TV to help you along.  Sometimes chatting on the phone (multi-tasking) can help too.
7. Be prepared with garbage and recycling bags that nothing lies around.  Then, go to    the trash as soon as possible so you don’t change your mind about what you are discarding.
8. Recycle!  Likely there’ll be many folders and files that can be emptied of content, instead of thrown out with them…  Then there’s all the paperclips and elastics.  White sticky labels will cover what was there before.  And, if it old names and labels show through, don’t worry.  It’s trendy to be “green.”
9. Pets can be welcome spectators (though they might sleep on the job). Human buddies might give you a helping hand, if they can.
10. Don’t give up!  Take a break, then start again in a day or two.  

Cleaning up makes us feel lighter and brighter—helps remove weight and worries.  Even if we make a concerted effort to clean up/throw out annually, and don’t think there could be that much to do, there always is.  Celebrate what you’ve been able to do.  Don’t dwell on what seems impossible!

Usually, pictures say more than words.  And, in the age of digital photography, it’s hard to resist the urge to snap most everything in sight.  Here are yet more favorite photographic memories from last year.

ONTARIO, CANADA

After Labor-Day beach-goers, Saugeen Shores

Early fall, Algonquin Park

Chainsaw Carvings, en route to Algonqin Park

In-town fishing,  Gravenhurst

Not-Quite-Picadillly Circus:  Dundas Square, Toronto

Pollution in paradise:  steamboat, Muskoka

Striking juxtaposition:  satellite dish and barn/house, Southampton

Typical Northern Ontario lakescape:  Killarney

Other favorite photographic memories from 2008 are included in: What to See and/or Do in 2009. Photos, Memories, Ideas, and Surprises from 2008. PART 1 (January 26, 2009) and What to See and/or Do in 2009. Photos, Memories, Ideas, and Surprises from 2008. PART 2.

Usually, pictures say more than words.  And, in the age of digital photography, it’s hard to resist the urge to snap most everything in sight.  Here are some more favorite photographic memories from last year.

NEWPORT, RHODE ISLAND

Fish-like kites, Ocean Drive

Man-made coastal walk:  The Cliff Walk

Quaint architecture:  Castle Hill Inn

Beautiful blue:  Hydrangeas

Evening sail with golden glow

NEW YORK, NEW YORK

Clever Pigeons, Central Park

Joan Miro self-portrait (MOMA)

Memorial:  To John Lennon, in Strawberry Fields, Central Park

Today Show Set after-hours

Other favorite photographic memories from 2008 are included in: What to See and/or Do in 2009. Photos, Memories, Ideas, and Surprises from 2008. PART 1 (January 26, 2009) and  What to See and/or Do in 2009. Photos, Memories, Ideas, and Surprises from 2008. PART 3 (January 31, 2009).

Usually, pictures say more than words.  And, in the age of digital photography, it’s hard to resist the urge to snap most everything in sight.  Here’s a small sampling of favorite photographic memories from last year.  

BOSTON

City improvement:  Copley Square restoration

Farmer’s Market, Copley Square

Painter’s Statue:  John Singleton Copley, Copley Square

Peaches:  Copley Square Farmers’ Market

Peppers:  Copley Square Farmers’ Market

Wildflowers explained (Old South Church)

Wildflowers in the city (Old South Church)

CHICAGO

Friendly Policeman:  River North

Fun way to see a city:  Chicago by Segway

Picture postcard waterfront

Pretty pink sail boat at sunset, Lake Michigan

Smile-provoking city-wildlife: ducklings on Lake Michigan

Unexpected skyscape at sunset, Grant Park

Other favorite photographic memories from 2008 are included in:   What to See and/or Do in 2009. Photos, Memories, Ideas, and Surprises from 2008. PART 2 (January 29, 2009) and What to See and/or Do in 2009. Photos, Memories, Ideas, and Surprises from 2008. PART 3 (January 31, 2009).

Others might not like to admit to creativity lulls or feelings of let-down.  But, as my blog evinces, throughout, I think it’s important to be real and not sugar-coat.  Information sharings can be helpful all round:  affirm we are not alone and others have been there too (and got through).  If we don’t acknowledge all our mood-shades (blacks, as well as whites and grays), appearances risk being deceptive.  Life is seldom as perfect as it might be thought for anyone, and authenticity matters.

I am still on a hiatus from painting.  By the close of 2008, I’d participated in three big shows and series (07 - 08), directly after art school graduation (06). Also, as is familiar to most other "emerging artists," the cumulative run-around from a variety of solicitors (galleries, dealers, agents, businesses, and organizations) who’d proved less reputable and reliable than hoped and assumed, was straining.  End result:  a loss in momentum— the need to take time for the "Three Rs," Rethink, Relax, Reboot.

My slow-down really began when I was too sick (medically/physically) to paint. Until I’m properly well, it’s not wise to resume. That said, it’s not something I’m rushing to do…  A dear artist friend recently shared details of her own time-out.  Her example and perspective were inspirational. A wonderfully talented individual, I was in awe of her insight and understanding (journey and recovery) and lack of competitiveness. 

There is always light at the end of the tunnel, but we need to be kind to ourselves (and have others be kind to us), and not push.  At least that’s the advice I tend to share in other contexts…

My studio isn’t empty.  The last painting that I finished (in October 08) jumps out on entry.  It’s a 60 x 40 inch oil on canvas abstract that became a horse:  a beautiful, calming soothing creature who looks like she’s confident and peaceful.  This piece was different in style than what’s been typical for me, over the past few years.

Thinking back to when I painted this last piece, I realize I sensed that something was going on. (The art therapist in me kicked in.) What I was trying to paint wasn’t coming out as I’d planned.  But, when does it ever, really?  I gave in and let happen whatever wanted to manifest on the canvas. 

This Horse piece followed on from a Duck, a Bird, and a Deer/Fox.  All four paintings will appear in the DocSusan artwork galleries, eventually… with stories about them.  In the meantime, please be patient—with me, yourself, and othewise.  Though we seem to live in a "quick-fix society," real life doesnt work that way.  All good things are worth the wait!

Earlier blog posts on artistic challenges include:

▪ Torrit Grey and Regenerating Creativity (October 11, 2008)
▪ Art Shows: Business Priorities Versus Exhibitor Satisfaction (July 23, 2008)
▪ #20. PRECIOUSNESS/VALUE (Reflection While Painting “Buon Appetito!”) (November 30, 2007)
▪ #19. SHARING (Reflection While Painting “Buon Appetito!”) (November 29, 2007)
▪ #18. LIMITATIONS (Reflection While Painting “Buon Appetito!”) (November 28, 2007)
▪ #17. MESSAGE(S) (Reflection While Painting “Buon Appetito!”) (November 27, 2007)
▪ #16. (SPECIAL) GIFT(S) (Reflection While Painting “Buon Appetito!”) (November 26, 2007)
▪ #15. ARTIST PLUS (Reflection While Painting “Buon Appetito!”) (November 25, 2007)
▪ #14. TIME (Reflection While Painting “Buon Appetito!”) (November 24, 2007)
▪ #13. THE PUZZLE (Reflection While Painting “Buon Appetito!”) (November 23, 2007)
▪ #12. SERENDIPITY (Reflection While Painting “Buon Appetito!”) (November 22, 2007)
▪ #11. ORGANIZATION (Reflection While Painting “Buon Appetito!”) (November 21, 2007
▪ #10. PRICES (Reflection While Painting “Buon Appetito!”) (November 18, 2007)
▪ #9. SUPPORT, PATRONAGE, GRANTS (Reflection While Painting “Buon Appetito!”) 
(November 16, 2007)
▪ #8. “JK ROWLING SYNDROME” (Reflection While Painting “Buon Appetito!”) (November 14, 2007)
▪ #7. PAINTER’S FATIGUE (Reflection While Painting “Buon Appetito!") (November 12, 2007)
▪ #6. NOTICING THE DETAILS (Reflection While Painting “Buon Appetito!”) (November 10, 2007)
▪ #5. STRATEGIC/CONSCIOUS PAINTING (Reflection While Painting “Buon Appetito!”) 
(November 8, 2007)
▪ #4. CREATIVE PRESSURE/RELEASE (Reflection While Painting “Buon Appetito!”) (November 4, 2007)
▪ #3. SACRIFICE (Reflection While Painting “Buon Appetito!”) (November 1, 2007)
▪ #2. STAMINA (Reflection While Painting “Buon Appetito!”) (October 28, 2007)
▪ #1. ENDURANCE (Reflection While Painting “Buon Appetito!”) (October 24, 2007)
▪ Candid Artistic Ramblings: Reflections While Painting “Buon Appetito!”—Preparing for the Florence Biennale (October 19, 2007)
▪ INSTINCT, EXPRESSION, and CREATIVITY—in WRITING, PAINTING, and MUSIC (July 31, 2007)
▪  PAINTING and PERSEVERANCE (July 27, 2007)
▪  Entering PAINTING COMPETITIONS Can Be Disheartening (July 16, 2007)
▪  Stages of My PAINTING PROCESS (July 5, 2007)
▪  PAINTERS and WRITERS: Survival Tips, Cautions, and Experiences (March 30, 2007)
▪  PAINTING: Getting to the heART of why we do it (January 5, 2007)

Last winter season, I posted a blog piece, Fake, Recyclable, and Decorative Winter Florals (March 14, 2008).  This winter season, I reused the recyclable parts from that arrangement, achieving a quite different look.  The new version will, likely, be 100% recyclable.  The mini-Boxwood, acquired for the center, can be planted in the garden in the spring, and the Eucapyptus branches (which had been coated) will, probably be intact for next year, even if they don’t smell as potent as they do now. (Lovely aroma after a snow or rain storm!) This year’s arrangement is posted above, last year’s below.

Under the weather and housebound can have pluses!  At the end of 2008, I gave myself permission to indulge and rediscover old (but not sufficiently explored hobbies, like cooking and sewing. Usually, with a rigorous work schedule there’d be no time…

Lev and Sage agreed to assist me with projects—new designs for their dog clothes and matching beds:

Getting going with sewing, I found out that Toronto is quite a hub for those looking to learn more about this craft.  There’s a bunch of facilities and teachers to suit all interests and budgets!  Here’s what I came across, more or less accidentally, not far from home:

• The Sewing Studio
• Sew Be It, Studio Workshop
• The Workroom
• Creative Sewing School (Barbara Hobbs, 416 483 6102, Avenue and Lawrence)

Denise, from the Sewing Studio, provided motivation with easy assignments, like the beds above!

Also, for supplies and equipment, I discovered a variety of options:

• For equipment and accessories, there’s the Sewing Centre (416 487 4438, 2144 Yonge Street).  Great customer service and lessons from Joe Murphy!

• For fabrics, Designer Fabrics on Queen is recommended by the trade, with the best prices, and most interesting offerings, off sale.

• For the best one-stop shop and discounts (with membership) Fabricland seems to dominate—though shopping there might be a fun experience.

• The Dollerama on Queen (close to Designer Fabrics) has some interesting accessories and tools.

By chance, on Thanksgiving eve, I received notification that two more Boston charities were to be given my artwork for display.  I greatly appreciate how The Art Connection makes artist donorship possible, even for those who no longer live in the area.  I became involved with the Art Connection in 2006, and feel proud and honored to have had several dozen works chosen by 15 of their local charities in the last two years.  My artwork is now enjoyed by:

• Andrew Peabody School (A Rigorous Academic Approach with a Commitment to the Arts), Cambridge, MA
• Boston Public Health Commission (protecting, promoting, and preserverving the health and well-being of all Boston residents, particularly the most vunerable, Boston, MA
• Boston Rescue Mission (Transforming Lives at Risk Since 1899), Boston, MA
• Casa Esperanza (a bilingual bicultural Latino community sanctuary for those overcoming homelessness and/or addictions), Boston, MA
• CFCS_TLC (Cambridge Family and Children’s Sevice—Teens Learning Choices Programme), Cambridge, MA
• Community Work Services (promoting independence through employment, for challenged indivduals), Boston, MA
• Goddard House (Serving Elders Since 1849), Jamaica Plain, MA
• HAWC (Help for Abused Women and their Children), Salem, MA
• Health Care for All (providing comprehensive, affordable, accessible, culturally competent, high quality care for everyone, especially the most vulenerable), Boston, MA
• Malden Senior Community Center (a newly developed property providing services to Malden area seniors who previously utilized a center in a windowless basement), Malden, MA
• MAP for Health (health link for MA Asian and Pacific Islanders), Boston, MA
• Sherrill House, (a not-for proflt skilled nursing and rehabiliation Center), Jamaica Plain, MA
• St. Francis House (largest day shelter for the poor and homeless in New England), Boston, MA
• Triangle Inc (helping people with disabiliites), Malden, MA
• Year Up Inc (helping urban young adults), Boston, MA

In keeping with today’s food/Thanksgiving theme, the image at the start of this post is called "Ripe," and comes from the trilogy, "Ripe, Sweet, and Lonely," at St. Francis House (each image: 24 x 24, oil on canvas, 2005).  "Sweet" is inserted above this note, and "Lonely" below it. Thanksgiving is a great time to send kind wishes to, and care for, the "ripe," the "sweet," and the "lonely" —in the environment where this artwork is now on display, and beyond.  What a suitable home these paintings have found! 

Interestingly, The Art Connection is working on a "pilot project" at St. Francis House.  Accordingly, they asked me to write about the the pieces I have hanging there, including the "Ripe, Sweet, and Lonely" trilogy. In an effort to make art placements a bit more educational for clients, a statement from the artist, it’s hoped, can help give the viewer a better understanding of the work. This is what I wrote:

 "Ripe," "Sweet," and "Lonely":  three things I thought about while painting this trilogy.  Even though I’m ripe (all grown-up) and sweet (kind), I’m often lonely (as a single adult), just like so many others out there.  People might be compared to fruit, with outside (skin) and inside (taste) provoking different responses  Also, fruit cut up into pieces (like for a salad), can be arranged on the plate in a variety of ways.  Some fruits are placed close together and/or touch.  Others end up further apart.  Each of the three paintings focus on one description—the" ripe," the "sweet," or the "lonely"—and they are intended to be arranged in that order, from left to right.  I am quite comfortable painting food, as well as writing about it.  As an art therapist, I had a book published called, More Than Just a Meal:  The Art of Eating Disorders. (2000).  Also, when I didn’t get into a conventional landscape painting class at SMFA (the Museum of Fine Arts School, Boston) I decided to create my own landscapes in other ways.  Food offers many possibilities and gives much cause for thought.  There is not only the selecting and arranging of it, but the eating (to celebrate) that comes afterwards.  In my earlier work (to which these paintings belong) I came to like using pale blue backgrounds.  They show reflections and shadows well, especially when objects are not crowded together.  I also like the softness (and restfulness) of this color, and the contrasts it can encourage.  All the fruits painted in the "ripe, " sweet," and "lonely" set are among my favorites.  Their shapes, colors, textures, and flavors each have their own significance, as well as work well together.  As with most of the artwork I create, I don’t  like to create one-off single pieces.  I also prefer to work on several pieces simultaneously, going from one to the next, consistently.

To view more of my "food art," please check out the Snack Happy! and Buon Appetito! collections as well as the Representational Gallery, all on the DocSusan website.

The Today Show looked at a new buzz subject this morning, "secondhand stress"—the not being able to sleep at night because of worrying about other peoples’ problems.  This terminology is catchy, like "secondhand smoke."  But, "secondhand smoke," which is exactly that, is easier to define accurately. "Secondhand stress," when thought about carefully, could have extended and/or alternative meanings.  How others’ problems make us worry (about them) might not be as serious as how others (problematic) behavior (towards us) can give us our own fresh problems—first-, as well as secondhand, stress.  

Our interactions with other people, and the relationships they help make or break are key determinants of well-being.  Think about the ends of friendships and the misunderstandings and lack of resolution attached to them.  These can come about because of one person’s own (unrelated) issues, and actually have very little do with the other person at all.  Unfortunately, few ex-friends who instigate break-ups, provide chances for clarification.

"Friend A," who is typically quick to anger, jealousy, or assumption, might eliminate  "Friend B" instantly, no leeway for discussion or explanation.  In the aftermath, "Friend B" wonders what’s hit him.  What did he do wrong?  Perhaps nothing.  But, the ongoing stress from the loss of the friendship that seems impossible to repair still nags and gnaws.  Then there’s "passive aggression" in ongoing "friendships."  "Friend A" bottles things up for a long time, not telling "Friend B" what’s wrong. Instead, he acts out in different ways that make "Friend B" feel uncomfortable or unable to get things right.  Intentionally, or not, "Friend A" may be a bit of a "manipulator."  However, most "manipulators" often set out with a plan from the start, and "passive aggression" is often more unconscious than contrived.  Secrecy, is something else, and another friendship-barrier.

There’s a lot to say about how others make us feel, and how we handle our responses to stress generated by interactions with "used-to-be-friends".  This blog entry focuses on categorizing and listing the "frienemy-types" that can boost (secondhand) stress levels, as suggested in the scenarios just described:  

1.  The Quick-Ender:  This "frienemy" has a short fuse, quickly ignited by jealousy, anger, and/or assumption.  Being friends with this person can be an interesting/passionate ride, so long as they are on your side. However, once they develop a "hate," stand clear. If they do agree to talk things through, they won’t have much of a listening ear.  Their quickness to judgment is a bit of a handicap, and they’ll have to be right, and you’ll have to wrong…

2.  The Bottler:  This "frienemy" might not know how to act differently, and prefer to swathe in self-defensive behaviors that don’t bode well for open and adaptable friendships.  Bottling is a lengthy process, and preserved foods have shelf life.  What’s been happening over (an extended) period of time can’t be repaired in an instant.  Habits have formed, which may be hard to break, and expectations (and disappointments) linger.  The person who doesn’t seem like a troublemaker may actually cause more anguish than imaginable…

3.  The Controller:  This "frienemy" might not have been open or true from the start, having a one-sided notion of  "friendship requirements."  Most friendships, like it or not, happen on a "needs" basis.  "A" offers  "B" something, "B" offers "A" something.  There’s overlapping "interests" or "connection possibilities."  Friendships that don’t give "returns" mightn’t be valuable enough for "controllers" to maintain:  "friends" who can’t be made to do something are no longer "friends."  Self-esteem may determine how long manipulation can be endured—no one likes a "bully" but a "bully" often finds ways to stick around (especially when others are weak)…

4.  The Secretive:   This "frienemy" has "boundaries" that are extreme or unnecessary.  Caring and sharing are natural components of healthy friendships.  Not disclosing relevant information and keeping secrets jeopardizes and destroys potential to take things to the next level.  "Holding-patterns" don’t work.  When one person does all the talking and the other all the listening (and questioning), there’s an imbalance.  This doesn’t always happen because the talker is self-absorbed.  The listener simply wishes to keep the focus on the other person as a way of avoiding questions about his "own stuff"…

We don’t usually know, right away, how a friendship will play out—whether or not there’ll be problems with a "Quick-Ender," "Bottler," "Controller," or "Secretive" type.  But, like with other life-circumstances, before a final fallout, there are often warning signs, to which we may, or may not, pay attention.  So, when friendships are dissolved, there may be a lot more pain than surprise.  Also, making (satisfying) peace with the types listed above isn’t, generally, a viable option. 

Earlier Blog Entries about Friendship include:

• "A" and "B" List FRIENDS (July 8, 2007)
• FRIENDS Help Friends (December 7, 2006)

Earlier Blog Entries about Relationship Stressors Include:

• Mixed Messages and Contradictions (September 29, 2008)
• PLAY NICE—Near and Far! (John Edwards too…) (August 13, 2008)
• MANIPULATION (August 9, 2008)
• RECIPROCITY (February 8, 2008)
• CONFIDENCE (February 1, 2008)
• RELATIONSHIP “Uppers” and “Downers” (January 29, 2008)
• GIVING: Give to Give (September 5, 2007)
• Keep Your Word (July 25, 2007)
• ABUSE Checklists (May 26, 2007)
• TRUTH Matters (May 8, 2007)
• Make Things CLEAR—Avoid MISUNDERSTANDINGS (April 17, 2007)
• Handle with CARE—IDENTIFY, EXPOSE, and GET HELP for Those Who Can Do Harm (like at Virginia Tech) (April 17, 2007)
• A “NO” REPLY is Better than NO REPLY (April 13, 2007)
• REJECTION Protection (February 25, 2007)
• TIME is Precious (December 15, 2006)

Today is the official grand opening of the Art Gallery of Ontario.  Last night, a special celebration that embraced local living artists was a great success.  The warmth of Director Matthew Teitelbaum’s welcome set the tone.  Apart from his introduction of the Frank Gehry team and museum staff and curators, he shared personal memories of childhood visits to the old AGO and his own father’s financial struggles as an artist.

Artists’ successful involvement with the (new) institution, Teitelbaum made clear, is essential, and was stressed by the handing out of badges to invitees on entry.  These announced, "Artists Matter."

It was a treat to be able to wander through the exhibits, few others around, and construction workers still adding finishing touches.  Hopefully, the excitement of the AGO’s reopening can be maintained, and help evaporate feelings of aloofness and alienation for which Toronto’s too often been known. 

Veterans, or Rememberance, Day is a good time to think of others, not just ourselves—see how we can give a helping hand, even (and especially) if there’s no (obvious) direct return.

SHARING

Sharing’s not a gift or bonus
Simply a necessity
What makes the world go round
Helps put us on solid ground

If we share, we care
If we care, we’re nice

Too much ice, and winter’s not even here
What’s the fear?

Be generous however you can
Not always with money or material things

No strings
Gratitude and platitude much more brings

Knowing that you’ve not held back
Keeps everyone on the right track

That you could have done more
Doesn’t even the score, keeps everyone poor

Share because you care
Care because you share
The order doesn’t matter
I’s the doing that counts
Regardless of amounts

A little extra kindness can’t be bought
Another life-lesson taught.
 

Please click on the image above.  These shots are shared in appreciation of a beautiful autumn day, Friday November 7, 08!  It was a treat to observe exquisite late-fall colors, by chance, wandering through mid-town Toronto’s residential streets.

I’ve been a little "fuzzy" lately, making writing (and concentrating) more difficult than usual.  Despite this, there’s always ways to be creative if you can give in to becoming a "Mad-Hatter." When not up for much else, crochet did the "trick" for me.  Sitting in hospital waiting rooms, over recent weeks, I’ve managed to produce three hats (as displayed above).

The first two are made from Cashsoft and the the third from Noro yarn.  Hat one, I’ve called the "Playful;" hat two, the "Sophisticate;" and hat three, the "Fun" (from left to right, above).  The first was just to use up yarn and keep my mind occupied.  The second involved more planning and design.  The third provoked excitement and a dash of spunk.

The nice thing about making hats is that patterns aren’t necessary.  They’re easy to try on as you go, and undoing them, to readjust for sizing or look, doesn’t involve too much lost labor.  Hat one involved "uncertainty;" hat two, "awareness;" and hat three, "boldness."  A crochet hook and yarn can sometimes help boost confidence (and self-esteem), even when real life has its challenges.

Previous blog entries about crochet include:

• Wearable Art: Crochet and Canvases Match at Toronto Art Expo
(March 23, 2008)

• Crochet for Stress Reduction, Fashion, and Fun
(December 25, 2006)

Reflections on "hospital waiting rooms" are shared in this poem:

Hospital Waiting Rooms

Hospital waiting rooms
Interesting places
Expressions on faces

Old, young, rich, poor
Illness can descend at anyone’s door

Homeless or not
Bedecked in jewels or poorly clad

Side by side they sit
And wait, and wait, and wait

Time to hesitate
And reflect

Thankful for what’s not
Regretful about what is

A loss of control
Soul next to soul

Good health not a given
Recovery a game of chance

Some rally
Others dally

Support helps
Not being there alone

Some speak
Others too weak

There are those who make it
And those who fake it

A humbling experience
And wake-up

Something that effects all
Short or tall

Take a number
And wait till you’re called.
 

DocSusan’s Blog is two years’ old today.  Big thank you to all who have supported me in this endeavor!

What is 50?  Fifty can be a face—a face that tells a story, a life that’s half a century long.  Here’s a recent portrait I painted—one that marks the 50-milestone.

Portraiture is a very personal process (for artist as much—and even more so—than sitter).  You get to know the subject a little better—come to read between the lines (no pun intended), see where their truth might lie then stress what can show them in best light.  

Portraiture is magical. It’s not a photograph. Interpretation and revelation are meaningful. Those who are able to view carefully pick up energies—recognize limitations, wonders, and a whole lot more.  It’s a terrific feeling to be able to present someone else’s best face to the world, especially on canvas.

Juxtapositions are interesting… 

Ellen DeGeneres paid tribute to Heath Ledger at the end of her show, Wednesday January 23 08.  This was piggybacked onto the joviality of her not-to-be-forgotten 50th birthday celebrations.  The gearshift, I felt, was awkward. I am a huge fan of Ellen, and think she’s very good at getting her fans and other celebrities involved.  I was, however, a little surprised with the extended birthday hoopla.  First there was her own 18-day countdown.  Then others, like the TV.com Community added to the hype with additional tribute pages.  And, of course, there were "surprises" from other well-knowns, like Justin Timberlake, episode-after-episode…  

We do feel better about ourselves when others are there to celebrate milestones with us. That’s clear.  Even those who protest they don’t want a party might be relieved and delighted when one is made for them.  But, what about all those others reaching similar milestone days that don’t have Ellen’s networking capacity or publicity operation? How many of them might be home alone for birthdays—not in celebratory mood, or able to feel quite as good about themselves?  

A quick Google search on the subject of 50th birthdays and Ellen’s led to an on-line contest, "Help Ellen Degeneres Celebrate her 50th Birthday."  The grand prize winner was getting a VIP trip to Los Angeles to help Ellen celebrate, by attending the filming of her show.  Again, more about and for Ellen. Ellen really is fabulous, and she does an abundance of nice things for others. However, sometimes, there’s a point at which (perceived) vanity can become insanity.  Instead of another offering for Ellen, could there not have been an ideal opportunity here for the Ellen team to help create awareness that not everyone has her current good fortune to be out there and loved as much as she is? (Maybe there was, maybe I missed it?) 

Also, let’s not forget that even those who are out there and loved, like Heath Ledger (was), might have other difficulties (be in need of different types of support). Ellen did have her own challenging days 10 years back. Though it’s good not to dwell on transitional periods, it’s always nice to remember, when things are going better for you, that others might not be quite as advantaged—or happy.  A little attention can go a long way.  A lot of attention can go too far, even with those we admire.

On October 16 (today), the Portrait Society of Canada has a studio day at Toronto Arts and Letters Club.  This will be a nice chance to reconnect through art-making, before its "The Miracle of the Portrait" Portrait Arts Festival and Competition (December 4 - 7, 09).  Recently, another of my "sharings" was included on the Artists Talk page of the Portait Society’s website. It is pasted below:

When I saw people for therapy, I had a sliding scale.  Different individuals had different needs (emotionally and financially). I tried to accommodate as far as possible, understanding circumstances and limitations.  Artwork, not surprisingly, seems to have sliding scales too.  That said, you can’t please all of the people (and yourself) all of the time. There is a point when too low is too low.  For instance, should a $2000 painting be reduced to $750 if it is a commission and you have a "soft spot" for the clients involved?  If you know they don’t have the means this is easier. (If they do have the means, it’s another matter.)  Then there’s those who like to spend more on the frame than the piece.  Again, a whole other story… Priorities, pressures, and obstacles are case specific, of course.  

What about the time, energy, and materials you have put in, as a professional (not for a hobby)? Are you worth a couple of cents an hour or more?  Is what you’ve created a "labor of love," or "slave labor"? Is a work of $2000 being sought for $750 as a bargain?  Or, should you create another piece that ’s more price-adjustable—a $750 work that really has a  $750 value?  Will it still be as pleasing and purchasable?  

Who and what really determines worth and appropriateness?  And, what about fairness, honesty, and trust?  Artwork has a sentimental, as well as investment/ commercial value. Also, instinct can blend with business savvy, or remain distinct.  We all (should) have our price points, as well as integrity and pride. And, of course, there’s experience too.  Capacities and expectations, however, may vary, for buyer as well as seller. And, cliché as it sounds, pride shouldn’t come before a fall.  Hardly surprising the term "starving artist" is so well known and a common reality.  Do others have hard and fast rules for how to deal with those who try to price adjust and bargain down? When does reasonable haggling become insulting?  When do you prefer to hold onto a piece rather than sell it at any price?

For more on related subject matter, please check out my "Candid Artistic Ramblings"  on the DocSusan website in the artist’s galleries section.

I managed to catch the last day of the Toronto International Fine Art Fair, a week ago, Monday. An enervating experience!  This had little to do with (many) gallery representatives being tired and inattentive.  Quite simply, the atmosphere seemed flat and nothing stood out as different or exceptional.  Having shown at Toronto Art Expo in March (at the Toronto Convention Center as well), this previous disappointing experience sprung to mind.  Also, I hear from others that Toronto’s Nuit Blanche (which coincided on the Saturday night of the Fine Art Fair) was even worse this year than last.  Despite the organizational PR and swish website, I understand that people appeared to be wandering the streets aimlessly, seeking something that might impress them, but going home tired and deflated.

Having just returned from the Liverpool Biennale, which was hopping, it’s hard not to make comparisons.  I think there’s a lot Toronto’s arts community (and sponsors) can learn from what’s happening across the Atlantic—not just from how artwork is exhibited, but to how ambiance is induced.  User-friendliness, approachability/accessibility, and interactive involvement (at all levels) help create a more fun environment that keeps you engaged. 

From the Walker Art Gallery’s (first photo in this blog entry) John Moores’ and Ben Johnson’s exhibits, to the Conservation Center (second photo in this blog entry), to the Tate Gallery, to Bloomberg’s New Contemporaries, I was surprised and delighted to see the range of possibilities—something for all tastes, attention spans, and budgets.

What’s nice about the British approach is that everyone can get involved somehow, and keep passion alive. (Please see the photo of the interactive display, above, at the Conservation Center.)  Also, most museums and galleries are free (and government/trust supported), with lots of helpers around to explain and motivate.  You can even try things out for yourself, with projects like The Big Draw, which reminds that "drawing is for life, not just for children!"  (Please see the the photo below, also check out www.campaignfordrawing.org.)

Canada-based artists, currently on exhibit in Liverpool, include, David Altmedj, at the Tate, with his piece, The Holes, and Paul Ygartua, in Bar Four at the Hard Days’ Night Hotel.  And, then there’s street art, from all parts and in all parts, that’s catching a lot of attention—like the spider behind Liverpool’s Town Hall. (Anthony Gormley’s spectacular installation "Another Place" exhibit in the Mersey Estuary ended up staying more permanently.  Be fun if this one could too!) That’s my photo of the spider, but the Telegraph has a better night-time shot.

The point is that art excites and motivates. The more of it that’s around, the more people get interested, causing new opportunities/creativity (of all types) to emerge, as well as interesting juxtapositions of old and new—like with Liverpool Town Hall, behind which the spider dazzles, by night. 

Gamblin are my favorite oil paints.  In August, I discovered that they have an annual competition.  This year’s was number 15.  Robert Gamblin invites painters to experiment with "value," and see how light and dark can have as much impact as color.  For me, as a "colorist," this would have been an interesting challenge. Unfortunately, I found out about the competition a little too late.  The folks at Above Ground gave me a tube, after I commented on all the other shades of Gamblin’s grey I was buying that day (but the competition deadline date was too tight).  

Torrit Grey is made up from pigments collected from Gamblin’s air filtration system that are mixed and recycled to form a unique color.  There is no charge for this product.  

We all have our creativity slumps, and sometimes don’t know how to move beyond them.  A couple of months on from receiving the Torrit Grey tube I still hadn’t used it.  Now, the timing was right and better.  Perhaps this little tube could help restore creativity—kindle an element of surprise and wonder and motivate me to get back into a "flow."

You may view the DocSusan website and blog and think that my creativity comes easily.  Nothing comes easily, even if it may look that way.  Common "creativity blockers" and "enhancers" are listed below.  Perhaps you can identify?  Perhaps you have you own special solutions for navigating between them?
 
Creativity Blockers

• Emotional upsets
• Rejection/lack of appreciation
• Physical illness
• Burn-out
• Isolation
• Lack of motivation/goals

Creativity Enhancers

• Emotional stability and calm
• Appreciation
• Good health
• Rest
• Connection and belonging
• Surprises

p.s. I used the Torrit Grey in a a small work entitled, Love = Poodle for Me.  Love = ? for You? This was for the Love Show, an 8 x 8 fundraiser organized by the Londsdale Gallery, to be held at Toronto’s Gallery 1313 (October 30 - November 9, 08 Auction November 9), to benefit "Nomads" (street youth).

About this piece: Love hides in many places. Some never find it.  Others see it peeping through clouds—dream, wish, hope.  Love, for me, masquerades (and dances)  in "Poodle-form." Wherever I go, there they are!  I don’t hide behind my poodles, but we take care of each other —every step of the way. (This piece can hang in four different directions. Please hang it according to what you see in it—and enjoy!)

Yom Kippur (the Day of Atonement) starts tonight.  When the "gates" close at sunset tomorrow a New Year will begin, contemplation (and repentance time) shoved to the back-burner for many. 

Trying to remain mindful and careful year-round isn’t always easy—perhaps why three simple words seem to get growing attention:  "reliability," "vulnerability," and "fear."  They highlight problems many of us encounter daily.  They also point to short-comings (our own as well as others’).  Here are a few snapshots of how, told through acrostic poetry:

Reliability

Ready, willing, and able
Efficiency matters
Linked to what you do—or don’t
Impression stands for something
Actions too
But not everyone plays fair
Integrity matters, or so you’d hope
Letting things go
"I" counts more than "you," "he," "she," "they", or, "we"
Tales to tell
Yes, a slide in values, symptomatic of our times, but no excuse

Vulnerability

Very open
Unguarded
Lots to tell
Not always to the right people
Excitement and energy often misplaced
Reason and rationality lacking
Anxious, maybe as a result
Brave, but losing it
Irritated by consequences
Left out, regardless how much shared
Intimidated
Tense
Yearning

Fear

False impressions of what might be
Emotions taking over, justifiably and not
Ahhhhh!  It wasn’t so bad after all
Relief, thinking about it is worse than actually doing it

Guilt hovers for all types of reasons.  Some manage to feel guilty without cause. Others don’t (appear to) feel guilty, but should.  Conscience is a determining factor.  Even if we deceive others, we still have to live with ourselves! 

G U I L T

Got away with it before

If not this situation
The next?

Those who hurt us (seem to) get away with what they’ve done too often. Or, do they? The high of duping others can, ultimately, be followed by the low of them being able to offer no more excuses—followed by a lack of leniency from those able to invoke retribution.  

It looks like there may be no way out for OJ Simpson this time around.  He may have "got away with murder" 13 years ago, but can’t seem to get away with "kidnapping and armed robbery" now.  A "lesser crime," a greater sentence…

It’s wrong to wish ill on somebody else.  But, it’s hard not to feel relief when obvious (and repeat) offenders push their luck and things don’t pan out for them.  In business, dating, or en famille, certain individuals have a way of taking advantage of others.  If discovered, they may attempt to convince that their ruses are out of character, or provoked.  Also, when people get away with something once, they often try to get away with it again…and again.  No matter how good their stores get, where’s the glory?!

The energy in this historic city is very positive right now!  At a time of worldwide slump, Liverpool wraps up its year as European Capital of Culture on a high note.  The opening of Phase Two of Liverpool One by HRH Princess Anne, last Wednesday, has been a boost for the city, country, and beyond.  Looking through guest comments for Liverpool One, it seems a lot of other expat. Liverpudlians, including a bunch of Canadians, have already given rave reviews.

Liverpool, it’s clear, is back on the map—a pedestrian delight, encompassing the (once again) aptly named Paradise Street!  It will be interesting to see what happens when the newness and excitement from Liverpool One’s completion wear off.  But, noticing how proud Liverpudlians appear to have been made to feel, let’s stay optimistic!

Many European travelers have quickly discovered this jewel of shopping/entertainment venues (photo above). Added to the culture and history Liverpool, itself, already provides, there’s now a sophisticated urban do-it-all get-away destination that won’t disappoint locals or tourists.  Don’t worry about the weather.  "Scousers" with their down-to-earth and fun ways can make up for that!  Time to provide more direct routings from North America to Liverpool, without the need to detour via Manchester or London!  (British Midland, Air Canada, Continental listen up!)

Stopping over in New York on the way to Liverpool, I spent last Sunday at MOMA (The Museum of Modern Art).  My photos from that visit were on the same disc as those from Liverpool One.  Walkways and views, it’s clear, create interesting parallels between the two very distinct locations (as the MOMA photo, above, shows).  Liverpool One is not only a great place to shop and eat, but an interesting architectural feat, a treat for photographers and design enthusiasts of all levels.

More on Liverpool One:  Please check out my June 11 blog entry, "Liverpool One Wins—Helps Make a Once-Great City Great Again."

This is a blog piece I hesitated to post.  Could it upset, disappoint, or depress readers?  How might you perceive me as writer?  Regardless, it felt right to go ahead.  I thought and thought again…  Though the artwork and intentions of this site are positive, for the most part, being real and confronting the uncomfortable is an essential part of who I am.  Sometimes, it’s not possible to gloss over strong sentiments (even if they appear negative or disappointing). Everything we show can help us (and others) grow! Anthony Hopkins as C. S. Lewis, in the movie Shadowlands, states, "We read to know we are not alone." (1993).  I write to know this too!  Fifteen years later this simple movie-line still has powerful meaning.  Perhaps, that’s what compels me to share the following poem with you.

FAITH

Inspiration sought
What matters can’t be bought

I opted not to go to synagogue for Rosh Hashana. It didn’t feel right.  Instead, quiet contemplation stimulated this poem.

Though we’d like to think and believe the best, not all rabbis are "good."  Nor are all regular  "good people."  Hypocrisy and double standards are an unfortunate norm in every organized religion at every level—as well as among friends, acquaintances, colleagues, and family.  (And, let’s not forget in business and politics!)  Though many folk are afraid to see or state it, sometimes it’s hard not to wonder:  "What’s the point? Who can you really trust that’s not just out for themselves, regardless of their position and responsibilities?  Who are the ’show-men’ and ’show-women’ (the ‘insinceres’) in our lives?"

Rosh Hashanah (the head of the year) can be many things to many people.  Generally, it’s marked by ritual and family gatherings.  However, like Christmas, Valentine’s Day, weddings, birthdays, and other (intentended to be) ceremonious times, the "spiritual" isn’t always what’s obvious, or triggers (questioning and distressing) thoughts and responses.  There are always those who feel uncomfortable—left out, or struggling with memories and associations that aren’t happy.  They can sense no genuine point of connection or healthy attachment, despite repeated effort.  Being able to be mindful of this, as well as caring towards individuals in our circles who could be struggling (and left "faithless") is truly a mitzvah (good deed)—some might even say "miraculous."

p.s. The movie, Shadowlands, touched a lot of people in a variety of other ways. Further commentaries on this are shared elsewhere.

 

Growing up, I spent a lot of time in the kitchen watching my mother.  She’s still meticulous following recipes, even after cooking for almost 70 years.  No exact instructions for me! Observations and taste buds take over. With a little understanding of formulas and ingredients, I’ve discovered it’s hard to go wrong.  Also, cooking in bulk is cost-, time-, and mess-efficient.  Make large quantities and freeze—even, and especially, as a "one."  Nice to have someone else to cook for/appreciate what you’ve made. However, dipping into the freezer for meals and treats prepared in advance can feel like someone else might have cooked for you!  Self-nurturing, by choice or out of necessity, can be as creative as it is satisfying…and healthy.

Soups need sautéed onions and lots of vegetables, and should be puréed/liquidized.  Adding fruit juice and garden herbs makes them all the more nutritious and tasty.  Fall is a great time to store up for winter, especially when there’s such interesting produce being harvested locally.

8 Squash Medley

• 8 giant squash (each one being of a different variety)—baked till cooked through
• 6 giant white onions—sautéed till golden brown
• EVOA (Extra virgin olive oil) to sautée the onions
• 2 cups apple sauce
• 3 cups orange cranberry juice
• salt and pepper to season
• chives (from garden if possible)—cut up and added after making purée

Blend all ingredients together for a thick sweet main-course soup.

Curried Parsnip with Caraway

• 4 bags parsnips (approximately 1 - 2lbs each)—baked till cooked through
• 6 giant white onions—sautéed till golden brown
• EVOA (Extra virgin olive oil) to sautée the onions
• 1.5 cups orange cranberry juice
• 3 cups orange cranberry juice
• salt and pepper to season
• curry powder to season
• caraway seeds to season

Blend all ingredients together for a thick spicy main-course soup.

Earlier this month, I paid renewals for my my driver’s license and vehicle plate.  Funny, the envelope that was mailed to me with the forms for these didn’t include anything about a new $60 Toronto resident’s tax.  Since I’d been out-of-town a lot over the summer, I thought I might have missed news coverage of it.  Apparently not.  Most agree this one got snuck in without hoopla. Astonishing?  Or, Perhaps we’re all paying too much attention to US politics?

At College Park’s (long-lined) Ontario Service Counter, there was no explanatory literature, or prominent signage.  The only thing necessary to know, it seemed, was that if you didn’t pay up there and then you couldn’t make the other renewals.  Employees working at the counter weren’t afraid to mention that they didn’t agree with the tax (they’d be paying it too).  When I got home, I pulled up a September 1 (08) Globe ad Mail article which offered more details. Then, when speaking to friends and acquaintances who drive in Toronto but live in the suburbs, their snigger wasn’t surprising.  This extra charge didn’t apply to them!

From Sarah Palin’s lipstick to John McCain serenely placing his rose on the September 11 memorial at Ground Zero, while Barack Obama appeared to toss his, most of us (myself included) have been more engaged with what’s been happening on the other side of the border than with local politics and consequences. (Please check out the drinks menu at the Gladstone’s Melody Bar, in the photo above.)

Let’s remember that Canada has its own (40th) Federal Election October 14, 08. Americans might not know about this, but many Canadians don’t either…  On its eve, it seems, the Conservatives have been chopping arts funding right, left, and center. This fact may influence artists’ votes!

p.s. Regular readers might remember my Potty Pots in Rosedale (three-entry) series, from last year. Elections in Canada, it appears, can coincide with interesting displays of how tax payers’ money is allocated, locally as well as nationally. (For more links, please check out the third entry in the series: Potty Post in Rosedale, Part Three—As Elections Near, September 15, 2007).

There’s no better way to get to know your own city than by having visitors in town—a chance to do things you wouldn’t usually, and become more aware of what’s on offer. This past weekend was a good one, event- and weather-wise, to check out places and happenings I hadn’t before:

• The Beach Celtic Festival
Organizers made a point of stating this was a "Beach" activity (not a Toronto one), clarifying, to friends from New York and Boston how the Beaches are a distinct community (from Toronto) and proud to be one. There was a fun atmosphere and a variety of performers.  Fathers as well as daughters had a chance to display their community spirit and dance routines!  (Please see photo at the start of this blog entry.)

• Queen West Art Crawl
Knowing the amount of work and expense that goes into putting up individual displays, I’m not sure how participants might have felt or how the jurying and set-up processes went.  The overall impression/quality appeared mediocre and disappointing to those from other parts.

• Paws Way
This is a "pet discovery" center that appeals to all, non-pet-lovers included, with its animal heroism exhibits and themed lecture series.  The hours and information services are also user-friendly, especially for later on a rainy Saturday afternoon.  (Not clear who the creators/sponsors of this venture are, but the Purina logo is included.)

• The Drake Hotel
Yes, they do make the best afternoon tea scones in town (apart from my own), and the comfort food at the bar isn’t bad either.  Edamame followed by grilled cheese, with champagne, proved an interesting combination!

• Gladstone Hotel
Their Saturday night Karaoke is a lot of fun, for participants and listeners!

• Chippy’s on Queen
If you’ve not tasted the "real thing," these may be as good as it gets in the ‘hood. We didn’t like the cooks touching money and (?), and then the food, without washing their hands in between.  But, a line was building, and maybe they were short-staffed. Can’t really go wrong with chips when they’re home-cut. However, the batter on the fish was a tad crunchy/heavy…  That said, it’s a nice concept and there’s a good menu and price range. The $7.99 (cod) can be enough for two!

Last Friday evening, passing through Yorkville, I noticed a bunch of empty tables:  at Sassafraz, Café Nervosa, Dimmi, Remy’s, Lettieri—all the usual hangout corners.  At  6:30 - 7:00 pm you could take your pick.  So, spontaneously, I decided to stick around:  choose a restaurant where I’d not been before—Flow.  Since the dogs were with me, this worked out well. They could perch on the perimeter hedge of the patio in the comfort of their travel bag, with a view out onto the Hazleton Hotel and One.  The waiters were attentive and kind.  A large bowl of iced water was served to them, and a sliver of duck from a complimentary amuse gueule.  My own dinner of blackened cod and root fries, followed by meringue, was also nicely presented and delicious.  It’s very easy to (be made to) feel uncomfortable when dining solo. But, for some reason, I had the contrary experience here.  By 8ish the Ronnie Hawkins Band was heating up on the roof of an adjacent parking lot and the rain had started to come down.  The night was just beginning, and the opening weekend of the Toronto International Film Festival underway…

Portia de Rossi was asked about the best (relationship) advice she’d been given prior to her wedding with Ellen de Generes.  Recorded in a People Magazine’s September 1 08 exclusive about their nuptials, she said it came from Wayne Dyer:

"’ Just be kind to each other and be very respectful and considerate.’"

Whether for romantic/intimate relationships, or between friends (close or not), similar "rules" apply.  Kindness, respect, and consideration matter.  Cliché but true, "By doing unto others as we would have done unto ourselves, we can each, in our own special ways, help to make the world a better place, two (people) at a time.

Possible relationship-glitches (listed in random order) come from "happiness blockers" like:

1.  Over-attention to "me" not "we"

2.  Secrecy and manipulation

3.  Jealousy and envy

4.  Broken promises and elusiveness/evasiveness

5.  Lies and deception

6.  Game-playing and mixed messages

7.  Quickness to anger and judgment

8.  "Me" first

Even if someone else treats you badly, or you feel jaded or pessimistic, these are not good enough excuses for acting out/treating others unfairly.  Life is short and precious, and most of us are looking for the same basics—to love and be loved.  How we get there (if we are at all able to), might not be quite as simple or definable, unfortunately.

Possible relationship-glitch-fixers (listed in random order) include "happiness unblockers" like:

1.  Greater attention to an "us"

2.  Openness and consultation/frequent friendly "check-ins"

3.  (Personal) contentment and (genuine) goodwill to others

4.  Word-keeping and being upfront

5.  Honesty and directness

6.  Playing fair and being clear—keeping everyone’s well-being in mind

7.  Patience and flexibility

8.  "You" first

Earlier blog entries on related subjects include:

• Play Nice—Near and Far! (John Edwards too…) (August 13, 2008)

• Manipulation (August 9, 2008)

• No "Please," No "Thank-You," No "Happy" (May 30, 2008)

• Reciprocity (Feb 8, 2008)

• Confidence (Feb1, 2008)

• Give to Give (poem) (Sept 5, 2007)

• Too Good to Be True?  It Is! (August 7, 2007)

• Keep Your Word (July 25, 2007)

• Rejection Protection (February 25, 2007)

• Friends Help Friends (December 7, 2006)

• Comparison-Making, Envy, Jealousy (June 23, 06)

Artists and academics have opportunities to give back in creative ways, if they’re alert to them.  Sometimes, it simply requires a little extra energy and resourcefulness. There are too many possessions (the fruits of our labours, as well as research/study aids) that we store up, but don’t use.  So, why not donate them to others, and have them put to good use?  

I have been involved with Boston’s Art Connection since 2006, and am thrilled to have had  artwork chosen for display in a dozen of their member-charities.  Yesterday, I drove to Boston to transport 20 more paintings to them.  I also delivered my entire arts therapies journal collection.  The intention is for this to be divided between Lesley University and the School of the Museum of Fine Arts (SMFA), two of my alma maters.  (Right now, it will be housed at Lesley’s Porter Square campus, at the art therapy core program.)

The journal collection contains:

• Arts in Psychotherapy, 1992 - 2000,  Vol 19 #1 - Vol  27 #3 (42 journals)
• American Journal of Art Therapy, 1992 - 2000, Vol 30 #3 - Vol 38 #4  (32 journals)
• Art Therapy. Journal of the American Art Therapy Association, 1992 - 2008, Vol 9 #1 - Vol 25 #1 (55 journals)
• American Art Therapy Association Newsletters, 1992 - 2008, Vol 25 #3 - Vol 12#5 (62 newsletters)
• Canadian Journal of Art Therapy, 1992 - 2008, Vol 6 #1 - Vol 21 #1, and Newsletters (26 journals, 11 newsletters)
• Inscape. Journal of the British Association of Art Therapists,  1984 - 2000 (24 miscellaneous journals and one newsletter)
• Journal of Poetry Therapy, 1993 - 2000. Vol 7 #1 - Vol 13 #3 (25 journals)

Other entries on this blog that look at opportunities for artist-giving, include:

• Creating a Magic Pot: Artists and Community-Giving (May 8, 2008)
• Nuit Blanche/Live With Culture: Give a Litte Get a Lot, Give a Lot Get a Little. C’est la Vie! (September 30, 2007)
• Giving:  Give to Give (September 5, 2008)

Tis the season when artists get solicited to apply to art shows.  And, when you’re juried in (supposedly chosen by noteworthy judges, due to your artwork being of a particular standard) it’s easy to feel chuffed.  In fact, the excitement might help you overlook how much you then have to pay to register (on average, between $1000 and $3000) exclusive of accommodation, transportation, importation tarifs, printing, and other costs.  

Having participated in three international shows, back to back (December 2007 - April 2008), Florence Biennale, Toronto Art Expo, The Artist Project (Chicago), I’ve had ample chance to discover the expectations and disappointments such experiences can generate.  While the organizers make money (mostly from the artists), artists can feel short-changed and become frustrated for a variety of reasons:

1.  Feedback isn’t seen to be responded to, or remedied, when things go wrong, or aren’t as suggested.
2.  Conditions (for setup and takedown) can be as exhausting as they might be chaotic.  There are a lot of logistics, but not every protocol is logical.
3.  Booth location might be unfair (yielding unequal opportunities)—attached to seniority of participants, favoritism, or the luck of the draw.
4.  Advertising and ticket sales (on the show’s part) might be insufficient.
5.  Inconsistencies (who gets away with showing/selling reproductions) or expands beyond their allotted physical space could be overlooked.
6.  Excess charges for sundries, like lighting, electricity, flooring and furniture, usually supplied by third parties (that aren’t as good quality as advertised) can mount up, unnecessarily.
7.  Out-of-towners travel expenses receive little, if no, subsidy.
8.  Shipping (from out-of-town) is problematic, organizers neither subsidizing charges nor helping resolve practical/procedural complications.

Of course, the above is just a partial list.  The photos included below (taken at The Artist Project, 08) reveal additional glitches. All photos were taken during show hours, and this is just a small selection:

1. Busy aisle (but booth 4123A was almost the only booth not in an aisle).  Caution:  Object to being isolated. Neighbors matter!

2. Display and cleaning closet alongside each other. Caution:  What’s next to you is important.

3. Empty café opposite the booth.  Caution:  A café might appear like an attraction, but only if people go to it…

4. Garbage bin infront of display frequently. Caution:  Nice to have amenities close by, but not that close…

5. Endless cleaning stuff passing in front.  Caution:  In an out-of-the-way booth, distractions like these don’t make things any better!

6. Open closet and show guests, side-by-side.  Caution:  Not every booth can be ideally placed, if organizers are maximizing on floor space (and revenue).

7.  Traffic flow to the aisle marked "exit" (misses the booth completely).  Caution:  Organizers might argue that this is not a "problem," but when they bypass the booth, themselves, distributing "feedback forms" it’s a little ironic.

8.  Raised wall joints that make hanging difficult.  Caution:  After-the-fact, you might be told that these could have been attended to.  But, by whom and how at a time when any "special request" makes it seem like you’re a "fuss-pot"?

Typically, show organizers, no matter the stature of their show, appear unconcerned about responding to individual artist feedback post show, or prepared to compensate for problems.  Instead, it seems, their focus is on group solicitations for follow-up shows (expanding revenue options). There are plenty of fresh artists eager to exhibit their work who’d be thrilled to have it accepted (regardless of organizational issues and expense)!

With all the thunderstorms of late, there’s also been a lot of rainbows.  Hopefully, that means (a lot of) good luck is on its way.  Check out this rainbow on a usually drab section of Yonge Street (close to Yonge/St Clair).  An ordinary evening can become special in an instant, if we’re open to acknowledging it…

The more time I spend in Chicago, the more I like it!  The architecture is amazing at any time of day.

The skyline can be magical, especially at sunset.

Lakescapes are full of surprise:  a pink sail on a pink night.

Even a hotel room view can be cause to marvel. (This shot was taken from the Holiday Inn, Merchandise Mart Plaza).

 Then there are the juxtapositions.  Man and naure come together in interesting ways.  An early morning stroll through Millenium and Grant Parks led me to a wildflower paradise, gardeners already busy at work.

For more about Chicago, please check out this blog’s June 5 entry, Chicago, My Kind of Town.

Keep your eyes open—and camera handy—wherever you are, even close to home.  Nature will surprise, delight and astonish if you give her time and consideration.

Some things are easy to pass by. Others make us stop and pay attention:

• Tree stumps by a dried up river bed:  Connecticut, US, November 07

• Frost coated fallen apples:  Liverpool, UK, December 07

Boston and New England are craft-enthusiast-friendly.  Each time I’m there, I want to start working on a new project.  For basics, Windsor Button (open since 1936), close to Boston Common, has every supply you can possibly need.  This includes a vat of buttions at the entrance, from which I display a selection in my 2004 painting, "Memories."

Then, on Newbury Street, the more recent 1154 Lill Studio offers a few short cuts—assisting with the assembly of custom designer bags and accessories.  I checked it out, packed with clients the day before Mother’s Day.  Such a neat concept—for a personal visit, group party, or special gift!  Their prices range from $26 - $185, and there’s something to suit almost everyone’s taste. 1154 Lill came into being in Chicago in 1999 (where its headquarters are), and a local boutique in Lincoln Park.  Additional boutiques are located in Philadelphia and Kansas, and there’s in-home party opportunities as well!  Congratulations to founder Jennifer Velarde!

Earlier this week, I was excited to be part of a quartet that attended Dirty Dancing, at the Royal Alex Theatre in Toronto.  We took advantage of a mid-week special (four tickets for the price of three), making a spontaneous same-day purchase.  Sometimes, the best night’s entertainment happens when you don’t have long-term plans for it, but break routine.

Not only were the sets and costumes superb, but the cast was consistent and well-chosen.  This wasn’t the kind of show that had you wondering when the interval was going to happen. And beyond the actual performance, we were also struck by deeper story-lines, like that of a nuclear family with two adult-children.  

Siblings often have distinct personalities (and outcomes), and the daughters, Frances and Lisa, were excellent examples of this.  Sometimes, one child can be seen to do no wrong, and the other child, no right.  One has "higher goals" and she is misunderstood. The other ’s behavior is less commendable, but she’s more likely to get away with it (though not grow from her mistakes).  Also, parents often seem to forget their own pasts when making suppositions and demonstrating differential treatment.  Not knowing (or attempting to learn) all the facts, and making judgments for the wrong reasons can be problematic, unless non-family members have a chance to intervene.

Though much of the music was familiar, and there was a strong urge to want to go home and get dancing lessons, this staging of Dirty Dancing, it was clear, offered more than the immediately obvious.  Seeing the movie years ago, I’d been more focused on visual and auditory effects.  This time around (perhaps helped by the stellar performances of the leads) it was refreshing to be able to consider deeper messages and meanings. Lively afer-show discussion ensued!

Yet another accolade for Liverpool this month!  The Tate’s Klimt exhibit is a hit.  Last Monday, as an artist walking through, I became tearful in some places, identifying in different ways with practice, process, product, and response.  It was only on entering the gift store that I was disappointed.  A poster of the spectacular painting, "The Three Ages of Life," in my mind, had desecrated the original work.  It was up there for sale with only two stages of life—mother and child.  The old lady (old age) had been removed. 

As I start to make reproductions of my own artwork, I am extremely sensitive to what the artist might have thought about this crop.  A third of his vision had been removed without his consent or knowledge, and the greater meaning behind the piece damaged completely. Speaking to the manager of the gift store, I got an explanation.  It was all about commerce—financial returns.  She stressed how everyone cuts up Klimt, showing me images in a book of how fashion designers had made prints from excerpts of his work. This "nothing unusual" piece of merchandise (the two-thirds print) would sell better (allegedly have more mass market appeal) and bring income to the Tate.  It sounded like the message she was trying to give was that because the money would be coming back to the Tate (was not for "commercial benefit") that it was acceptable. As our conversation continued, the manager went on to tell me that postcards displaying the whole piece had already sold out, and there would be more later, once other images sold to make space again.

The postcard image that had sold out has been inserted at the start of this blog entry.  The two thirds image from the poster was also available at the store on a mini greeting card, and is inserted below.

 
The day after my visit to the Klimt exhibit (last Monday), the friends I’d been with there called to let me know that others were upset by the Klimt crop. The Guardian had just published a letter by a Maureen Everhsed which they’d headed "Age old problem."

I have been touched, today, by all the remarkable tributes to Tim Russert, NBC Bureau Chief and Moderator of Meet the Press.  Most Sunday mornings, his voice has been "background entertainment" while I’ve done household chores.  He was a fixture whom it was hard to imagine wouldn’t grace television news and debate well into old age. 

Tim’s sudden heart attack yesterday was yet another reminder to all of us that life is precious and we can’t have complete control, especially over its endings.  When someone as unique and admired as Tim is gone from our world in moments, without warning or preparation, we are stunned and ache.  From President Bush to regular viewers, everyone seems to have a reflection to offer, a deep fondness for this role model and outstandingly successful professional who remained a very down-to-earth family man and personal friend to so many.  My sincere condolences to all those dear to him.  He will be sorely missed.

At times like this, it’s hard not to think of more private individuals too, and their endings—those who haven’t enjoyed public success or recognition in their lives, those without family and friends who’ve supported and encouraged them. When their time comes, will it be recognized how their lives were meaningful or how much they could be missed?   How might things have played out differently for them, given a chance, voice, or simple luck?

It’s clear that we all leave our mark on the world in different ways, others’ impressions shaped by how we’re remembered or forgotten.  The following poem is dedicated to those who pass in greater silence and anonymity.  Maybe there was more to say about them, but there was no one to say it? Maybe their lives could have been happier and more fulfilled, but there was no one to spur them on? What might they have said if they could have written their own eulogies?  Perhaps this is one possibility?

AFTERWARDS

It was all up to me.

It’s like Liverpool hit the fast-forward button all of a sudden!  As somebody who hasn’t lived there for more than a quarter of century, its a lot easier for me to see this.  First came the Albert Dock complex, then the Capital of Culture, and now Liverpool One. 

Though there’s still hard hats, cranes, and construction everywhere, on a beautiful sunny day, this week, I was thrilled to see my hometown revived and bustling.

Please check out some of the posters inserted below that tell a little more about this new landmark.

Better still, go visit Liverpool.  You will be surprised, delighted, and entertained.  The shopping isn’t bad either…

When more carefully manicured cities, like Toronto, feel bereft of ambiance and energy in comparison, it’s clear something is working right in Liverpool.  The graphic design for its construction posters (inserted above), also helps with mood.  I couldn’t think of a city where the heart symbol fits better. You can say a lot else about Liverpudlians, but you can’t deny their friendliness, directness, humor, spirit and heart.  HeArTs off to them!  

Christopher Hart (no heart-typo) made this interesting comment in a Times Culture supplement after Paul McCartney’s recent Liverpool concert, "It’s a battered and bleeding heavyweight of a city, struggling to haul itsel off the canvas.  But it has an astonishing charisma—and I can still hear the sound of 35,000 voices ringing in my ears, singing about "times of trouble" and "all the lonely people" and "take a sad song and make it better."

A comment on the Liverpool 08 home page by Alexei Sayle states, "I’ve been all over the world looking for excitement, and it turns out that the most thrilling town I’ve ever visited is the one I was born in."  Right now, many non-resident Liverpudlians will find it hard not to agree!

With extended trips to Chicago in April and May, I have a growing list of recommendations for visitors. Even without much time to get out and about, because of "show schedules," I’ve been very impressed by what this city has to offer, and the well-known friendliness and kindness of locals.
 
You can’t have a bad meal, as the following easy-dining eateries demonstrated (in no particular order):

• Fulton’s On the River (fish)
• Ben Pau (Asian)
• Tizi Melloul (Mediterranean)
• The Brick House (fun)
• Shaw’s Crab House (fish)
• Lou Malnatis (pizza)
• McCormick & Schmick’s (fish)

And, for take-out, Fox and Obel (gourmet foods), close to Navy Pier, is hard to beat.

Spectacular architecture is everywhere. Don’t miss the legendary architectural boat tour that has the best views. You might even notice a city kayaker alongside.

Then, for a spot of exercise, check out the incredible East Bank Club (Oprah’s gym). A friend kindly invited me to a yoga class there.  The studio it was held in overlooked the river as the sun went down, making the experience all the more pleasurable.

And, for animal-lovers, missing pets or thinking of adoption, a visit to The Anti-Cruelty Society (157 Grand Avenue) is encouraging.  It occupies a whole city block and has a "transparency policy," domestic animals in-care viewable through all windows. 

Alternatively, a quick walk through Lincoln Park Zoo, in easy-reach of downtown, offers a more exotic break.

Nature and entertainment aren’t forgotten outside of parks, either—even on ("Magnificent") Michigan Ave.  Check out the Saturday afternoon street-performers. And then there’s all those shops…

But, if you are in town for "business," like I was, there’s other priorities, and staying at the Holiday Inn Merchandise Mart Plaza helped—consistently a comfortable, caring, and convenient environment.

Though I haven’t tried it yet, a Segway Tour is on my list of "must-dos" for next time.  I’d also like an evening out on Rush, which seems like a lot of fun…

With all Chicago’s summer festivals, as well as museums, galleries, parks, and lakefront, I really look forward to more visits to this super-friendly city, that’s clearly a shining example to others in so many ways.

Many tourists seem to be impressed with Toronto’s cleanliness. However, unfortunately, its warmth, joie de vivre, welcome, and energy aren’t quite as remarkable.  Locals point out obstacles too, like in Peter Kultenbrouwer’s May 10, 08 National Post article about Yonge-Dundas Square, "A public square that isn’t public."

The National Confectioners’ All Candy Expo is the most fun trade show I’ve attended. Since I enjoy painting candy, it was a great way to view (and sample) new still-life possibilities. Therapy and writing conferences might be stimulating, but they can’t compete. Held in Chicago at McCormick Place, May 20 - 23, 08, ACE also gave me a chance to spend more time in the US’s friendliest city. (A blog entry, "Chicago, My Kind of Town," coming next!)

All types of goodies were represented at ACE, and my favorite exhibitors (in no specific order) included:

Jelly Belly (beans)

Necco (hearts)

Pure Fun (candies)

Mama Mellace’s Naturals (nuts)

Black Opal Licorice

Melville Candy (lollipops)

Choclatique (organic hand-painted chocolate)

MarebluNaturals (crunch cubes)

Little i (mints)

Jelly Belly’s 110th Anniversary Party, hosted by Herm Rowland (Chairman of the Board), topped the list of most unusual entertainments and show hightlight. David Garibaldi, whose father happens to work for the company, put on an outstanding performance.

Garibaldi paints, dances, delights and amazes with his stunning portraiture. He’s also fun to talk to! At the end of the evening, guests went home with a Waterford Crystal commemorative Jelly Bean (that I’ll treasure)!

Despite ACE’s festive atmosphere, more serious political divides still weighed on some attendees’ minds…

"That’s nice!", "Well done!"  "Good for you!" "Great job!" "Keep up the good work!" Kudos is always appreciated, with a little encouragement going a long way.  However, it’s not always forthcoming—especially at times when needed most, and from those we’d like to have issue it.  And then there’s that magical two-word phrase, frequently forgotten, "Thank you!"  

Whether you’ve cooked for dinner guests, made matches between acquaintances, or looked after a friend’s cat, it’s always nice to be acknowledged and appreciated.  But, the more you give out, too often, the less this happens.  Feeling overlooked and taken for granted, continually, can take its toll—make us behave in ways we might not instinctively.  Enter the era of the "cautious" and "jaded."  Sadly, the notion of "once bitten, twice shy", can ring louder than ever.  

Self-absorption, becoming a predominant character trait in western society, today, it’s not surprising that "Please" is missing from many people’s requests.  And, without a "Please," it’s unlikely there’ll be a "Thank you."  Positive change happens one person at a time—personal displays of good manners and respect helping more than might be realized.  Seeing how giving the gift of a "Please," Thank you," or "Well done" can boost someone else’s spirits, can be a great first step in feeling better about yourself too!

Special occasions often call for unique settings in which to celebrate.  These are places that you visit once, hoping to experience something out of the ordinary—not with the notion of getting a "good deal."

Recently, I joined friends for a one-of-a-kind evening at C5 (the restaurant/lounge under the ROM’s Michael Lee-Chin Crystal). What we will remember most about the venue:  high prices, miniscule portions, unique decor.

At this new Toronto dining attraction, you’re clearly paying for ambiance and originality.  Though the food is tasty (what there is of it), those not on calorie controlled diets may need to go home to a hearty meal later—or fill up on treats at a movie afterwards, as we ended up doing.

 

Recently, an e-mail arrived inviting me to decorate a terra cotta plant holder to be auctioned off at a charity event, Eat Play Love, put on by Toronto’s Children’s Peace Theatre, this Saturday, May 10, 08.  Though I had no previous knowledge of the charity and wouldn’t be able to attend the event, I thought it was a fun idea and interesting cause.  This past Monday evening, the pot was delivered.  By Wednesday afternoon, I’d glamorized it with faux jewels and iridescent paints. Almost overnight, a non-descript container started to turn into a "Magic Pot."  Artists are often called on to give in whatever ways they can.  Whenever and however possible, most of us try our best—whether time and resources permit, or not.  The finished pot is inserted above.  How it looked before treatment is inserted below.

I have had the privilege of being an artist donor for Boston’s Art Connection for several years, already.  This is a marvelous one-of-a-kind artist- and community-friendly organization.  It would be wonderful if other major cities could follow its model, bringing artists and the wider community together, year-round, in mutually satisfying and innovative ways. 

I am thrilled to announce that Nicholas G. Vahlkamp is now my art dealer in Chicago and the Midwest.  He is co-principal of the Kamp Galleries:  Chicago, at the Drake Hotel, 140 East Walton Place (off Michigan Ave/The Magnificent Mile);  Winnetka, at 563 Lincoln Ave.

Please check out the galleries’ current shows:
• At the Drake, Chicago:  "Rediscovering Modern" (May 1 - May 31, 2008)
• In Winnetka:  "Chicago Artists We Love"  (April 1, 2008 - June 30, 2008)

A quick Google search to find other artists’ impressions of Toronto Art Expo (08) led me to the Artists Toronto blog.  After agreeing with some of the commentaries posted there about the event, I thought I’d look into membership.  Sharon Barr welcomed my "application."  What happened next was curious.  10 days later, she sent me a friendly-solicitation for ideas to help grow their site.  Suggestions wanted included the donation of e-mail lists and industry connections as well as initiative to devise a group show.  26 days later, I received an anonymous  "jury" rejection from a personal e-mail address that had the name "Jones" in it. A quick Facebook search enabled me to deduce that It was Stan Jones who’d provided the "glad tidings." It simply stated:  "It is the consensus of our committee that the images you have submitted for approval do not meet the subjective objectives of our committee."  I wasn’t sure what that actually meant, or what they could really be looking for.  All I was aware of were inconsistencies.  Note the time line for communications.  Application, solicitation, rejection.  Also note that they don’t have a 2-week application response turn-around, as posted.  One would expect elitism/run-arounds in the wider art world, but not from a parochial group that touts itself, in correspondence, as a "viable grassroots undertaking." By the way, you’ll find the Artists Toronto blog piece about Toronto Art Expo under the header "The Big Spring Art Shows."  The date given for it, right now, is March 8, 2009.  Of course, we know it must be 2008—and will likely be corrected, eventually.

p.s. Since posting this blog entry, I have received clarification from Mr. Jones about the AT "committee."  Apparently, it has five members (including him).  He states, "’Subjective objectives’ reflect the consensus of our jury in what we feel is a degree of artistic merit that we’re collectively comfortable with.  But it is only our opinion."  Unfortunately, still no explanation of the application, solicitation, rejection procedure.  Only a remark about  familiarity with "entrepreneurial drive."  If they do really intend their site to be "the main connection between Toronto artists and the art loving community" (as announced on their home page), they’ve demonstrated an interesting modus operandi with a target audience.
Perhaps it’s personal artist-artist-friendly experiences in the US, Europe, and beyond that make me all the more sensitive to Toronto artists’ (unnecessary) obstacles.

Children enjoy my artwork, at The Artist’s Project, too—strollers being rolled up to low hanging pieces, like Majesty and Flirt, the Giraffes.

Men really seemed to like my painting, Passion.  One man was happy to pose  for photos.  He just happened to be wearing a shirt that color-coordinated.  Pink-obsessed little girls were also drawn to this piece.

My booth at The Artist Project ended up being a retrospective of the last 18 months’ work.  

After two days of unpacking and hanging, it was time to relax and take a phone call. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries. 

Outside the Merchandise Mart main entrance, a wire face sculpture has just been errected.  US flags wave in the background on a warm spring day, with Chicago River architecture as backdrop.

 
Tonight is opening/preview night and my Artist Project booth is finally set up, after two days’ preparation. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries. 

p.s.  The face sculpture is called SHO, and was created by Spanish/international artist, Jaume Plensa who is represented by the Richard Gray Gallery.  In Chicago, he is known for his design of the Crown Fountain in Millenium Park.

In North America, 24/7 schedules make it hard for us to keep up with ourselves.  Every day of the week is the same and work hours seem to have no beginning or end.  We have to be "on" all the time—with a Blackberry or cell, even while walking the dog or at the grocery store.  We think we’re saving ourselves time—trying to create more space for leisure—but are we really?  There’s always something else to do and another qualification to have.  It’s not just knowing how to do what we do, it’s knowing how to present and sell it.  And for that, you probably need writing or computer skills (that might have nothing to do with the job in hand) as well as a factory connection in China. Slowing down and switching off aren’t usually an option if you want to get ahead.  No time for bed!  Then there’s the relationship you don’t have, which frees up more time for work and disables you further from having any personal life at all.  Then there’s the diet you can’t stick with because convenience food is convenient.  Also, if you’re in the middle of a home renovation, you probably won’t have your kitchen fixed, properly, for at least another year.  Whatever can go wrong offers new challenges—takes time beyond the 24/7 that you don’t have in the first place. There once was a movie about working 9 - 5.  Can you believe it?!

As you’ll see from the photos (above and below), Poopals, Lev and Sage, approve my new Animal Magic Collection.  And, they have their favorites!  To see more, please check out the Animal Magic/Artist Project Gallery.

…and mine is Lev. Please check out the silouhette in the bottom left hand corner of the image below.

I, also, have the responsiblity to watch over Lev, and Poodle pal, Sage.  This morning’s Today Show discussed the alarming rise in dognapping, giving lists of recommendations on how to protect our canine companions.  The information provided is worth checking out.  Its in the form of an article called, Pets as Prey:  Alarming rise in dognapping:  Smart advice on how you can protect your canine companions from theft. 

Even after studying beginner Italian for three semesters at the Toronto’s Italian Cultural Institute, and buying a bunch of self-help books and tapes, I wasn’t confident enough to speak the language once in Florence (for the Biennale). However, this didn’t detract from my enjoyment of being there, and sensing what was said and written—taking in the ambiance, mood, and energy. In Italy, la dolce vita (the good life) is energizing, especially when a stark Canadian winter sets in.  At a quick glance, here is some of what seems to matter:  art(s), food, hairdressers, individuality, laughter, playfulness, style, uniqueness

Food tastes different—fruit and vegetables smell like they’re supposed to (haven’t been forced or altered), and time is taken over meals. Friends gather in large groups and share what’s on the table—at home and in restaurants.  There’s a lot there, but servings are adequate, not excessive.  People learn how to dine, course by course, and interact while eating, from an early age.  They also are seen out walking on a daily basis.

There may be chaos surrounding organized events and activities, but everything gets done, just in time, and happens how it’s supposed to.  Along the way, it might be realized that biggest isn’t necessarily be best.  More intimate gatherings and personal/neighborly relationships prevail.  Instead of being home alone, many are out doing their daily grocery shop, or frequenting destinations in easy reach, by foot.  The streets bustle with locals engaged in habitual activities that have existed for generations:  going to mass, errecting and taking down market stands, or standing up for an aperitif and antipasto at a corner bar. Even well-known bursts of rain don’t stop everyday life, or visitors.

A few local tried and proven recommendations in Firenze include:  Carlo Bay: haircare; Cellai: hotel accomodation; Grom: gelato;  Madova: gloves; Muniaciello: pizza, cocktails, music, Rivoire: lunch, pastries, home-made chocolate; Zaza: fun, central trattoria; Zechhi: art supplies.

The organizers of Artropolis have kindly given their Artist Project participants a link to share with friends and clients. By clicking on this, you will be able to download free passes for all five shows making up the Artropolis weekend. If you do attend the Artist Project, please stop by my booth (8-4123A) and say "hi." Look forward to seeing you there! The DocSusan Artist Project Gallery will have further updates and images closer to the time!

Painting for The Artist Project, I have animalkind on my mind.  And, whatever is on one’s mind can pop up, by coincidence, in other places.  The leapyear edition of the Tonight Show (February 29) was a wild-animal enthusiast’s delight.  An avid cat-lover, Jay showed fearlessness romping and head-butting with a lion cub, massaging hyenas, and cuddling with baby leopoard-kind.  After backing off from a a mongoose, he wasn’t phased to see his stage "marked" by a feline guest who was just doing what animals do. Even human guest human, Patricia Arquette, was coaxed to talk about her fondness for dickdicks—interesting to her because they mate for life and always poop in the same spot.  In just moments, Dave Salmoni’s animal parade, Patricia Arquette’s explanations, and Jay Leno’s playful jests had transported me back to the African bush. I felt truly privileged to have been able to see all animal types in their natural settings—and to be painting some of them now.  Jay Leno proved his versatilitiy and power yet again.  No wonder the media is abuzz as to what he’s going to be doing next, and at what price.  The Tonight Show (and painting into the wee hours) won’t be the same without him!

There are more international art fairs and artists than ever. While visitors may only witness final happenings, what goes on behind the scenes for artist participants can present a totally different picture (no pun intended). In Italy (at the Biennale), logistical idiosyncracies went with the territory.  In Toronto, for an established local event, like Art Expo, perhaps my expectations were too high.  When event dates were moved up, just before Christmas (with tardy website adjustments, and a clash with a competing art show), other surprises weren’t yet in the air. (Please see an earlier blog entry, "Change of Date, Change of Fate:  Toronto Art Expo 08 Snowed Under," March 16, 08)

Reminders were included in Art Expo e-communications assuring that "no other" show goes to Art Expo’s lengths to make things easy for those exhibiting.  However, return e-mails, phone calls, and receipts, were difficult to obtain. Also, pre-show move-in wasn’t happy. Arriving for a mandatory end-of-the-day slot, it was disappointing to discover that recommended (rented) booth equipment wasn’t in place, making eventual set-up uncertain and tense. (I am very grateful to those who took non-job related initiatives, well into the night, to help postion my display prior to the next morning.)

Art Expo artists incur heavy costs for the privilege of participation, no matter show actualities. Here’s my own tally:
Sums Paid to Rime Canada:  $1957
• Amount for the smallest booth (5 x 15 feet):  $1695
• Amount for participating in the Toronto Life Advertisement option:  $265
Sums Paid to "Recommended Decorators":  $859.34
Booth’s basic fixtures (not included in booth registration fee, and outsourced):
• Showtech:  rental of 2 high ceiling mounted floodlights (secured at a greater distance from the booth than anticipated):  $540.14
• Stronco Show Services:  rental of a 5 by 15 foot strip of (poorly cut) grey carpet, no underlay:  $166.95
• Canfence:  rental of a custom-made (yet rusty and broken) fencing enclosure on which to hang the artwork:  $152.25
Sums Paid to the Toronto Convention Center:  $55
• Parking Pass:  $55
(Internet connection not taken because it was $895 +5% gst for wired access, and $395 for wireless access)

Different art shows, I now realize, can be lighter on the wallet, and suggest less possibilities for set-up stress/additional costs. Take, for instance, the Artist Project (Toronto), which happened the same weekend as Art Expo.  Here are their booth rates: 5 X 10 $600 + $300 = $900; 5 X 15 $900 + $400 = $1250; 5 X 20 $1200 + $400 = $1600; 10 X 10 $800 + $400 = $1200; 10 X 15 $1200 + $600 = $1800; 10 X 20 $1600 + $800 = $2400. A note from the Artist Project’s user-friendly Website clarifies inclusions: "We have negotiated a great price for the gallery style hard-wall system. The cost for this rental is included in the price of your booth. This system will facilitate a smooth and easy move-in; all you need to do is hang your artwork  and provide your electrical and lighting. As well, these walls will ensure a high-end, professional looking show…"

Right now, I’m looking forward to exhibiting at The Artist Project, Chicago, April 24 - 29, 08.  So far, the greatest administrivia difficulties and financial expenses connected with this show pertain to cross-border protocols and logistics.  Shipping to an out-of-the-country event, and determining far-from-home transportation, accomodation, and on-site necessities presents fresh challenges and adventures…

If this blog becomes a little less active over the next few weeks, please understand.  Now, back up to the painting studio!

For Toronto Art Expo’s opening night, I wore one of my home-made crochet creations. Many times, we make hand crafted clothes and then feel too afraid to wear them.  But, for special occasions like an art exhibit, I thought it might be fun to do so.  This crocheted outfit had many commenting that I looked like my paintings!

For more Susan-of-a-kind crochet creations please check out the crochet gallery linked to a previous blog entry, (Crochet for Stress Reduction, Fashion, and Fun, December 25, 2006).

This Sunday morning (today) was crisp but spring-like. Woken by birds singing and seeing the snow melt, I couldn’t help but think back to last Sunday morning—having to dig myself out of the house.  Last Saturday night, I abandoned my car at the Metro Toronto Convention Centre parking lot because we were in the midst of a snow storm—weather conditions that didn’t bode well for Toronto Art Expo attendance.  Originally, Toronto Art Expo was supposed to be held this weekend (March 13 - 16) and these dates could have worked out better had they been kept.  

When Mr. Peter Maguire (President of Rime Canada/Organizer of Toronto Art Expo) confirmed the date switch (off-line, just before Christmas, and on-line, well into January) from March 13 - 16 to March 6 - 9, 08, I was uneasy.  Apparently, there were two main reasons for the date-change:  to catch March break big-spenders before they left on vacation, and to upstage Toronto’s Artist Project’s first-year, which Maguire didn’t want to have poach his audience a week in advance.  

Sometimes, calculations and manipulations just don’t work.  Mother Nature is more powerful than humankind.  What is meant to be will be, rash or reasonable decisions and changes having little influence over outcome.

Irony:  A week after the event, receipts still haven’t been issued by Toronto Art Expo for expenses already paid (despite pre-show requests).  However, on the Saturday of the actual event weekend, reapplication packages were hand-delivered to each participant’s booth for next year (2009). Then, on the Sunday two paper warnings appeared.  The first note stated that 5 pm would be the cut-off time for resign-up.  Those who didn’t do so by then would be subject to re-jurying and possible price increase.  They’d also lose seniority over booth allocation.  The second note extended the deadline till 6 pm because of "traffic on the floor."

As I sat quietly in my booth (few attendees in evidence) musing about how Toronto Art Expo 08 (at least from what I’d witnessed) seemed doomed from the start, any notion of feeling pressure/anxiety to sign up (and pay up) for a repeat performance seemed a little silly.

Every winter I try to be as creative as possible with the floral arrangements/greenery outside my home.  But, in a cold snowy climate this can be difficult—especially for someone who favors natural over fake. This year, I made a 50-50 display (50 percent natural, 50 percent fake), and it’s been more long-lasting and attractive than previous years.  In fact, the fake parts (fruits and berry branches) have had better durability than expected.  Even after holding a lot of snow they will be recyclable for next year’s arrangement!

p.s. Canada Blooms may be happening right now, but nothing’s changed with the arrangements outside my home. No hint of spring!

I am exhibitng my spring fine art collection "From Doodlemania to Organic Art" at Toronto Art Expo, March 6 -9, 2008 (Toronto’s Metro Convention Center). After the event, I will offer behind-the-scenes tidbits pertaining to this "happening" and its organization on this blog.  What artist participants experience and what the general public notices, will likely be interesting (and different)… Participating at the Florence Biennale had predictable bumps (some of which are already recorded on this blog).  Showing artwork in a foreign country with different ways and standards is always an adventure!  In Toronto, however, and due to the heavy costs of participating at an event that’s not in its infancy, my expectations have been higher…  Let’s see what happens!

My booth is 401 u/l.  It’s on the upper level, in the far back left-hand corner, at the bottom of aisle A and adjacent to the toilets.  Please stop by and say "Hello!"  Hang out for a while!  Look for sping colors and feelings. I hope to create a "cozy, welcoming corner":  a little sanctuary tucked away in an overwhelming, large, noisy hall.  

Painting through a  "long, cold, lonely winter," this "Litttle Darlin’" has been crying out for spring—imagining it in a myriad of shapes and colors. (Please click the link just given and listen to the You Tube song that you’ll find there!)

The paintings on display, I hope, will lift the spirits, and hearts, of Art Expo visitors.  Oh, and, by the way, most of them are for sale!  The Art Expo mandate is that only originally work can be displayed and sold there.  Reproductions are available to order, outside of the show…

In North America, we’ve just started to hear about "pink cabs." The Pink Ladies cab company was started in Warrington (Northern England), in 2005, and has been so successful it’s now looking for franchisees. Pink cabs are driven by women for women, saftey and comfort being paramount.  In the days when all British cabs were black, "Pink Ladies" might have stood out.  Now they are part of an already colorful streetscape.

 

I hadn’t been in London for quite a while till Fall 07. (I still haven’t managed to finish writing about that trip on this blog, with so many other life/travel interruptions.)  When there, I couldn’t help but think how much brighter a place this city has become because of its colorful cabbies. Traditional "stiff upper lip" black vehicles are transformed into mobile advertising machines.  When I noticed the first colourful cab, I thought it was a one-off vehicle.  Then, each way I turned, I saw another and yet another.  Time to pull out the camera and start snapping.  Cab after cab, I collaged their images into a poster (inserted above) on returning home.  Funny what strikes us on our travel adventures.  I’d never have thought that cabs would capture my attention like this.  I suspect their ads are working! You certainly can’t help but notice them.

Other ads, I was aware, were displayed by humans.  I chanced on a bunch of placard supporters close to Covent Garden station.  I didn’t envy their job, sitting there holding arrow signs to local businesses. Fortunately, it was a balmy September morning.  I don’t know how widespread or seasonal this form of (in)human(e) advertising might be…

We research some hotels in advance.  Others, are found by chance.  When the Florence Biennale travel agent billeted me at the Hotel Cellai, I didn’t know what to expect, but ended up being surprised and delighted. This boutique hotel, I think, might enhance any arts enthusiast’s visit to Florence—epitomizes the Florentine spirit and its evolution. 

Originally, a small bed and breakfast, the premise has been in the Carvallo family for three generations—passing from grandmother to daughter to son.  Francesco, the current owner/manger credits his three decades of "international renaissance education" with strongly influencing his hotel’s remodeling and expansion.  The Cellai now has 70 rooms, and is brimming with artwork, ornaments, fine furnishings, and old-world charm. Each room is different from the next and the lounge areas are comfortable and intriguing.  Magazines and books are are in key locations throughout, opened on pages with special quotes, images and articles.  Also, various contemporary artists’ canvases are exhibited on a rotating basis in a living room area.

Although the hotel looks complete the way it is, Carvallo is in the process of adding three more common areas:  a billiard room (with a purple-clothed table).  Geometry is one of this designer’s passions, and the room’s intention will be to give a sense of the "forces of the universe." The second addition will be a "love room"—one that’s not really intended for use, but to be viewed as an installation of sorts, built around a red velvet sofa (from a 1890 - 1905 "pleasure house").  "It cost a fortune," Carvallo admitted, reminding that people will be looking at it, not sitting on it.  There’ll also be special mirrors (from another "pleasure house").  Finally, there’ll be Libertine prints, showing people flirting. The third, and final, new space, will be a wine bar with books and silk curtains.  20th century style will be set off to advantage here, with black and white photos from 1920 - 1970 being an important decoration (from Carvallo’s extensive personal collection).

Interior design, according to Carvallo, is like "a medicine" for him.  His own home celebrates the 1940s - 60s, but has paintings from the 17th, 18th, and 19th centuries as well.  Carvallo especially loves still-lives from the nineteenth century that have dark backgrounds and Italian origins—mostly from Florence and Naples.

Carvallo appears a modest and diligent man, and blushes when telling that his interior designs have been featured in niche magazines. He is also very excited about another space, adjacent to the hotel, that is also nearing completion.  It is to be called the "Spazio Bianco" (White Space).  This is where his designs will have a chance to leap into the contemporary world (beyond the 17th, 18th, 19th, and 20th centuries).  He loves the idea of covering centuries, room by room, as he has done so far.  The "Spazio Bianco" (White Space), as its name indicates, will be totally white and have a wooden floor, also painted white.  Carvallo is particularly looking forward to creating special effects in there.  The simplicity of the decor, he thinks, will offer unique possibilities, like to change the color of the air.  

The event space/gallery is 150 square meters, and will be the hotel’s cinema, if there’s no special event or exhibition happening.  Carvallo plans to show Italian black and white movies from 1948 - 1968 (from his personal collection).   He’s also looking forward to playing there once a week, with his band, "The Pink Freuds."  Carvallo is the vocalist.  In the band, there’s vocal, piano, guitar, electric guitar, and drum.  Apart from a female lawyer, all the other band members are male—and professionals with significant day jobs:  an architect, economist, town planner, and geologist (responsible for Florence’s public water systems).

Carvallo’s attention to detail shows everywhere, and not least in his agenda for the event space/gallery.  The product line "San Zanobi" (local oils and wines) will be available for tastings.  Then, once a month, vintage dresses will be shown, from a flee market close by.   And, there’ll be a salon-type atmosphere with literary readings and art shows.  Carvallo is "connected," so the offerings are guaranteed to be interesting!  Cecco Mariniello, the number one (and reclusive) Italian childrens’ book illustrator is the Cellai’s postcard designer—and, right now, these postcards are "giveaways"!

Carvallo doesn’t have a secretary, and says he makes all his own decisions and designs.  His days are long and guests catch him fluffing cushions early morning, or with papers all over his desk well into the evening. In the day, he drifts in and out, covered in dust from construction. Carvallo explains how, in Italy, "Everyone wants to change things themselves, and put in their soul…and then there’s Italian mothers who ‘kill’ Italian boys…"  His own mother, at 83,  went paragliding in Florida recently, and his father lived a healthy life until his passing at 90.  Carvallo’s mother still helps out at the Cellai, and he says he’s appreciative of that.  "Traditionally, Italian men talk but don’t do.  Women do…," he stresses.  Carvallo might just be an exception to his own rule!

Carvallo is hoping to open all his new additions this spring.  Then, he’s planning to start selling artifacts that he’s collected, as well as artworks from displays.

At the Florence Biennale, sitting at my exhibit most days, I had a lot of time to reflect on what was happening there.  I either doodled my thoughts in a sketch book or wrote them up as poetry.  Here’s a poetry sample:

JUST ANNOUNCED! DocSusan is thrilled to have been chosen to participate in The Artist Project at Artropolis, Chicago’s citywide celebration of arts, antiques and culture, April 25-28, 2008 (preview opening, April 24).

The Artist Project is Artropolis’ key event showcasing independent artists. An annual exhibition and sale in its second year, it features original work from a juried selection of 300 established and emerging artists. Included artsists cannot be affiliated with galleries. This gives visitors a rare opportunity to discover and obtain interesting and affordable art directly from its creators.

Other Artropolis happenings include: Art Chicago, The Merchandise Mart International Antiques Fair, NEXT, and The Intuit Show of Folk and Outsider Art. They are all held at the The Merchandise Mart.  And, at the same time, throughout the city, an abundance of other activies are scheduled to take place at major museums, small galleries, world-class concert halls, cutting-edge clubs, lakefront parks, private parties, and more.

Please take a moment to be in touch with a friend who doesn’t have a Valentine, and let that person know how much they mean to you/you care about them.  A simple phone call or e-mail may be just enough!  If you’re happy—and fortunate to have attention from a "special other"—try to be extra sensitive to whose circumstances are different.  Though Valentine’s Day (February 14), gives many a cause to celebrate (and for commercialism), more folks than seems fair feel uncomfortable as it looms. This poem tells a little more:

VALENTINE’S DAY

Loved?
I’m not sure about that

Happy Valentine’s Day!

Add to Valentine’s Day, Ontario’s first annual Family Day, four days later, February 18, 2008.  Apart from proving an inconvenience for some in the business world, this second "relationship-rejoicing" day may add to singles feeling more out-of-place (a significant percentage of the local population).  According to February’s Village Post, its very name is "puritanical," and just begs for satire!

 

Please vote for my artwork.  Just click on this link: http://www.saatchi-gallery.co.uk/showdown/index.php?showpic=118145. It’ll only take moments to click the star on the far right! THANK YOU!! Voting is February 11 to 18.