On Saturday, for sentimentality’s sake, I took a ferry across the Mersey.  The round trip is 50 minutes, and we hardly saw the time pass.  There were two main distractions:  

1. A Long Haired Miniature Dachshund puppy called Sam sat next to us.  He was doing a homework assignment for "puppy school":  taking a ride on public transportation.  Not only was he very relaxed, he enjoyed a lot of attention and strokes from everyone around, nestling in my lap for a good portion of the trip.  (No nervousness, unlike my older dog Lev who can shake terribly on boats, as in thunderstorms. Sage, my younger dog, on the other hand, is just as calm as Sam was.)  All dogs have their own ways, like humans.  Some things you can’t change, even with training.  We look forward to reading more about Sam’s progress on his blog: samlamb.wordpress.com

2. After pulling out of Seacombe dock and turning around, the river got choppy (The commercial ship that was adjacent to us shows this, inserted below.  Also, please note the Liverpool skyline in the background.) A big wave shot across the upper deck and we were drenched. Quite a surprise! Wet through to our undies, it took most of the rest of the day to dry out!

Whatever you do that involves others requires a shift from "me" to "we" thinking.  Simple in theory, harder in practice.

Keeping everyone happy—and challenges to that—are usually based on three fundamentals, in most instances. Here is a brief  "how to" overview of fundamentals that seem to matter:

Consider:
1. How and why you’ve come together. Are goals similar?
2. What the rules might be—what’s  right and wrong, ethically, morally, circumstantially.
3. Where clarifications are necessary (if rules are bent), so misunderstandings don’t happen, and one party isn’t misled.

Be:
1. Fair and honest
2. Open and respectful
3. Flexible and considerate

…as best you can.  Most people know when they are taking advantage of someone else, and the person being taken advantage of knows too!  Don’t keep (the idea of) a relationship going at any cost in the hope that it’ll get better—because you’re the one who’ll be paying afterwards.

Upsets come from:
1. Being out of synch/selfishness—one person putting their own needs first (saying and doing differently or vice versa).
2. Expectations of both parties not being expressed or agreed upon (in advance or as they shift).  Avoidance isn’t a solution, just a way to upset someone else.  
3. Distractions being allowed to take over (one person changing their priorities, but not telling the other, and not putting in equal effort).

Long distance relationships have higher stakes and extra obstacles:
1. Trust, openness and communication matter even more.
2. Out of site should not be out of mind. (Excuses are easy!)
3. Practical, financial, and emotional realities are all stretched, tested, and differ.

Bottom lines:
1. It’s not all about you!  Never was!
2. Everyone has limited time and energy. Please don’t waste another’s!
3. Consequences happen.  We might not realize at the time how we affect someone else, but a lot of damage can come about from what might be considered "trivial."  As much as you might not be hurting, someone else could be in agony…

Cliché but apt: "Put the shoe on the other foot!"  We all have hopes and dreams, and it takes courage to make oneself vulnerable—even though life is short, and there are only so many opportunities for happiness.  If you know that you are jeopardizing someone else’s well-being by not being upfront and playing things out because it suits you, think again…

Alas!  If things are "too good to be true," they too often can be…  No matter how one conducts oneself in other circumstnaces (or is seen to be to the oustide world), it’s daily enounters, and opporunities for genuine intimacy that reveal who they really are and can be (or not).
 
The most powerful, wealthy, or good-looking among us have the greatest responsibilities and weaknesses, since they may have more possibilites to get away with things. Because of who they are or what they have (regardless of where it comes from) and their bigger-picture "do good" deeds, they can raise the loudest alarm bells!  Entitlement may be an outcome, but not a justification…  

Though news of the the "John Edwards Sex Scandal" is only just breaking, and details and coverage aren’t all clear, this is just another example of what we see not always being what we get.  Or, what we imagine could be possible (and wonder why not) actually being so.  Role models are hard to find, and "everyday people" imitate and get away with much more (than before) just because they can.  Sad, but true, this is something that’s become almost unremarkable socially.

Those who may be seen to have "less going for them" are invariably more reliable—and better at "playing nice!" On-line daters, take heed when making selections!  What impresses and allures on screen, might not in real life!

With my constantly changing routines and busy travel schedule, I usually find it hard to commit to extra-curricula classes.  Also, I am not a "gym person".  But, this past week, a neighborhood offering met my needs and interests admirably.  Roots’ flagship store in Rosedale has free one-class passes for their yoga studio.  Stimulated by the first class, I decided to take advantage of a "summer special"—unlimited classes for a week for $20. Though classes are reduced in number for the season, there were enough to meet my needs, and four out of five were enjoyable—especially the pilates. The studio is low-key, no mirrors or fancy accessories, and appears to have a regular clientele (all female).  Positioned at the back of the building (away from Yonge Street) the view of tree-tops through the window is well-planned and soothing.  And, eventually, you stop noticing the rattles of the subway line down below.  Definitely a positive experience!

Have you heard of WAYN (Where Are You Now?)? An interesting concept! I hadn’t until I got repeated e-mails from them a few months ago. Apparently, an acquaintance had added me as a "friend" and I needed to confirm that we do, indeeed, know each other. The first notification said I had three messages waiting for me. Then, a matter of hours later, I got another notification stating that I needed to "confirm friendship" and that I had 11 messages waiting for me. (I didn’t respond.) And, just as WAYN stopped e-mailing, another unknown (to me) Canadian/Ontario social networking site began, Two Ones.  Another "acquaintance," apparently, wanted me join him there. Only two notifications this time. (Again, I didn’t respond.) How many on-line social/networking groups can one join, and be active with on an on-going basis—especially if invitees who already know each other (and are seldom in contact) off-line?  More to the point, how much time is it possible to spend on-line?  What’s happened to old-fashioned ways of going out and making "real live friends"—spending actual time with people you’ve known for a while , or would like to meet in person.  As many others have done, for professional reasons, and due to "friends’" urging, I joined Facebook, Myspace, and Linked In.  However, I have only been moderately active with one of them—Facebook.  This is the site that where the majority of people I know (or one might believe I know) seem to be active, for one reason or another… 

Little wonder there needs to be public service announcements advising against drinking and driving (while operating water vehicles).  The LCBO (Liquor Control Board of Ontario) occupies prime real estate in popular lakeside locations.  In Killarney and Port Carling, their properties are waterfront.  Look at Port Carling’s pick-up dock (in the photo posted above).  On a recent road trip through Northern Ontario, no matter the basics communities seemed to lack, government liquor stores appeared prominent and dominant.  Maclean’s Canada Day double issue, with a feature offering the "startling facts" about Canadians vs Americans" gave interesting statistcs. Apparently, 27% of Canadians conusme alcholhoic drinks "at least ‘a few times a week’" compared to 19% of Americans.  Also, 1.3% of Canadians’ household expenditure goes on alcohol compared to 1% of Americans’.

Apple raises the bar on customer service and satisfaction, encouraging repeat business and spontaneous purchases. Win-win for everyone!

With their Procare and One to One assistance, you can get Apple technical support (for 15 mins) and/or personal instruction (for one hour) weekly.  Annual fees are very reasonable, and trainers savvy, friendly, and versatile.  Also, depending on location, canine assistants have been known to enjoy participating too!  

Lev and Sage are always eager to learn, and happy to observe from their travel bag.

Lev (as editor in chief of this blog) is pensive. 

Sage (as editor in chief of the DocSusan website) takes his job seriously (sometimes).

p.s.  Please note that the Eaton Centre Apple Store will be "undergoing renovations" mid-August for 10 weeks, so their space and services will be reduced during that time.

Tis the season when artists get solicited to apply to art shows.  And, when you’re juried in (supposedly chosen by noteworthy judges, due to your artwork being of a particular standard) it’s easy to feel chuffed.  In fact, the excitement might help you overlook how much you then have to pay to register (on average, between $1000 and $3000) exclusive of accommodation, transportation, importation tarifs, printing, and other costs.  

Having participated in three international shows, back to back (December 2007 - April 2008), Florence Biennale, Toronto Art Expo, The Artist Project (Chicago), I’ve had ample chance to discover the expectations and disappointments such experiences can generate.  While the organizers make money (mostly from the artists), artists can feel short-changed and become frustrated for a variety of reasons:

1.  Feedback isn’t seen to be responded to, or remedied, when things go wrong, or aren’t as suggested.
2.  Conditions (for setup and takedown) can be as exhausting as they might be chaotic.  There are a lot of logistics, but not every protocol is logical.
3.  Booth location might be unfair (yielding unequal opportunities)—attached to seniority of participants, favoritism, or the luck of the draw.
4.  Advertising and ticket sales (on the show’s part) might be insufficient.
5.  Inconsistencies (who gets away with showing/selling reproductions) or expands beyond their allotted physical space could be overlooked.
6.  Excess charges for sundries, like lighting, electricity, flooring and furniture, usually supplied by third parties (that aren’t as good quality as advertised) can mount up, unnecessarily.
7.  Out-of-towners travel expenses receive little, if no, subsidy.
8.  Shipping (from out-of-town) is problematic, organizers neither subsidizing charges nor helping resolve practical/procedural complications.

Of course, the above is just a partial list.  The photos included below (taken at The Artist Project, 08) reveal additional glitches. All photos were taken during show hours, and this is just a small selection:

1. Busy aisle (but booth 4123A was almost the only booth not in an aisle).  Caution:  Object to being isolated. Neighbors matter!

2. Display and cleaning closet alongside each other. Caution:  What’s next to you is important.

3. Empty café opposite the booth.  Caution:  A café might appear like an attraction, but only if people go to it…

4. Garbage bin infront of display frequently. Caution:  Nice to have amenities close by, but not that close…

5. Endless cleaning stuff passing in front.  Caution:  In an out-of-the-way booth, distractions like these don’t make things any better!

6. Open closet and show guests, side-by-side.  Caution:  Not every booth can be ideally placed, if organizers are maximizing on floor space (and revenue).

7.  Traffic flow to the aisle marked "exit" (misses the booth completely).  Caution:  Organizers might argue that this is not a "problem," but when they bypass the booth, themselves, distributing "feedback forms" it’s a little ironic.

8.  Raised wall joints that make hanging difficult.  Caution:  After-the-fact, you might be told that these could have been attended to.  But, by whom and how at a time when any "special request" makes it seem like you’re a "fuss-pot"?

Typically, show organizers, no matter the stature of their show, appear unconcerned about responding to individual artist feedback post show, or prepared to compensate for problems.  Instead, it seems, their focus is on group solicitations for follow-up shows (expanding revenue options). There are plenty of fresh artists eager to exhibit their work who’d be thrilled to have it accepted (regardless of organizational issues and expense)!

The more time I spend in Chicago, the more I like it!  The architecture is amazing at any time of day.

The skyline can be magical, especially at sunset.

Lakescapes are full of surprise:  a pink sail on a pink night.

Even a hotel room view can be cause to marvel. (This shot was taken from the Holiday Inn, Merchandise Mart Plaza).

 Then there are the juxtapositions.  Man and naure come together in interesting ways.  An early morning stroll through Millenium and Grant Parks led me to a wildflower paradise, gardeners already busy at work.

For more about Chicago, please check out this blog’s June 5 entry, Chicago, My Kind of Town.

Long solo drives (like Chicago-Toronto) require easy snacking and easy listening.  When there’s no one sitting next to you to pass treats, change a CD, or take over the driving, it’s important to know how to be self-reliant.  Experience has taught me to eat right and light.  Pringles’ small Grab and Go containers (2.8oz/80g) are about as easy a solution as possible for a quick tasty bite that doesn’t make the steering wheel sticky.  They’re also easy to get out of the pack—wedge between the legs and don’t crumb. The Sour Cream and Onion have just enough seasoning, without leaving a strong after-taste.  For entertainment, the Ipod works great—that is if you’ve programed a play-list.  No CDs to change or screen to look at. Just plug in and go!

Summertime in Canada, (particularly Ontario), at first glance, seems to divide the population into two:  those who have cottages and those who don’t.  Those who have cottages enjoy miles of private shorelines.  Those who don’t can find it hard to gain access to a lot of areas—no parking allowed without resident permit and scant public facilities.  Even when a beach is public, regulations can be prohibitive—with limited hours, no pets, parking and entry charges, and more. A  Sunday afternoon trip to West Kirby, last month, prompted me to think about summertime phenomena and marvel at the old-world charm and simplicity of the setting—few obvious restrictions and daytrip fun for all without fees or memberships.  Please look below to glimpse (on-going) pleasures of British yesteryear:  families, dogs, adult kids, fisherman, and sailors welcome.

Keep your eyes open—and camera handy—wherever you are, even close to home.  Nature will surprise, delight and astonish if you give her time and consideration.

Some things are easy to pass by. Others make us stop and pay attention:

• Tree stumps by a dried up river bed:  Connecticut, US, November 07

• Frost coated fallen apples:  Liverpool, UK, December 07

Boston and New England are craft-enthusiast-friendly.  Each time I’m there, I want to start working on a new project.  For basics, Windsor Button (open since 1936), close to Boston Common, has every supply you can possibly need.  This includes a vat of buttions at the entrance, from which I display a selection in my 2004 painting, "Memories."

Then, on Newbury Street, the more recent 1154 Lill Studio offers a few short cuts—assisting with the assembly of custom designer bags and accessories.  I checked it out, packed with clients the day before Mother’s Day.  Such a neat concept—for a personal visit, group party, or special gift!  Their prices range from $26 - $185, and there’s something to suit almost everyone’s taste. 1154 Lill came into being in Chicago in 1999 (where its headquarters are), and a local boutique in Lincoln Park.  Additional boutiques are located in Philadelphia and Kansas, and there’s in-home party opportunities as well!  Congratulations to founder Jennifer Velarde!

There’s so much more to England than its capital, London—something I rediscovered earlier this month, visiting childhood haunts in the North West.  

A stroll along Otterspool’s Promenade, overlooking the River Mersey on a Saturday evening. 

A walk around the "lake" at West Kirby (on the Wirral Peninsula) on a Sunday afternoon. 

A trek over to Hilbre Island on a quiet weekday.

Then there were new dining experiences… British food can’t be described as "bad" anymore!  In Liverpool, on Church Street, just off Penny Lane, and all along Allerton Road, a wide variety of restaurants are popping up.  We tried Spire and weren’t disappointed.  Healthy fare, satisfying portions nicely arranged, and friendly service.

In West Kirby, opposite the promenade, there’s the Sunset Lounge Bar.  It’s been there for the last 21 years, and we signed a petition, at the owner’s urging, that the local council not close it down for redevelopment.  A delicious mid-afternoon lunch snack hit the spot—well prepared food and old-world charm, good fuel for that walk around the lake.  No!  Visitors are not walking on water (in the Weskirb photo); the divide between the "lake" and inlet has a creative and historic walking trail.  And, looking off into the distance, some more modern/incongruent constructions are clearly visible:  wind turbines opposite Hoylake’s shoreline, the next resort over. Energy-saving opportunities are changing natural land and sea scapes everywhere, even here.

Earlier this week, I was excited to be part of a quartet that attended Dirty Dancing, at the Royal Alex Theatre in Toronto.  We took advantage of a mid-week special (four tickets for the price of three), making a spontaneous same-day purchase.  Sometimes, the best night’s entertainment happens when you don’t have long-term plans for it, but break routine.

Not only were the sets and costumes superb, but the cast was consistent and well-chosen.  This wasn’t the kind of show that had you wondering when the interval was going to happen. And beyond the actual performance, we were also struck by deeper story-lines, like that of a nuclear family with two adult-children.  

Siblings often have distinct personalities (and outcomes), and the daughters, Frances and Lisa, were excellent examples of this.  Sometimes, one child can be seen to do no wrong, and the other child, no right.  One has "higher goals" and she is misunderstood. The other ’s behavior is less commendable, but she’s more likely to get away with it (though not grow from her mistakes).  Also, parents often seem to forget their own pasts when making suppositions and demonstrating differential treatment.  Not knowing (or attempting to learn) all the facts, and making judgments for the wrong reasons can be problematic, unless non-family members have a chance to intervene.

Though much of the music was familiar, and there was a strong urge to want to go home and get dancing lessons, this staging of Dirty Dancing, it was clear, offered more than the immediately obvious.  Seeing the movie years ago, I’d been more focused on visual and auditory effects.  This time around (perhaps helped by the stellar performances of the leads) it was refreshing to be able to consider deeper messages and meanings. Lively afer-show discussion ensued!

Yet another accolade for Liverpool this month!  The Tate’s Klimt exhibit is a hit.  Last Monday, as an artist walking through, I became tearful in some places, identifying in different ways with practice, process, product, and response.  It was only on entering the gift store that I was disappointed.  A poster of the spectacular painting, "The Three Ages of Life," in my mind, had desecrated the original work.  It was up there for sale with only two stages of life—mother and child.  The old lady (old age) had been removed. 

As I start to make reproductions of my own artwork, I am extremely sensitive to what the artist might have thought about this crop.  A third of his vision had been removed without his consent or knowledge, and the greater meaning behind the piece damaged completely. Speaking to the manager of the gift store, I got an explanation.  It was all about commerce—financial returns.  She stressed how everyone cuts up Klimt, showing me images in a book of how fashion designers had made prints from excerpts of his work. This "nothing unusual" piece of merchandise (the two-thirds print) would sell better (allegedly have more mass market appeal) and bring income to the Tate.  It sounded like the message she was trying to give was that because the money would be coming back to the Tate (was not for "commercial benefit") that it was acceptable. As our conversation continued, the manager went on to tell me that postcards displaying the whole piece had already sold out, and there would be more later, once other images sold to make space again.

The postcard image that had sold out has been inserted at the start of this blog entry.  The two thirds image from the poster was also available at the store on a mini greeting card, and is inserted below.

 
The day after my visit to the Klimt exhibit (last Monday), the friends I’d been with there called to let me know that others were upset by the Klimt crop. The Guardian had just published a letter by a Maureen Everhsed which they’d headed "Age old problem."

It’s like Liverpool hit the fast-forward button all of a sudden!  As somebody who hasn’t lived there for more than a quarter of century, its a lot easier for me to see this.  First came the Albert Dock complex, then the Capital of Culture, and now Liverpool One. 

Though there’s still hard hats, cranes, and construction everywhere, on a beautiful sunny day, this week, I was thrilled to see my hometown revived and bustling.

Please check out some of the posters inserted below that tell a little more about this new landmark.

Later, I will create a link to a page of images, showing Liverpool One’s construction in greater detail.  Best of all, go visit Liverpool.  You will be surprised, delighted, and entertained.  The shopping isn’t bad either…

When more carefully manicured cities, like Toronto, feel bereft of ambiance and energy in comparison, it’s clear something is working right in Liverpool.  The graphic design for its construction posters (inserted above), also helps with mood.  I couldn’t think of a city where the heart symbol fits better. You can say a lot else about Liverpudlians, but you can’t deny their friendliness, directness, humor, spirit and heart.  HeArTs off to them!  

Christopher Hart (no heart-typo) made this interesting comment in a Times Culture supplement after Paul McCartney’s recent Liverpool concert, "It’s a battered and bleeding heavyweight of a city, struggling to haul itsel off the canvas.  But it has an astonishing charisma—and I can still hear the sound of 35,000 voices ringing in my ears, singing about "times of trouble" and "all the lonely people" and "take a sad song and make it better."

A comment on the Liverpool 08 home page by Alexel Sayle states, "I’ve been all over the world looking for excitement, and it turns out that the most thrilling town I’ve ever visited is the one I was born in."  Right now, many non-resident Liverpudlians will find it hard not to agree!

During Lev’s 11 years, and Sage’s 8, we’ve tested many different toys. The only one we’ve decided to replace several times has been a large floppy Duck, a member of the Duckworthy Family, produced by Multipet.  Even though it comes apart like most others (and we wonder about its safety and how environmentally friendly it is), it’s still the one chosen over and again by both dogs.  Also, recently, we came across a smaller version for Sage.

With extended trips to Chicago in April and May, I have a growing list of recommendations for visitors. Even without much time to get out and about, because of "show schedules," I’ve been very impressed by what this city has to offer, and the well-known friendliness and kindness of locals.
 
You can’t have a bad meal, as the following easy-dining eateries demonstrated (in no particular order):

• Fulton’s On the River (fish)
• Ben Pau (Asian)
• Tizi Melloul (Mediterranean)
• The Brick House (fun)
• Shaw’s Crab House (fish)
• Lou Malnatis (pizza)
• McCormick & Schmick’s (fish)

And, for take-out, Fox and Obel (gourmet foods), close to Navy Pier, is hard to beat.

Spectacular architecture is everywhere. Don’t miss the legendary architectural boat tour that has the best views. You might even notice a city kayaker alongside.

Then, for a spot of exercise, check out the incredible East Bank Club (Oprah’s gym). A friend kindly invited me to a yoga class there.  The studio it was held in overlooked the river as the sun went down, making the experience all the more pleasurable.

And, for animal-lovers, missing pets or thinking of adoption, a visit to The Anti-Cruelty Society (157 Grand Avenue) is encouraging.  It occupies a whole city block and has a "transparency policy," domestic animals in-care viewable through all windows. 

Alternatively, a quick walk through Lincoln Park Zoo, in easy-reach of downtown, offers a more exotic break.

Nature and entertainment aren’t forgotten outside of parks, either—even on ("Magnificent") Michigan Ave.  Check out the Saturday afternoon street-performers. And then there’s all those shops…

But, if you are in town for "business," like I was, there’s other priorities, and staying at the Holiday Inn Merchandise Mart Plaza helped—consistently a comfortable, caring, and convenient environment.

Though I haven’t tried it yet, a Segway Tour is on my list of "must-dos" for next time.  I’d also like an evening out on Rush, which seems like a lot of fun…

With all Chicago’s summer festivals, as well as museums, galleries, parks, and lakefront, I really look forward to more visits to this super-friendly city, that’s clearly a shining example to others in so many ways.

Many tourists seem to be impressed with Toronto’s cleanliness. However, unfortunately, its warmth, joie de vivre, welcome, and energy aren’t quite as remarkable.  Locals point out obstacles too, like in Peter Kultenbrouwer’s May 10, 08 National Post article about Yonge-Dundas Square, "A public square that isn’t public."

The National Confectioners’ All Candy Expo is the most fun trade show I’ve attended. Since I enjoy painting candy, it was a great way to view (and sample) new still-life possibilities. Therapy and writing conferences might be stimulating, but they can’t compete. Held in Chicago at McCormick Place, May 20 - 23, 08, ACE also gave me a chance to spend more time in the US’s friendliest city. (A blog entry, "Chicago, My Kind of Town," coming next!)

All types of goodies were represented at ACE, and my favorite exhibitors (in no specific order) included:

Jelly Belly (beans)

Necco (hearts)

Pure Fun (candies)

Mama Mellace’s Naturals (nuts)

Black Opal Licorice

Melville Candy (lollipops)

Choclatique (organic hand-painted chocolate)

MarebluNaturals (crunch cubes)

Little i (mints)

Jelly Belly’s 110th Anniversary Party, hosted by Herm Rowland (Chairman of the Board), topped the list of most unusual entertainments and show hightlight. David Garibaldi, whose father happens to work for the company, put on an outstanding performance.

Garibaldi paints, dances, delights and amazes with his stunning portraiture. He’s also fun to talk to! At the end of the evening, guests went home with a Waterford Crystal commemorative Jelly Bean (that I’ll treasure)!

Despite ACE’s festive atmosphere, more serious political divides still weighed on some attendees’ minds…

Sometimes, a charter is the only way to go, like it or not. Flying during the Christmas rush (unless we have a choice not to) might not be a good idea, as this poem tells…  

The Charter Flight

Screaming, screaming kids
Anxious chatter
Little air
Heavy care

Or, under stress
Easier to expect less.

In case you’re wondering which airline this poem was written on, it was Air Transat.

In 2007, I seemed to take a number of plane flights back to back.  Flying Toronto - Munich, in November, I put pen to paper, and wrote this poem.  It’s always interesting to have a little notebook in bag when traveling, all kinds of interesting reflections to record…

 

It was great to be back in Boston last weekend, albeit just for an overnight visit.  This city stirs so much positive energy for me.  Good friends and an environment that’s quaint, cultured, and progressive seems to entice locals as well as travelers.  Spring blossoms and time with special friends, of course, were bonuses!  

The last time I was in Boston was Labor Day weekend, and much has changed since then.  Soon-to-be landmarks are now open—or almost:

• The Liberty Hotel, on Charles Street, with its bars and restaurants.

Check out the unique refurbished jail cells, with "light shows."  Then, go downstairs for a meal at Scampo. The food is well-prepared and presented. It’s just the acoustics that need a little work.  You may lose your voice tying to have a conversation with dining companions!

• The Mandarin Hotel, on Boylston Street

• The New Apple Store, on Boylston Street scheduled to open today (May 14, 08).

Although I (like many others) have found the Macbook Air to have a few unexpected kinks, I am still a big fan of everything Apple, and this is a super location.

Saturday lunch was at Stephanie’s. But, unfortunately memories were better than actualities.  Somewhat disorganized and dirty, and not quite as delicious, I wondered what was happening there. Sunday breakfast was at the Panficio Cafe. Clean, efficient, and very delicious, this is definitely a must-try.

Boston has something for everyone, and it certainly loves its parades.  I came across two of them, by chance.  On Saturday, "Youth Pride" on Boston Common.  On Sunday, "Duckling Day Parade," along Charles Street and on to Boston Public Garden.

Special occasions often call for unique settings in which to celebrate.  These are places that you visit once, hoping to experience something out of the ordinary—not with the notion of getting a "good deal."

Recently, I joined friends for a one-of-a-kind evening at C5 (the restaurant/lounge under the ROM’s Michael Lee-Chin Crystal). What we will remember most about the venue:  high prices, miniscule portions, unique decor.

At this new Toronto dining attraction, you’re clearly paying for ambiance and originality.  Though the food is tasty (what there is of it), those not on calorie controlled diets may need to go home to a hearty meal later—or fill up on treats at a movie afterwards, as we ended up doing.

 

Recently, an e-mail arrived inviting me to decorate a terra cotta plant holder to be auctioned off at a charity event, Eat Play Love, put on by Toronto’s Children’s Peace Theatre, this Saturday, May 10, 08.  Though I had no previous knowledge of the charity and wouldn’t be able to attend the event, I thought it was a fun idea and interesting cause.  This past Monday evening, the pot was delivered.  By Wednesday afternoon, I’d glamorized it with faux jewels and iridescent paints. Almost overnight, a non-descript container started to turn into a "Magic Pot."  Artists are often called on to give in whatever ways they can.  Whenever and however possible, most of us try our best—whether time and resources permit, or not.  The finished pot is inserted above.  How it looked before treatment is inserted below.

I have had the privilege of being an artist donor for Boston’s Art Connection for several years, already.  This is a marvelous one-of-a-kind artist- and community-friendly organization.  It would be wonderful if other major cities could follow its model, bringing artists and the wider community together, year-round, in mutually satisfying and innovative ways. 

I am thrilled to announce that Nicholas G. Vahlkamp is now my art dealer in Chicago and the Midwest.  He is co-principal of the Kamp Galleries:  Chicago, at the Drake Hotel, 140 East Walton Place (off Michigan Ave/The Magnificent Mile);  Winnetka, at 563 Lincoln Ave.

Please check out the galleries’ current shows:
• At the Drake, Chicago:  "Rediscovering Modern" (May 1 - May 31, 2008)
• In Winnetka:  "Chicago Artists We Love"  (April 1, 2008 - June 30, 2008)

A quick Google search to find other artists’ impressions of Toronto Art Expo (08) led me to the Artists Toronto blog.  After agreeing with some of the commentaries posted there about the event, I thought I’d look into membership.  Sharon Barr welcomed my "application."  What happened next was curious.  10 days later, she sent me a friendly-solicitation for ideas to help grow their site.  Suggestions wanted included the donation of e-mail lists and industry connections as well as initiative to devise a group show.  26 days later, I received an anonymous  "jury" rejection from a personal e-mail address that had the name "Jones" in it. A quick Facebook search enabled me to deduce that It was Stan Jones who’d provided the "glad tidings." It simply stated:  "It is the consensus of our committee that the images you have submitted for approval do not meet the subjective objectives of our committee."  I wasn’t sure what that actually meant, or what they could really be looking for.  All I was aware of were inconsistencies.  Note the time line for communications.  Application, solicitation, rejection.  Also note that they don’t have a 2-week application response turn-around, as posted.  One would expect elitism/run-arounds in the wider art world, but not from a parochial group that touts itself, in correspondence, as a "viable grassroots undertaking." By the way, you’ll find the Artists Toronto blog piece about Toronto Art Expo under the header "The Big Spring Art Shows."  The date given for it, right now, is March 8, 2009.  Of course, we know it must be 2008—and will likely be corrected, eventually.

p.s. Since posting this blog entry, I have received clarification from Mr. Jones about the AT "committee."  Apparently, it has five members (including him).  He states, "’Subjective objectives’ reflect the consensus of our jury in what we feel is a degree of artistic merit that we’re collectively comfortable with.  But it is only our opinion."  Unfortunately, still no explanation of the application, solicitation, rejection procedure.  Only a remark about  familiarity with "entrepreneurial drive."  If they do really intend their site to be "the main connection between Toronto artists and the art loving community" (as announced on their home page), they’ve demonstrated an interesting modus operandi with a target audience.
Perhaps it’s personal artist-artist-friendly experiences in the US, Europe, and beyond that make me all the more sensitive to Toronto artists’ (unnecessary) obstacles.

Children enjoy my artwork, at The Artist’s Project, too—strollers being rolled up to low hanging pieces, like Majesty and Flirt, the Giraffes.

Men really seemed to like my painting, Passion.  One man was happy to pose  for photos.  He just happened to be wearing a shirt that color-coordinated.  Pink-obsessed little girls were also drawn to this piece.

My booth at The Artist Project ended up being a retrospective of the last 18 months’ work.  

After two days of unpacking and hanging, it was time to relax and take a phone call. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries. 

Outside the Merchandise Mart main entrance, a wire face sculpture has just been errected.  US flags wave in the background on a warm spring day, with Chicago River architecture as backdrop.

 
Tonight is opening/preview night and my Artist Project booth is finally set up, after two days’ preparation. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries. 

p.s.  The face sculpture is called SHO, and was created by Spanish/international artist, Jaume Plensa who is represented by the Richard Gray Gallery.  In Chicago, he is known for his design of the Crown Fountain in Millenium Park.

All thoughts (for me) lead back to Kilimanjaro at some point.  Once you’ve completed this ascent, it’s hard to forget it.  I was thrilled to have a friend tell me about the OLN screening of the IMAX movie, To the Roof of Africa, March 16, 08.  Two things struck me about this movie, in particular.  Firstly, what wonderful weather conditions the group seemed to have!  (The struggle my own group had experienced against the elements was incomparable.)  Secondly, how right the guide, Jacob, was with his remark that Kilimanjaro is a place where ordinary people do extraordinary things—leave their everyday lives to stand in a place between heaven and earth.  Since every climb is unique (conditions, obviously, do vary) it’s important to be properly prepared:  tealize that the movie may make things look a little simpler than they might actually be for most, physically and emotionally.