Little wonder there needs to be public service announcements advising against drinking and driving (while operating water vehicles).  The LCBO (Liquor Control Board of Ontario) occupies prime real estate in popular lakeside locations.  In Killarney and Port Carling, their properties are waterfront.  Look at Port Carling’s pick-up dock (in the photo posted above).  On a recent road trip through Northern Ontario, no matter the basics communities seemed to lack, government liquor stores appeared prominent and dominant.  Maclean’s Canada Day double issue, with a feature offering the "startling facts" about Canadians vs Americans" gave interesting statistcs. Apparently, 27% of Canadians conusme alcholhoic drinks "at least ‘a few times a week’" compared to 19% of Americans.  Also, 1.3% of Canadians’ household expenditure goes on alcohol compared to 1% of Americans’.

Tis the season when artists get solicited to apply to art shows.  And, when you’re juried in (supposedly chosen by noteworthy judges, due to your artwork being of a particular standard) it’s easy to feel chuffed.  In fact, the excitement might help you overlook how much you then have to pay to register (on average, between $1000 and $3000) exclusive of accommodation, transportation, importation tarifs, printing, and other costs.  

Having participated in three international shows, back to back (December 2007 - April 2008), Florence Biennale, Toronto Art Expo, The Artist Project (Chicago), I’ve had ample chance to discover the expectations and disappointments such experiences can generate.  While the organizers make money (mostly from the artists), artists can feel short-changed and become frustrated for a variety of reasons:

1.  Feedback isn’t seen to be responded to, or remedied, when things go wrong, or aren’t as suggested.
2.  Conditions (for setup and takedown) can be as exhausting as they might be chaotic.  There are a lot of logistics, but not every protocol is logical.
3.  Booth location might be unfair (yielding unequal opportunities)—attached to seniority of participants, favoritism, or the luck of the draw.
4.  Advertising and ticket sales (on the show’s part) might be insufficient.
5.  Inconsistencies (who gets away with showing/selling reproductions) or expands beyond their allotted physical space could be overlooked.
6.  Excess charges for sundries, like lighting, electricity, flooring and furniture, usually supplied by third parties (that aren’t as good quality as advertised) can mount up, unnecessarily.
7.  Out-of-towners travel expenses receive little, if no, subsidy.
8.  Shipping (from out-of-town) is problematic, organizers neither subsidizing charges nor helping resolve practical/procedural complications.

Of course, the above is just a partial list.  The photos included below (taken at The Artist Project, 08) reveal additional glitches. All photos were taken during show hours, and this is just a small selection:

1. Busy aisle (but booth 4123A was almost the only booth not in an aisle).  Caution:  Object to being isolated. Neighbors matter!

2. Display and cleaning closet alongside each other. Caution:  What’s next to you is important.

3. Empty café opposite the booth.  Caution:  A café might appear like an attraction, but only if people go to it…

4. Garbage bin infront of display frequently. Caution:  Nice to have amenities close by, but not that close…

5. Endless cleaning stuff passing in front.  Caution:  In an out-of-the-way booth, distractions like these don’t make things any better!

6. Open closet and show guests, side-by-side.  Caution:  Not every booth can be ideally placed, if organizers are maximizing on floor space (and revenue).

7.  Traffic flow to the aisle marked "exit" (misses the booth completely).  Caution:  Organizers might argue that this is not a "problem," but when they bypass the booth, themselves, distributing "feedback forms" it’s a little ironic.

8.  Raised wall joints that make hanging difficult.  Caution:  After-the-fact, you might be told that these could have been attended to.  But, by whom and how at a time when any "special request" makes it seem like you’re a "fuss-pot"?

 

Typically, show organizers, no matter the stature of their show, appear unconcerned about responding to individual artist feedback post show, or prepared to compensate for problems.  Instead, it seems, their focus is on group solicitations for follow-up shows (expanding revenue options). There are plenty of fresh artists eager to exhibit their work who’d be thrilled to have it accepted (regardless of organizational issues and expense)!

The more time I spend in Chicago, the more I like it!  The architecture is amazing at any time of day.

The skyline can be magical, especially at sunset.

Lakescapes are full of surprise:  a pink sail on a pink night.

Even a hotel room view can be cause to marvel. (This shot was taken from the Holiday Inn, Merchandise Mart Plaza).

 Then there are the juxtapositions.  Man and naure come together in interesting ways.  An early morning stroll through Millenium and Grant Parks led me to a wildflower paradise, gardeners already busy at work.

 

For more about Chicago, please check out this blog’s June 5 entry, Chicago, My Kind of Town.

An evening stroll along one of Newport’s beaches, last Friday night, led us to a sandcastle.  From the front, it was a work of art.

Around the back, there was a marriage proposal inscribed (to which the answer was "yes," of course)

The shore line and waves looked pink, as did seaweed deposits washed up there—part of the red tide phenomenon.  

Then there were the clams; their shells, at least.  Gulls were fat, happy, and plentiful!

 

Older dogs are like well-worn gloves. They fit perfectly, but shouldn’t be taken forgranted.   We don’t know when they’ll fall apart, or how. But, if we are careful with them, they can enjoy long happy and healthy lives.  

As shown throughout the DocSusan blog and website, Lev and Sage are my best friends, room-mates, editors, studio assistants, exercise coaches, and a whole lot more.  Most days, all is well with them. They know my quirks and I know theirs. But, as they’ve gotten older, I’ve become a little more cautious and concerned at the least sign of illness. Because of their size and age, I realize that things can happen very quickly, and signs and symptoms must be taken seriously and acted on without delay. On April 2nd 08, I posted a blog entry about this, Veterinary Emergencies. Three months later, I’m already reporting fresh developments…

From the end of May through June, Sage had had a strange sneeze. First it was every few days. Then it was a couple of times a day, and only coming from his left nostril. His eating and walking seemed normal, and he was sleeping well at night (not snoring, as others with congestion might). However, I was still anxious. Round one of trips to the vet led us to Children’s Benadryl.  Doctor Rachel Wolfson, a dedicated young vet at Rosedale Animal Hospital was very attentive.  As well as presribing this allergy medication, she also took bloodwork. We stayed in touch as Sage’s condition, despite clear bloodwork (and the Benadryl) didn’t seem to change. Doctor Cindy Kneebone at East York Animal Hospital added homeopathy to the mix, as well as giving Sage a head Xray, where nothing unusual was found. For three weeks after this, we carefully monitored developments. Then, finally, no improvement, and with more obvious discomfort shown by Sage—not being able to walk more than a few steps without sneezing—we sought specialist help.

Doctor Doug Mason at Toronto’s Veterinary Emergency Clinic gave us a same day appointment, and performed investigative surgery. After a Catscan and numerous other tests, an abscess (and related build-up) were removed from behind one of Sage’s teeth (which had to come out). A complete course of antibiotics and pain killers followed. Now, we are looking more closely at Sage’s entire mouth and gums, to determine if other teeth need to be extracted or not. Doctor Sharon French, a veterinary dental specialist who consults with Toronto Zoo (and is also at Toronto’s Veterinary Emergency Clinic) is now involved with Sage’s case, and has prescribed Maxiguard Oral Cleansing Gel.  So far, so good. We like her, and her approach!

Apparently, gum disease is not an uncommon problem with older small dogs, like Sage.  Unfortunately, undetected, it can be life-threatening.  I realize, because of the expediency and caring of a diverse group of of vets, and my constant vigilance and concern, Sage’s life has been saved.  I caution other pet owners not to overlook any of their pets’ symptoms, however fussy they may believe other people think they are. Our pets mean so much to us!

Unfortunately, veterinary interventions come at a price, and we are thankful to have pet insurance.  Pet Care is covering a chunk (but with limitations)!  Future blog articles will look at typical pet healthcare costs.  It is sad to know how many dogs are put to sleep, owners (understandably) unable to keep up with the price of treatment, or prepared to administer (complicated) medications.

p.s.  End of August update: Our claim through PetCare (all parts of it, including those not related to dental/mouth conditions) was denied.  There will be a lot more in future blog entries about this—a closer look at veterinary practice, procedures, and accountablity, as well as insurance company savvy.

Long solo drives (like Chicago-Toronto) require easy snacking and easy listening.  When there’s no one sitting next to you to pass treats, change a CD, or take over the driving, it’s important to know how to be self-reliant.  Experience has taught me to eat right and light.  Pringles’ small Grab and Go containers (2.8oz/80g) are about as easy a solution as possible for a quick tasty bite that doesn’t make the steering wheel sticky.  They’re also easy to get out of the pack—wedge between the legs and don’t crumb. The Sour Cream and Onion have just enough seasoning, without leaving a strong after-taste.  For entertainment, the Ipod works great—that is if you’ve programed a play-list.  No CDs to change or screen to look at. Just plug in and go!

Keep your eyes open—and camera handy—wherever you are, even close to home.  Nature will surprise, delight and astonish if you give her time and consideration.

Some things are easy to pass by. Others make us stop and pay attention:

• Tree stumps by a dried up river bed:  Connecticut, US, November 07

• Frost coated fallen apples:  Liverpool, UK, December 07

 

Boston and New England are craft-enthusiast-friendly.  Each time I’m there, I want to start working on a new project.  For basics, Windsor Button (open since 1936), close to Boston Common, has every supply you can possibly need.  This includes a vat of buttions at the entrance, from which I display a selection in my 2004 painting, "Memories."

 

Then, on Newbury Street, the more recent 1154 Lill Studio offers a few short cuts—assisting with the assembly of custom designer bags and accessories.  I checked it out, packed with clients the day before Mother’s Day.  Such a neat concept—for a personal visit, group party, or special gift!  Their prices range from $26 - $185, and there’s something to suit almost everyone’s taste. 1154 Lill came into being in Chicago in 1999 (where its headquarters are), and a local boutique in Lincoln Park.  Additional boutiques are located in Philadelphia and Kansas, and there’s in-home party opportunities as well!  Congratulations to founder Jennifer Velarde!

 

The National Confectioners’ All Candy Expo is the most fun trade show I’ve attended. Since I enjoy painting candy, it was a great way to view (and sample) new still-life possibilities. Therapy and writing conferences might be stimulating, but they can’t compete. Held in Chicago at McCormick Place, May 20 - 23, 08, ACE also gave me a chance to spend more time in the US’s friendliest city. (A blog entry, "Chicago, My Kind of Town," coming next!)

All types of goodies were represented at ACE, and my favorite exhibitors (in no specific order) included:

Jelly Belly (beans)

Necco (hearts)

Pure Fun (candies)

Mama Mellace’s Naturals (nuts)

Black Opal Licorice

Melville Candy (lollipops)

Choclatique (organic hand-painted chocolate)

MarebluNaturals (crunch cubes)

Little i (mints)

Jelly Belly’s 110th Anniversary Party, hosted by Herm Rowland (Chairman of the Board), topped the list of most unusual entertainments and show hightlight. David Garibaldi, whose father happens to work for the company, put on an outstanding performance.

 

Garibaldi paints, dances, delights and amazes with his stunning portraiture. He’s also fun to talk to! At the end of the evening, guests went home with a Waterford Crystal commemorative Jelly Bean (that I’ll treasure)!

Despite ACE’s festive atmosphere, more serious political divides still weighed on some attendees’ minds…

 

It was great to be back in Boston last weekend, albeit just for an overnight visit.  This city stirs so much positive energy for me.  Good friends and an environment that’s quaint, cultured, and progressive seems to entice locals as well as travelers.  Spring blossoms and time with special friends, of course, were bonuses!  

The last time I was in Boston was Labor Day weekend, and much has changed since then.  Soon-to-be landmarks are now open—or almost:

• The Liberty Hotel, on Charles Street, with its bars and restaurants.

Check out the unique refurbished jail cells, with "light shows."  Then, go downstairs for a meal at Scampo. The food is well-prepared and presented. It’s just the acoustics that need a little work.  You may lose your voice tying to have a conversation with dining companions!

• The Mandarin Hotel, on Boylston Street

• The New Apple Store, on Boylston Street scheduled to open today (May 14, 08).

Although I (like many others) have found the Macbook Air to have a few unexpected kinks, I am still a big fan of everything Apple, and this is a super location.

Saturday lunch was at Stephanie’s. But, unfortunately memories were better than actualities.  Somewhat disorganized and dirty, and not quite as delicious, I wondered what was happening there. Sunday breakfast was at the Panficio Cafe. Clean, efficient, and very delicious, this is definitely a must-try.

Boston has something for everyone, and it certainly loves its parades.  I came across two of them, by chance.  On Saturday, "Youth Pride" on Boston Common.  On Sunday, "Duckling Day Parade," along Charles Street and on to Boston Public Garden.

 

 

Recently, an e-mail arrived inviting me to decorate a terra cotta plant holder to be auctioned off at a charity event, Eat Play Love, put on by Toronto’s Children’s Peace Theatre, this Saturday, May 10, 08.  Though I had no previous knowledge of the charity and wouldn’t be able to attend the event, I thought it was a fun idea and interesting cause.  This past Monday evening, the pot was delivered.  By Wednesday afternoon, I’d glamorized it with faux jewels and iridescent paints. Almost overnight, a non-descript container started to turn into a "Magic Pot."  Artists are often called on to give in whatever ways they can.  Whenever and however possible, most of us try our best—whether time and resources permit, or not.  The finished pot is inserted above.  How it looked before treatment is inserted below.

 

I have had the privilege of being an artist donor for Boston’s Art Connection for several years, already.  This is a marvelous one-of-a-kind artist- and community-friendly organization.  It would be wonderful if other major cities could follow its model, bringing artists and the wider community together, year-round, in mutually satisfying and innovative ways. 

 

I am thrilled to announce that Nicholas G. Vahlkamp is now my art dealer in Chicago and the Midwest.  He is co-principal of the Kamp Galleries:  Chicago, at the Drake Hotel, 140 East Walton Place (off Michigan Ave/The Magnificent Mile);  Winnetka, at 563 Lincoln Ave.

Please check out the galleries’ current shows:
• At the Drake, Chicago:  "Rediscovering Modern" (May 1 - May 31, 2008)
• In Winnetka:  "Chicago Artists We Love"  (April 1, 2008 - June 30, 2008)

 

My booth at The Artist Project ended up being a retrospective of the last 18 months’ work.  

 

After two days of unpacking and hanging, it was time to relax and take a phone call. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries. 

The organizers of Artropolis have kindly given their Artist Project participants a link to share with friends and clients. By clicking on this, you will be able to download free passes for all five shows making up the Artropolis weekend. If you do attend the Artist Project, please stop by my booth (8-4123A) and say "hi." Look forward to seeing you there! The DocSusan Artist Project Gallery will have further updates and images closer to the time!

There are more international art fairs and artists than ever. While visitors may only witness final happenings, what goes on behind the scenes for artist participants can present a totally different picture (no pun intended). In Italy (at the Biennale), logistical idiosyncracies went with the territory.  In Toronto, for an established local event, like Art Expo, perhaps my expectations were too high.  When event dates were moved up, just before Christmas (with tardy website adjustments, and a clash with a competing art show), other surprises weren’t yet in the air. (Please see an earlier blog entry, "Change of Date, Change of Fate:  Toronto Art Expo 08 Snowed Under," March 16, 08)

Reminders were included in Art Expo e-communications assuring that "no other" show goes to Art Expo’s lengths to make things easy for those exhibiting.  However, return e-mails, phone calls, and receipts, were difficult to obtain. Also, pre-show move-in wasn’t happy. Arriving for a mandatory end-of-the-day slot, it was disappointing to discover that recommended (rented) booth equipment wasn’t in place, making eventual set-up uncertain and tense. (I am very grateful to those who took non-job related initiatives, well into the night, to help postion my display prior to the next morning.)

Art Expo artists incur heavy costs for the privilege of participation, no matter show actualities. Here’s my own tally:
Sums Paid to Rime Canada:  $1957
• Amount for the smallest booth (5 x 15 feet):  $1695
• Amount for participating in the Toronto Life Advertisement option:  $265
Sums Paid to "Recommended Decorators":  $859.34
Booth’s basic fixtures (not included in booth registration fee, and outsourced):
• Showtech:  rental of 2 high ceiling mounted floodlights (secured at a greater distance from the booth than anticipated):  $540.14
• Stronco Show Services:  rental of a 5 by 15 foot strip of (poorly cut) grey carpet, no underlay:  $166.95
• Canfence:  rental of a custom-made (yet rusty and broken) fencing enclosure on which to hang the artwork:  $152.25
Sums Paid to the Toronto Convention Center:  $55
• Parking Pass:  $55
(Internet connection not taken because it was $895 +5% gst for wired access, and $395 for wireless access)

Different art shows, I now realize, can be lighter on the wallet, and suggest less possibilities for set-up stress/additional costs. Take, for instance, the Artist Project (Toronto), which happened the same weekend as Art Expo.  Here are their booth rates: 5 X 10 $600 + $300 = $900; 5 X 15 $900 + $400 = $1250; 5 X 20 $1200 + $400 = $1600; 10 X 10 $800 + $400 = $1200; 10 X 15 $1200 + $600 = $1800; 10 X 20 $1600 + $800 = $2400. A note from the Artist Project’s user-friendly Website clarifies inclusions: "We have negotiated a great price for the gallery style hard-wall system. The cost for this rental is included in the price of your booth. This system will facilitate a smooth and easy move-in; all you need to do is hang your artwork  and provide your electrical and lighting. As well, these walls will ensure a high-end, professional looking show…"

Right now, I’m looking forward to exhibiting at The Artist Project, Chicago, April 24 - 29, 08.  So far, the greatest administrivia difficulties and financial expenses connected with this show pertain to cross-border protocols and logistics.  Shipping to an out-of-the-country event, and determining far-from-home transportation, accomodation, and on-site necessities presents fresh challenges and adventures…

If this blog becomes a little less active over the next few weeks, please understand.  Now, back up to the painting studio!

If you own a Macintosh computer and live in Canada, beware!  You will not be able to get technical support, and it doesn’t look like this situation is going to change, now or in the future.  AOL Canada, it seems, prefers to lose long-standing/loyal members. I was told by an AOL Canada supervisor, today, that it has been an "AOL business decision" not to service their Mac users in this country (for the last few years, already). The supervisor I spoke to suggested that if I am paying for a service that’s not working for me (such as the one he is employed by—AOL Canada), I should cancel it completely. In fact, he offered to give me the next month for free till I can sign up with another e-mail provider, and arrange to have my e-mails forwarded.

Looks like AOL Canada has no intention to remedy what their supervisor described as "dwindling numbers of AOL/Mac Canadian users." In fact its own employees are openly discouraging  With the launch of the new MacBook Air, this is indeed a pity!   AOL Canada users should not expect to be able to access US technical support, either. If you take the initiative to contact them, you will be told that they don’t service Canadian accounts, once you reach a technician who’ll say that your account can’t be found. However, when you punch in your account details, the (automatic) voice response system that transfers callers to technicians (on receipt of that information) will announce that your account has been found (ie. assistance will be forthcoming)!

Also, MacUsers everywhere are, probably, well-aware of the incompatailities between Mac’s Leopard operating system and AOL.  Even though remedies are currently being tested, patience and waiting to see what happens might not be the best options. The inablity to access e-mail (and trying to sort out how to) wastes time, provokes inefficiency, and generates frustration! 

I do apologize for any interruptions in communications at the moment. Please understand that it’s due to the Mac/Canadian AOL connection (or lack of it), not moi! 

JUST ANNOUNCED! DocSusan is thrilled to have been chosen to participate in The Artist Project at Artropolis, Chicago’s citywide celebration of arts, antiques and culture, April 25-28, 2008 (preview opening, April 24).

The Artist Project is Artropolis’ key event showcasing independent artists. An annual exhibition and sale in its second year, it features original work from a juried selection of 300 established and emerging artists. Included artsists cannot be affiliated with galleries. This gives visitors a rare opportunity to discover and obtain interesting and affordable art directly from its creators.

Other Artropolis happenings include: Art Chicago, The Merchandise Mart International Antiques Fair, NEXT, and The Intuit Show of Folk and Outsider Art. They are all held at the The Merchandise Mart.  And, at the same time, throughout the city, an abundance of other activies are scheduled to take place at major museums, small galleries, world-class concert halls, cutting-edge clubs, lakefront parks, private parties, and more.

New relationships used to get off to more comfortable starts because respect, consideration, and life-cycle stages seemed to matter.  Each person involved (or wanting to be) had incentive to keep things going—sought greater interdependence and collaboration (believed in a better quality of life as a "two").  Today, distractions and alternative options are more alluring than working on what’s infront of you—and got good possiblities.  Eyes wander more than ever before—if not in actuality, virtually.  

Cyber—cheating prevents many new connections from growing as they might have, easy "escapism" too available. High potential matches are stumped before they are started.  Serious daters (looking for a monogomous long-term relationship) dance with serial daters (those ever-seeking perfect and better). Once serial daters get what they think they want, it looses appeal and the chase becomes more exicting than the catch. On to the next!  Some endings are abrupt.  Others "fade away," one (cowardly) person knowing what they’re doing, the "worthier other" being left disappointed or surprised.

There used to be a commonly followed "three-date" practice (not to judge too quickly). Today, even second chances are hard to come by.  If someone isn’t perfect—better quality than the person ruling them out, from the very first encounter or because of an "off-moment"—there’s no hope for continuity or tolerance.  Why waste time with someone who might be human—have as many flaws as you do?  A quick fix, rather than hard work (as necessary for most everything else) prompts expectations…and disappointments.

Bravo to "Bravo" for alerting us to Patti Stanger’s Millionaire Matchmaker team!  Thanks for displaying that guys one would think "apppropriate" aren’t necessarily ready—still fantasizing over unrealistic catches, or need "fine-tuning."  A show that is "out-of-the-box" in its showcasing of a service that attempts to coddle those who pay to seek what even money can’t buy. That aside, Patti’s Dating Commandments are worth checking out (millionaire or not).

Heath Ledger’s unfortunate death has generated much discussion about its nature—whether it was accidental or not. From the LA Times to Time (and beyond), it’s become a major news story!  Close family and friends of the deceased insisted right away on "accidental causes." Noone likes to think about, admit to, or acknowledge the "S"(uicide) possiblity, at anytime.

Media have provided a lot of extra/invasive hype, with many presumptive questions.  Naturally, suggestions of foul play abound, with analyses of the actor’s distresses.  Whatever the truth might actually be, we’ll never really know. Sadly, the one person who could have told us isn’t around anymore.  Apparently, he was found alone, face-down and naked on his bed, by service providers (his housekeeper and his masseuse).  Close family were thousands of miles away, and the face that Ledger gave to the world in his many outstanding film performances was, obviously, not the face he wore privately (of late).

Ledger was famous. That’s why we get to hear, see, and read about him, and his final days and hours.  But, there are many other individuals, just like this movie star, dying every day—and in our own midst. Their burnout, despair, frustration, and loneliness cannot be remedied effectively.  Accidents and non-accidents happen, closer to home and all the time…

No matter the nice things said and done after a "loved one" is gone, nothing can make up for what was not said and done when he or she was alive (manifesting that all wasn’t right). The "take-home message" is to be more mindful of those around us continually—and sensitive to our interactions with them.  We truly never know how we might affect someone else, and what the consequences might be.  What’s not a big deal for you, might be for someone else. Everything adds up.  And, sometimes, just one more disappointing encoounter may be that one more too many…

This following simple poem, "Depression Alert," is an important one to remember. I included it (below) in tribute to Ledger. His untimely death provides an opportunity to share sentiments that might not have gained exposure otherwise.  Think of those with whom your life intersects. Perhaps they need a little more attention, consideration, and follow-up than you’ve been able to give them till now.  We may all be "busy," but…

DEPRESSION ALERT!

The places you don’t go
Clothes you don’t wear
People you don’t see

Others’ imaginings…

A life of ease
Please don’t tease

The pain
Nothing you can explain

Torment deep within
Understanding thin

Not who they think you are
Distance very far

Spoken up and not heard
Silent and more congenial

Another funeral.

 

An after-the-event Florence Biennale critique with judge Gregorio Luke was helpful. With perseverance and commercialism (of my imagery), he forecast, "new doors opening."  Luke stood out from other exhibition judges with his extra efforts to speak to as many Biennale participants as possible.  His general message was that it’s not what ciritcs say, it’s what you do as artist.  An expert on Frida Kahlo, he suggested using her approach as "model": communicating directly with the public.  In fact, during his official presentation, Luke stated, "Don’t try to go to a closed and elitist art establishment." (Image above, taken during Luke’s official presentation.)

Gilbert and George, honored with the Biennale’s "Lorenzo il Magnifico" career award, are quite different from Kahlo—in intention, appeal, and subject matter.  During Tim Marlowe’s Biennale interview with them, they insisted "Art has to be powerful or people pass it by…"  (Maybe they meant "shocking"?).  Their "Naked Shit" series (the title of which Marlowe repeated over and again in his questions) is just one example.  Gregorio Luke, the first time I introduced myself to him, stated,  "I don’t know your name, but I remember your art!"  Encouraging for work that’s not likely to be considered  "shocking"…

The evening before Gilbert and George’s interview, I ran into them by the Ponte Vecchia.  These "Men in suits" (a way, they claim to be have been able to sell themselves to dealers, from 1968 on) were now "men in overcoats," and a young Florentian was trying to take their picture with his cell phone camera.  I helped out, enabling him to be in the shot with them, then shared that I was a Florence Biennale artist hoping for feedback. Keeping the focus on themselves, the duo expressed surprise that I could have missed their enormous exhibit at the Tate (even though I told them that I don’t live in the UK). A conversation closer…

Another important man (in suit) who cut things short with me, last November, was Donald Trump.  In New York City, the week before leaving for the Biennale, I was meeting a friend at the Trump Tower cafeteria for lunch. By surprise, I noticed "the Donald" going up the escalator, and decided to approach him.  "Mr Trump" I braved, "May I please ask you a question?"  Thin and pale (without TV makeup), he turned in my direction, responding, "You’re a beautiful woman…  where are you from?"  The answer "Toronto," it appears, wasn’t a good one.  Hand up in the air after hearing this, he turned, elevator doors closing behind him.  Alas, no chance to pitch my Biennale exhibit series, "Buon Appetito!" to him.  Since climbing Kilimanjaro, I might have become a little more gusty—but there’s always need for help with closing a deal!

Big thank you to Justin Skinner for his October 11 news piece in the City Centre Mirror today. Please click on the link to take you there http://www.insidetoronto.com/News/Centre/article/32066 or read text from it below:

NEW FUND SEEKS  HELP FROM GOOD NEIGHBOURS
Grassroots charity will support local artists
BY JUSTIN SKINNER
October 11, 2007 11:14 AM
 
When local artist Susan Makin was invited to enter some of her work in the prestigious Florence Biennale, an international arts competition, she was understandably thrilled. Her excitement turned to disappointment, however, when attempts to find funding to pay her way there came up dry.

Makin’s struggles have led to the foundation of a new grassroots charity that could help local artists and performers showcase their talents around the world.

Makin, a North Toronto resident, said she instituted The Good Neighbours Fund after seeing first-hand the difference between the support artists receive here and the support they find south of the border.

"I was living in Brookline, Mass., until last fall and I learnt a lot of things about good neighbourliness in the way they supported local talent," she said. "When I tried to apply for grants up here, I went through hurdles for about 10 months and just saw lot of roadblocks. Canadian artists unfortunately don’t have much incentive to stay if they’re not going to get the funding."

After appeals to her St. Paul’s MPP Michael Bryant, went nowhere, Makin appealed to her MP, Carolyn Bennett (St. Paul’s), who pledged to help out and suggested a fundraiser. After months of footwork and word-of-mouth promotion, the Good Neighbours Fund finally began gaining traction, with its inaugural event taking place tonight at Grano Restaurant.

"It was an event that was built step-by-step-by-step, and we’ll be lucky just to cover the costs of starting the fund, but hopefully it will turn out to be a success," Makin said.

While the fundraiser was geared to help Makin pay some of the costs of bringing her exhibit, titled Buon Appetito!, to Florence, she said she hopes to keep the Good Neighbours Fund alive, with annual grants to an artist in need.

"The survival of the fund will depend on the outcome of this event and the money raised," she said. "We want to set up a working fund where artists can apply for the grant, but they have to work to earn it."

While working on the fund has taken up a great deal of Makin’s time - she said she has been unable to paint while spreading the word - she said it was definitely a worthwhile venture.

"I see the importance because there’s nothing for individuals formally or informally to find funding for things like (the Florence Biennale)," she said. "Artists are invited to a world-class event and they can’t go because of funding, and Canada just looks shabby."

Graham Kennedy, who has been working with Makin to start the fund, said the goal of this year’s fundraising event was twofold. Ideally, the Good Neighbours Fund will not only raise money for artists and performers, but will also create a sense of neighbourhood spirit.

"We’ve kept it local at first, but we want to create a community of interest more than a community based on geography," he said. "It’s a fund where anyone can help out, not just the high rollers, and people can give as little as five or 10 bucks and know they’re making a difference."

Like Makin, Kennedy said the fund’s future is contingent on how much support the inaugural event drums up.

"Frankly, I don’t think we expect to meet all of (Makin’s) costs, but in a sense this event will let us know how much community interest there is for something like this," he said.

The inaugural event will take place at Grano, 2035 Yonge St., on Thursday, Oct. 11 at 7 p.m. Admission is free (with a suggested $10 donation), with additional fundraising activities on hand at the event.

For information on the fund, including how to make an additional donation, e-mail goodneighboursfund@gmail.com

Virgin trains are infamous among Brits for their delays and diversions.  I can now confirm this from personal experience.  My Liverpool - London train, last week, got diverted to Coventry, clipping the time I got to spend in London.  That’s the bad news!  Then, though I’d booked a regular ticket for the return to Liverpool, I somehow ended up in a First Class carriage (not that there was anything wrong with Second Class—every seat has its own electrical outlet).  That’s the good news!

What a treat first class was—or would have been, had I known in advance, and not slipped into Marks and Spencer to buy refreshments. (M and S has become so user-friendly, with mini-stores at train and gas stations, throughout Britain, you know you can pick up a decent snack from them almost anywhere anytime.) 

First Class Virgin passengers are served unlimited meals and drinks (including wine and alcohol), and are offered an array of complimentary reading materials and other resources.  The tableware and accessories aren’t paper or plastic, the seats comfortable, and crew very friendly.  The journey back passed so fast, I wasn’t ready to get off the train!  There’s also First Class Lounges at key stations.  Had I known…! 

In the little red book placed on every table on the train, there’s a note on the front page, with an e-mail address. If you’ve been "particularly impressed" with the service received by staff on the train, they want to know at feelgood@virgintrains.co.uk.  

I think about my Amtrak experiences on the Boston - New York route, when living in Boston.  Performance, or lack of it (as well as train station food and other compensations) don’t compare!

I’d been feeling very tired lately—more so than usual.  What had I been doing differently?  Drinking coffee. 

I’d let the occasional small soya latte turn into a daily large—something I’d allowed to have happen before, with similar results.  For a few weeks, I’d feel great.  Then, suddenly, exhaustion overwhelmed.  It’d be hard to sleep and hard to get up. 

Right now, I’m a week coffee-free, and more awake. Nevertheless, I miss the habit—and have been pondering why…

It’s not so much about the coffee, itself.  All the rituals surrounding a "coffee-tude" are even harder to give up.

Usually, whatever one person is feeling or talking about, others are too.  The morning after writing my "coffee poem," (pasted in below), I had the TV on as background, while painting.  A rerun of Rachel Ray’s Valentine’s Day show caught my attention.  Her guest, Dr. Timothy Brantley, the author of a book called, The Cure:  Heal Your Body. Save Your Life, was giving a more scientific explanation of "coffee habit consequences."
 
It was clear that what was happening to me wasn’t in my imagination, and the treatment plan I’d put myself on (to abstain, for now) was the right one.  Just a week in, I feel a lot less groggy!
 
Like with anything else, it’s important to remember that tolerances and responses can vary—and moderation is always good.  What works (or doesn’t) for me, might be different for you.  Also, don’t forget, a lot of coffee shops have become cozy daily hang-outs for many—kind of like pubs used to be in Britain.  They’re not popular just because of their coffee…

Coffee is "in"
A shop or two on every corner
More numerous than banks

Cardboard cup
Comforting to have in hand
Everyone does it
 
In the car
Walking the dogs
At a meeting

Arrive with coffee
A better greeting

A coffee drinker, I was not
Till I wanted to be like everyone else

Warming my palms on a cup of liquid I don’t really love
Putting out money, daily, for a beverage I don’t really need

Is it the coffee, itself, or something more, that beckons?

p.s.  Recently, Mark Mlkoff made his own unique unscientific study of coffee.  He visited 171 Starbucks in Manhattan in one day, and created a video about the experience, posted at 171starbucks.com.  On his Today Show interview (July 22, 07), he and Lester Holt both admitted that neither one of them are coffee drinkers!

p.p.s.  Of course there’s always another new study that will shed light on the benefits of coffee drinking.  Jim Lane (at Duke University), in fact, has devoted 25 years to researching caffeine.  His latest study is about caffeine and memory.  For information on other studies, I’m providing links that will help you check out coffee’s effect on the liver, the heart, and the eyes.  There are even research findings on abstaining from coffee!  But, remember, what works for one person might not for another.  Studies aside, moderation (in everything) is usually the safest.  However, as most of us know, this isn’t always possible with coffee…  Being aware of personal health challenges, and trying to remedy them, is an individual responsibility and choice.

p.p.p.s.  Coffee drinking is getting more media attention, currently, than I’d imagined when writing my "Coffee Poem."  August 8, 07, The Today Show’s nutritionist, Joy Bauer’s segment "Buzz or Bunk?  Five Coffee Myths" caught my attention because it also gave details of "folks who should avoid caffeine altogether"—those who have caffeine sensitivities (conditions that can be exacerbated by it), sleep issues, gastrointesinal problems, elevated blood pressure, bad PMS.  For everyone else (if there’s anyone left!), she suggested three cups a day!