Goat’s Milk Icecream: Yum!

May 3, 2009

Hewitt’s Maple Walnut Goat Milk Icecream is quite a discovery!  Manufactured by a family owned and run dairy in Ontario it comes in portion-size 150ml tubs (270 calories each).   Please look for more information about where to find it on the Hewitt site—and enjoy!

Best First Photos of “Best in Show.” Old Dogs Rule! Congratulations Stump, Winner of Westminster Kennel Club’s 133rd Show

February 11, 2009

 

Bravo! The 2009 "Best In Show" Westminster Kennel Club trophy was awarded to "Ch Clussexx Three D Grinchy Glee," aka "Stump,"  a Sussex Spaniel.

Yes!  It’s thrilling that this handsome and calm old boy is the 133rd “Best in Show.”  What a great outcome (and encouragement) for everyone who loves, cherishes and lives with old and/or ailing dogs!

In 2004, Stump had a mystery illness that lasted 19 days and from which he nearly died.  Fortunately, he wasn’t given up on and able to rally, miraculously.  Four years later he’s still going strong, napping and lounging always acceptable—and now, especially.

Perhaps, it helps that Stump sleeps with a previous Westminster Kennel Club winner, JR (a white Bichon Frise).  In fact, JR accompanied Stump to NYC for this year’s competition (as moral support). Is it time for an important message to be put out there?  Please be more sensitive to and embrace older dogs.  They have a lot to offer.  Puppies are fun, but dogs in their golden years are extra special, and there are many out there to take care of and/or adopt.

Stump, already "retired," did no specific training for the competition.  He just rose to the occasion, literally, and seemed a "natural."  As a finale, he surprised and excited the crowd by standing on his hind legs after receiving the award.  Then, at the press conference, directly following his victory, he was a little tired.  But, anyone would have been—(wo)man or dog.  What a whirlwind experience he had had, and the night was still young.  His social calendar for the next 24 hours would be packed!

Best in Show judge, Sari Brewster Tietjen, said that Stump represents so much for a breed that’s hard to find.  She was clearly delighted to have been able to choose him.

Scott Sommer, Stump’s co-owner/handler suggested that Stump’s travel and event schedule during his year as champ would be significantly less than Uno’s (last year’s winner).  Stump would definitely try to do what he could, but within reason.  After all, age, geography, and logistics are significant factors to consider.

 

Amercan Kennel Club Details:

• Ch Clussexx Three D Grinchy Glee
• Breed: Spaniel (Sussex)
• Sex: Dog
• AKC: SN 61688903
• Date of Birth: December 01, 1998
• Breeder: Douglas Horn & Douglas Johnson & Dee Duffy
• Sire: Ch Three D Genghis Khan
• Dam: Ch Clussexx Sprinkled With Dew
• Owner: Cecilia Ruggles & Beth Dowd & Scott Sommer

Winter Fashion (and Practicality) For Dogs

February 7, 2009

In Toronto, attire for dogs isn’t just ornamental.  It needs to be practical too. 

 

The best stay-on boots we’ve found were a no-name brand that came from DogFather about 4 years ago.  However, we’ve concluded that there really are no great boots to be had.  Even these caused pain to the paws after wearing.  Cut off balloons actually work better than anything else!

The best ski-jacket  came from the Rosedale Valley Road Gang.  Complete coverage and durability. These outfits are about 8 years-old, wash well, and are still going strong! 

 

On extreme days, the dogs stay home.  We’re luck to have a backyard!

Home for the Holidays! Sick Puppy Alert: When Two Dogs are Better than One

December 25, 2008

Sick doggies may hide in safe places.  At first, I thought this image was cute.  Later, I realized it was a warning sign…



When illness strikes, the other dog often knows
first.  Lev alerted me to Sage’s condition, once more, last weekend.  Thanks to her, I took quick action, and got him veterinary care without delay.  Due to Drs Dawne Martin’s and Sharon French’s prompt and careful treatment (at VEC), Sage was able to come home for the holidays, and recuperate. In a matter of days, he’s doing much better. A precious gift—and the only one I needed this holiday season!

Tuesday, surgery day, was a little stressful, as the following poem shows.   

Surgery Day:  Two Dogs, One Heart

She shivered and shook
A fear driven look
Tail down

At the veterinary office we were
Heavy care

Whites of eyes
Painful stare

Another procedure for Sage
Lev recognized every stage

And now, waiting for the call
The call that will let us know the procedure’s done
That the surgeon’s won

Waiting, not easy to do
Hoping, praying, distracting

A limbo land
A place that only those who’ve been there can understand.

Christmas Eve, Wednesday morning, Lev was taking care of Sage in bed.

Today, Christmas Day, both dogs have been basking together, in the sun, on an armchair.

Happy, HEALTHY holidays from Susan, Lev, and Sage!

For other blog posts related to canine health and wellbeing (and Sage’s history), please check out:  

Homemade Dog Food: Synchronicity, Health, Quality (November 22, 2008)
Older Dogs’ Health Watch (July 10, 2008)
Veterinary Emergencies (April 2, 2008)
Holistic Dental Hygiene: For Dogs and Their Humans (March 4, 2008)
Always a Puppy, Never a Dog (August 23, 2007)

Room with A View/DocSusan Recovering from “Sick-Leave”

December 9, 2008

 

Apologies for the paucity of blog posts over the last—and next—little while.  I’ve been spending more time at Toronto’s University Health Network facilities than imagined.  This past weekend’s expedient and careful treatment by staff at the Toronto General site, as well as by Toronto’s EMS personnel, was encouraging and impressive.  Also, my "room with a view" in the General’s new Clinical Services Building had more of a hotel-feeling than a hospital. I am thankful to be home, and feeling much better!

Thanksgiving Thanks to The Art Connection, Boston. Effort and Possibility in Everyone’s Reach

November 27, 2008

 

By chance, on Thanksgiving eve, I received notification that two more Boston charities were to be given my artwork for display.  I greatly appreciate how The Art Connection makes artist donorship possible, even for those who no longer live in the area.  I became involved with the Art Connection in 2006, and feel proud and honored to have had several dozen works chosen by 15 of their local charities in the last two years.  My artwork is now enjoyed by:

Andrew Peabody School (A Rigorous Academic Approach with a Commitment to the Arts), Cambridge, MA
Boston Public Health Commission (protecting, promoting, and preserverving the health and well-being of all Boston residents, particularly the most vunerable, Boston, MA
Boston Rescue Mission (Transforming Lives at Risk Since 1899), Boston, MA
Casa Esperanza (a bilingual bicultural Latino community sanctuary for those overcoming homelessness and/or addictions), Boston, MA
CFCS_TLC (Cambridge Family and Children’s Sevice—Teens Learning Choices Programme), Cambridge, MA
Community Work Services (promoting independence through employment, for challenged indivduals), Boston, MA
Goddard House (Serving Elders Since 1849), Jamaica Plain, MA
HAWC (Help for Abused Women and their Children), Salem, MA
Health Care for All (providing comprehensive, affordable, accessible, culturally competent, high quality care for everyone, especially the most vulenerable), Boston, MA
Malden Senior Community Center (a newly developed property providing services to Malden area seniors who previously utilized a center in a windowless basement), Malden, MA
MAP for Health (health link for MA Asian and Pacific Islanders), Boston, MA
Sherrill House, (a not-for proflt skilled nursing and rehabiliation Center), Jamaica Plain, MA
St. Francis House (largest day shelter for the poor and homeless in New England), Boston, MA
Triangle Inc (helping people with disabiliites), Malden, MA
Year Up Inc (helping urban young adults), Boston, MA

 

In keeping with today’s food/Thanksgiving theme, the image at the start of this post is called "Ripe," and comes from the trilogy, "Ripe, Sweet, and Lonely," at St. Francis House (each image: 24 x 24, oil on canvas, 2005).  "Sweet" is inserted above this note, and "Lonely" below it. Thanksgiving is a great time to send kind wishes to, and care for, the "ripe," the "sweet," and the "lonely" —in the environment where this artwork is now on display, and beyond.  What a suitable home these paintings have found! 

 

Interestingly, The Art Connection is working on a "pilot project" at St. Francis House.  Accordingly, they asked me to write about the the pieces I have hanging there, including the "Ripe, Sweet, and Lonely" trilogy. In an effort to make art placements a bit more educational for clients, a statement from the artist, it’s hoped, can help give the viewer a better understanding of the work. This is what I wrote:

 "Ripe," "Sweet," and "Lonely":  three things I thought about while painting this trilogy.  Even though I’m ripe (all grown-up) and sweet (kind), I’m often lonely (as a single adult), just like so many others out there.  People might be compared to fruit, with outside (skin) and inside (taste) provoking different responses  Also, fruit cut up into pieces (like for a salad), can be arranged on the plate in a variety of ways.  Some fruits are placed close together and/or touch.  Others end up further apart.  Each of the three paintings focus on one description—the" ripe," the "sweet," or the "lonely"—and they are intended to be arranged in that order, from left to right.  I am quite comfortable painting food, as well as writing about it.  As an art therapist, I had a book published called, More Than Just a Meal:  The Art of Eating Disorders. (2000).  Also, when I didn’t get into a conventional landscape painting class at SMFA (the Museum of Fine Arts School, Boston) I decided to create my own landscapes in other ways.  Food offers many possibilities and gives much cause for thought.  There is not only the selecting and arranging of it, but the eating (to celebrate) that comes afterwards.  In my earlier work (to which these paintings belong) I came to like using pale blue backgrounds.  They show reflections and shadows well, especially when objects are not crowded together.  I also like the softness (and restfulness) of this color, and the contrasts it can encourage.  All the fruits painted in the "ripe, " sweet," and "lonely" set are among my favorites.  Their shapes, colors, textures, and flavors each have their own significance, as well as work well together.  As with most of the artwork I create, I don’t  like to create one-off single pieces.  I also prefer to work on several pieces simultaneously, going from one to the next, consistently.

To view more of my "food art," please check out the Snack Happy! and Buon Appetito! collections as well as the Representational Gallery, all on the DocSusan website.

 

Price-Conscious in Toronto: A One Dollar Price-Difference between Wholefoods and Loblaws

November 17, 2008

Two weeks ago, I was at Wholefoods (Hazelton Lanes) and discovered Pom’s new line of lighter tea drinks.  They were $3.99 each.  A little pricey, I thought.  Last week, I was at Loblaws (Bathurst and St. Clair) and found the same drinks for $2.99 each—one dollar less. Not a small amount!  Last night, back at Wholefoods, I noticed a display of Pom Teas close to the cash, obviously for last-minute/impulse purchases. This prompted me to ask a Wholefoods team member if they "price-matched."  Instead of simply saying, "No," she volunteered three reasons whey they don’t:  (1) They are good to their employees, and start them off at $2.50 more an hour than anywhere else. (2) They offer food samples. (3) Customers can bring food back after tasting it if they don’t like it.  She then told me to wait a minute while she checked with team leaders. Naively, I wondered if a one-time goodwill discount was being arranged. On the contrary!  Another fact was transmitted as to why Loblaws is more price-smart.  Apparently, they have 1200 stores…and Wholefoods is unique in Yorkville.  Exiting Wholefoods, a little perplexed by the justifications, I looked back over my shoulder and witnessed sniggering team members. I’d like to hope that the price issue, and my raising it, wasn’t cause for their amusement.

Overnight Success

November 15, 2008

Puppyhood gets hits!  The attention six Shibu Inu pups have brought Ustream has been impressive.  Overnight, a breed and website have created a buzz.  Cuteness and technology capture attention…and are good for business!

Veterans Day and SHARING

November 11, 2008

Veterans, or Rememberance, Day is a good time to think of others, not just ourselves—see how we can give a helping hand, even (and especially) if there’s no (obvious) direct return.

SHARING

Sharing’s not a gift or bonus
Simply a necessity
What makes the world go round
Helps put us on solid ground

If we share, we care
If we care, we’re nice

Too much ice, and winter’s not even here
What’s the fear?

Be generous however you can
Not always with money or material things

No strings
Gratitude and platitude much more brings

Knowing that you’ve not held back
Keeps everyone on the right track

That you could have done more
Doesn’t even the score, keeps everyone poor

Share because you care
Care because you share
The order doesn’t matter
I’s the doing that counts
Regardless of amounts

A little extra kindness can’t be bought
Another life-lesson taught.
 

Gratitude for Beautiful (Unseasonably Mild) Weather

November 8, 2008

 

Please click on the image above.  These shots are shared in appreciation of a beautiful autumn day, Friday November 7, 08!  It was a treat to observe exquisite late-fall colors, by chance, wandering through mid-town Toronto’s residential streets.

Sick Pets and Veterinary Waiting Rooms

November 6, 2008

 

Hospital waiting rooms and veterinary waiting rooms provoke interesting comparisons.  Perhaps it’s just me who notices this.  Or, maybe I’m wrong.  If you have a beloved pet—and have been to both—you‘ll understand.

Veterinary Waiting Rooms

Emotions are real and raw

It’s different…

Not one person waiting
Two or three

Eyes well with tears
Big fears

Old, young
Highly strung or placid

Details matter
Passion and care

It’s all in a glance
True love and circumstance

Humans make do
Animalkind can’t

Regardless of how we feel
Whatever we have going on personally
There’s a pause

Our pets matter more.

 

The poem (above) was written for Sage, today. He has been a very brave little man. (More about him in later entries.) Speedy recovery Editor in Chief of the DocSusan Website!

For a poem about (human) Hospital Waiting Rooms, please check out a blog entry from yesterday,  Hat-Tricks and Hospital Waiting Rooms, (November 5, 2008)

Photos in this blog entry are courtesy of Lev and Sage’s buddy, Lucy Izon, from CanadaCool.com

A Night to Remember: US Elections From Canadian Side of the Border—Best, Worst, and Unsurprising Details

•  Best:  Katie Couric’s CBS news coverage

•  Worst:  Michelle Obama’s Dress

•  Unsurprising:  The Canadian elections (October 14, 08) were less interesting to Torontonians.  More of them home watching (and caring about) US election results (November 4, 08) than their own.  Neighborhood streets were quiet, TVs on.

Hat-Tricks and Hospital Waiting Rooms

November 5, 2008

I’ve been a little "fuzzy" lately, making writing (and concentrating) more difficult than usual.  Despite this, there’s always ways to be creative if you can give in to becoming a "Mad-Hatter." When not up for much else, crochet did the "trick" for me.  Sitting in hospital waiting rooms, over recent weeks, I’ve managed to produce three hats (as displayed above).

The first two are made from Cashsoft and the the third from Noro yarn.  Hat one, I’ve called the "Playful;" hat two, the "Sophisticate;" and hat three, the "Fun" (from left to right, above).  The first was just to use up yarn and keep my mind occupied.  The second involved more planning and design.  The third provoked excitement and a dash of spunk.

The nice thing about making hats is that patterns aren’t necessary.  They’re easy to try on as you go, and undoing them, to readjust for sizing or look, doesn’t involve too much lost labor.  Hat one involved "uncertainty;" hat two, "awareness;" and hat three, "boldness."  A crochet hook and yarn can sometimes help boost confidence (and self-esteem), even when real life has its challenges.

Previous blog entries about crochet include:

Wearable Art: Crochet and Canvases Match at Toronto Art Expo
(March 23, 2008)

Crochet for Stress Reduction, Fashion, and Fun
(December 25, 2006)

Reflections on "hospital waiting rooms" are shared in this poem:

Hospital Waiting Rooms

Hospital waiting rooms
Interesting places
Expressions on faces

Old, young, rich, poor
Illness can descend at anyone’s door

Homeless or not
Bedecked in jewels or poorly clad

Side by side they sit
And wait, and wait, and wait

Time to hesitate
And reflect

Thankful for what’s not
Regretful about what is

A loss of control
Soul next to soul

Good health not a given
Recovery a game of chance

Some rally
Others dally

Support helps
Not being there alone

Some speak
Others too weak

There are those who make it
And those who fake it

A humbling experience
And wake-up

Something that effects all
Short or tall

Take a number
And wait till you’re called.
 

Two Years Old! Happy Anniversary DocSusan’s Blog

November 1, 2008

 

DocSusan’s Blog is two years’ old today.  Big thank you to all who have supported me in this endeavor!

 

Reader’s Response to Blog Entry, “Solo Travel”

October 27, 2008

This e-mail was received in response to my recent blog entry on solo travel.  Its author is Maxwell Kates, and I am posting it with his permission:

I’m writing to respond to your blog entry about single travelers. I thought it was well written as it describes a number of thoughts and concerns single travelers face or may not realize.  Although my research in this area is not scientific, I am aware that there has never been a community so large, widespread, and disparate as the singles of our times.  Of the 6.6 billion people on the planet, at least two billion are considered single.  There might have been other communities to which members might not have wished to admit association in the past, but these were, generally, more cohesive, due to common practices, lifestyles, or beliefs. What seems to unite singles today is an absence from their lives.  I feel it is difficult for any business to target a product to a market such as "singles" if it is defined by what members are not, rather than what they are.  I’ve discovered this after attending events where participants have come together due to their (non)marital status, but may have nothing in common with respect to anything else.  Also, I’ve also traveled a lot in the past five years.  Apart from a trip to New York with my dad in 2005, it’s been independent of friends and family.  I’ve taken package excursions, attended conventions, joined with organizations and to volunteer, all en groupe.  Each trip has had advantages and disadvantages.  Your level of connection with co-travelers is the luck of the draw.  Then there’s the alternative: traveling completely on your own. Last month I went to Vancouver for a week.  Why Vancouver?  Part of the reason is that I know about a dozen people there.  I was unemployed at the time and wanted to be around people I knew.  Of the twelve, I arranged to meet six of them, averaging nearly one visit a day over eight days.  With one of the six, I traveled to Seattle where I saw three more people I know - two intentionally, one by accident.   Another factor for picking Vancouver was on a recommendation by another member of "the singles jungle," who deemed the city a welcoming destination for solo travelers.  When traveling alone, I try to find a hotel that has a community atmosphere.  As was the case with prior vacations to San Francisco and to London, I succeeded in Vancouver.  You never know who you’ll meet in such circumstances. These are all topics you discussed in your recent entry. Others, including self-sufficiency and personal entertainment, are concepts which did not cross my mind.  Yes, traveling (and living, for that matter) on your own can be more expensive than with friends or a significant other, but it beats the alternative of uncongenial companionship, just for the sake of it. Thanks for writing about such matters and providing readers the opportunity to think about them.

Maxwell, thank you for your feedback, sharings and suggestions!

Backyard Bears

October 25, 2008

 

Just a few hours from downtown Toronto, bear spotting isn’t hard to do. Check out the wildlife at a creative sign shop, on the road to Killarney. Wonder if a few bears in the backyard, downtown, might help scare off squirrels, raccoons, and skunks? That said, there didn’t seem to be as many of them around this year.  A cause for concern, maybe?

 

Solo Travel

October 22, 2008

 

When I decided to travel to French Polynesia (where I am writing from now), I was well aware that this is a honeymoon/couples destination.  However, there are may other special celebrations to mark with big trips like this—birthdays, professional milestones, overcoming burnout. Or, quite simply it may be the right time to go somewhere/the realization of a dream.  If we have the health, strength, and good fortune to be able to do so, it’s important to seize opportunities, no over-analysis.  Live in the moment!  Last week, I was in hospital.  It was touch-and-go whether I’d be able to travel at all.  This reinforced to me, all the more, the necessity of brushing aside qualms about traveling solo.  

Can travel, will travel, and hope for the best!  Why should solo travelers be deprived of seeing places like Tahiti or Bora Bora, just because it’s not typical for them to be there?… I’m thrilled to be in the South Pacific right now!   Though I’ve been excited to view the wonders of this remarkable paradise, I do admit to having had time to reflect and wonder about issues solo travel stirs. Others have shared their stories about this. And, of course, I have many of my own.

Some people can travel alone.  Others cannot.  When choosing to travel solo—or having no option but to do so, certain factors matter.  These include:

1. Destinations: where you go and how you get there can make things easier (or not)
2. Tour operators:  select wisely
3. Personal coping/activity strategies
4. Personal expectations and tolerances
5. Personal gregariousness, charisma, and courage
6. Luck and timing:  co-travelers and environmental factors

For those who travel solo to get away from everything and everyone, this blog entry might appear ridiculous.  It is really intended for a growing (and, possibly, more embarrassed and silent) majority:  those who might, increasingly, be obliged to spend time alone, at home as well as on the road, like it or not.

Though it’s hard to accept, we live in a lonely and isolating world.  Ironically, Internet dating and big-city life can be counterproductive—lead to a lack of community feeling and less accountability/reliability.  From the outside, those who are in relationships would think it’s easy to meet and connect.  From the inside, those who are not in relationships will tell you it’s more difficult than it seems.  Many tire of the process, and those around them (especially if coupled) don’t, usually want to hear about it.  A lot give up along the way—would rather "settle" with someone who’s not really for them than endure the stigma and pain perpetual self-reliance can provoke.

Then, comes vacation time. The best things in life (vacations being no exception) are shared.  But, if you don’t have "significant others" in your life, what do you do?  Find a congenial "friend" who’s schedule, budget, and interests permit them to journey with you?  Or, stay home?  If you are optimistic, brave, adventurous, or resilient, the travel bug will win out and you’ll decide to go anyway.  Nevertheless, despite good intentions (unflagging courage and being properly organized and prepared) it’s hard, sometimes, not to feel inadequate or out of place, even if you are not.  

Don’t worry about what  others might think or say.  Probably, if they’re traveling as a twosome or en famille, they wouldn’t have the stamina of mind to go it alone, or enjoy!  And then there’s their squabbles.  Just because people are traveling together, it doesn’t mean that they are doing so happily.  Trips have been known to end relationships, rather than bring people closer!

TRAVELING SOLO:  Weighing the Options

1. Destinations:  where you go and how you get there can make things easier (or not)

• Where you’ve been before (and feel safe).
• Vacation/second homes (family or timeshare, where there’s familiarity/routine/other people).
• Package trips (where everything is organized and there’s less personal responsibility).
• Group trips (where interactive opportunities are part of the itinerary).
• Activity/adventure/cultural trips (where there’s a common goal and theme and/or group dynamic).
•  Conference(s)Seminars and their ad-ons (where the professional and personal can overlap).

2. Tour operators:  select wisely

• Those who offer solo traveler options (they’re not for "singles" per se, but don’t make singles feel uncomfortable).
• Those who are solo-sensitive (and provide incentives for those who, like it or not, are obliged to travel alone).
• Those who don’t charge single supplements (might alienate/discriminate/take advantage…).
• Those who welcome repeat business (and will try harder, however they can—every person mattering, not just every room).
• Those who are pet friendly.  (If you don’t have a human to travel with, you may want to take your pet).
• Those who realize that solo travelers are a market worth favoring—that solo travel shouldn’t just be the "privilege" of those who can pay the price (financially and/or emotionally).

3. Personal coping/activity strategies

Nothing worse than having others feel sorry for you, or appearing needy…

• Always have your own entertainments (in lieu of traveling companions who may not actualize):  books, magazines, handicrafts (knitting, paints, etc.), photographic equipment, Ipod, sports equipment., and, and, and…
•  Self-sufficiency. (Yikes!).  You might have noone to hold your place in the line, or watch your bag.   You also might not be able to run and get refreshments, or to the bathroom.  Be prepared:

- Carry snacks
- Go to the bathroom before you get off the plane, or train
- Travel light
- Know how to entertain yourself (as above)
- Know how to connect with co-travelers (who can be helpful) but be cautious
- Be prepared to not have to depend on anyone else for anything (thought getting photos taken of yourself, by strangers, can be challenging…)

If driving, staying awake and safety matter even more:  audio-entertainment, traveling at the best time of day for you, where you stop, nutrition, car maintenance/protection, and, and, and…

4. Personal expectations and tolerances

Be prepared to not have to depend on anyone else for companionship or favors.  How solos navigate in a non-solo crowd is personal.  We all have different (cap)abilities, as well as purposes for our journeys.  At home, it’s possible to hide from situations where you feel you might not fit in. On the road, you’re out in the open, and exposed to environments and happenings that can make you feel awkward/out-of-context (no shields).  Know your limitations, but also be prepared to stretch yourself.  Try new things, and ways to approach others.  Turn fears into opportunities!  At home, you know what to expect (most of the time).  On the road, you don’t always… Different cultures stimulate fresh  chances to grow and learn.  Embrace, enjoy, and be thankful!
 
5. Personal gregariousness, charisma, and courage

How you are at home may be how you are on vacation. How you are at home may not be how you are on vacation.   Some are quiet.  Some are not.  Some are approachable. Some are not. Some need to make extra efforts. Some do not.  A little success may go a long way.  Try and try again.  Use whatever skills and talents you have, or invent them.  Be open to possibilities and let travel help broaden your mind and ways of seeing and doing…  

6. Luck and timing:  co-travelers and environmental factors

Sense who your co-travelers are.  Some may be traveling together because they want quality time with each other.  These folks won’t welcome you joining them, at meals or in activities.  Others may enjoy meeting new people no matter what, and might welcome you with open arms. Some of the best (accidental) friendships are made on vacation!  Finally, there are those travelers who, may (unintentionally or not) find "strays" entertaining "filler" for an evening or an excursion.  Also, depending on where you are staying, and who else is staying there at the time, dining and excursions may offer ways to connect.  Tables which are open to anyone to join, and activities that don’t just cater for "twos" but offer "partner-providing" opportunities are bonuses (funny as it might seem)!

At time of booking, ask questions

• What your tour operator/destination (can or will) provide (if their single supplement offers something in return, like solo-sensitiviy).
• Without asking for specifics, check the demographic of other travelers (age, gender, social status, etc.)—If you will stand out from the crowd, or not.

Trip providers, please listen up.  Remember that tours and destinations that are solo-friendly (integrate solos with regular travelers) are often preferred by solo travelers.  Many don’t enjoy "singles’ trips" or activities per se—and that’s a whole other discussion as to why…

At time of booking, know your personal limitations

Try and stretch yourself wherever you can.  Nothing is ever perfect.  Attitude, effort, and intention count—for traveler and travel provider, alike!  That said, it’s nice for vacationers (who are paying) to have their stressors reduced where and however they can be!  

Trip providers, please listen up.  Remember, if you do charge a single supplement, try and give those paying it value for the extra money.  There’s always something creative or  considerate  that can be done (and it doesn’t have to cost).  A little thoughtfulness/kindness can go a long way!

 
More to follow on my French Polynesian adventure later in this blog.  What a spectacular part of the world!

50th BIRTHDAY CELEBRATIONS: Portraiture and Ellen DeGeneres’ (Celebrity Power) Advantage

October 18, 2008

What is 50?  Fifty can be a face—a face that tells a story, a life that’s half a century long.  Here’s a recent portrait I painted—one that marks the 50-milestone.

 

Portraiture is a very personal process (for artist as much—and even more so—than sitter).  You get to know the subject a little better—come to read between the lines (no pun intended), see where their truth might lie then stress what can show them in best light.  

Portraiture is magical. It’s not a photograph. Interpretation and revelation are meaningful. Those who are able to view carefully pick up energies—recognize limitations, wonders, and a whole lot more.  It’s a terrific feeling to be able to present someone else’s best face to the world, especially on canvas.

 

Juxtapositions are interesting… 

Ellen DeGeneres paid tribute to Heath Ledger at the end of her show, Wednesday January 23 08.  This was piggybacked onto the joviality of her not-to-be-forgotten 50th birthday celebrations.  The gearshift, I felt, was awkward. I am a huge fan of Ellen, and think she’s very good at getting her fans and other celebrities involved.  I was, however, a little surprised with the extended birthday hoopla.  First there was her own 18-day countdown.  Then others, like the TV.com Community added to the hype with additional tribute pages.  And, of course, there were "surprises" from other well-knowns, like Justin Timberlake, episode-after-episode…  

We do feel better about ourselves when others are there to celebrate milestones with us. That’s clear.  Even those who protest they don’t want a party might be relieved and delighted when one is made for them.  But, what about all those others reaching similar milestone days that don’t have Ellen’s networking capacity or publicity operation? How many of them might be home alone for birthdays—not in celebratory mood, or able to feel quite as good about themselves?  

A quick Google search on the subject of 50th birthdays and Ellen’s led to an on-line contest, "Help Ellen Degeneres Celebrate her 50th Birthday."  The grand prize winner was getting a VIP trip to Los Angeles to help Ellen celebrate, by attending the filming of her show.  Again, more about and for Ellen. Ellen really is fabulous, and she does an abundance of nice things for others. However, sometimes, there’s a point at which (perceived) vanity can become insanity.  Instead of another offering for Ellen, could there not have been an ideal opportunity here for the Ellen team to help create awareness that not everyone has her current good fortune to be out there and loved as much as she is? (Maybe there was, maybe I missed it?) 

Also, let’s not forget that even those who are out there and loved, like Heath Ledger (was), might have other difficulties (be in need of different types of support). Ellen did have her own challenging days 10 years back. Though it’s good not to dwell on transitional periods, it’s always nice to remember, when things are going better for you, that others might not be quite as advantaged—or happy.  A little attention can go a long way.  A lot of attention can go too far, even with those we admire.

Art Matters: Liverpool and Toronto Art Scenes, Quick Impressions

October 13, 2008

 

I managed to catch the last day of the Toronto International Fine Art Fair, a week ago, Monday. An enervating experience!  This had little to do with (many) gallery representatives being tired and inattentive.  Quite simply, the atmosphere seemed flat and nothing stood out as different or exceptional.  Having shown at Toronto Art Expo in March (at the Toronto Convention Center as well), this previous disappointing experience sprung to mind.  Also, I hear from others that Toronto’s Nuit Blanche (which coincided on the Saturday night of the Fine Art Fair) was even worse this year than last.  Despite the organizational PR and swish website, I understand that people appeared to be wandering the streets aimlessly, seeking something that might impress them, but going home tired and deflated.

Having just returned from the Liverpool Biennale, which was hopping, it’s hard not to make comparisons.  I think there’s a lot Toronto’s arts community (and sponsors) can learn from what’s happening across the Atlantic—not just from how artwork is exhibited, but to how ambiance is induced.  User-friendliness, approachability/accessibility, and interactive involvement (at all levels) help create a more fun environment that keeps you engaged. 

From the Walker Art Gallery’s (first photo in this blog entry) John Moores’ and Ben Johnson’s exhibits, to the Conservation Center (second photo in this blog entry), to the Tate Gallery, to Bloomberg’s New Contemporaries, I was surprised and delighted to see the range of possibilities—something for all tastes, attention spans, and budgets.

What’s nice about the British approach is that everyone can get involved somehow, and keep passion alive. (Please see the photo of the interactive display, above, at the Conservation Center.)  Also, most museums and galleries are free (and government/trust supported), with lots of helpers around to explain and motivate.  You can even try things out for yourself, with projects like The Big Draw, which reminds that "drawing is for life, not just for children!"  (Please see the the photo below, also check out www.campaignfordrawing.org.)

 

Canada-based artists, currently on exhibit in Liverpool, include, David Altmedj, at the Tate, with his piece, The Holes, and Paul Ygartua, in Bar Four at the Hard Days’ Night Hotel.  And, then there’s street art, from all parts and in all parts, that’s catching a lot of attention—like the spider behind Liverpool’s Town Hall. (Anthony Gormley’s spectacular installation "Another Place" exhibit in the Mersey Estuary ended up staying more permanently.  Be fun if this one could too!) That’s my photo of the spider, but the Telegraph has a better night-time shot.

 

The point is that art excites and motivates. The more of it that’s around, the more people get interested, causing new opportunities/creativity (of all types) to emerge, as well as interesting juxtapositions of old and new—like with Liverpool Town Hall, behind which the spider dazzles, by night. 

 

Torrit Grey and Regenerating Creativity

October 11, 2008

Gamblin are my favorite oil paints.  In August, I discovered that they have an annual competition.  This year’s was number 15.  Robert Gamblin invites painters to experiment with "value," and see how light and dark can have as much impact as color.  For me, as a "colorist," this would have been an interesting challenge. Unfortunately, I found out about the competition a little too late.  The folks at Above Ground gave me a tube, after I commented on all the other shades of Gamblin’s grey I was buying that day (but the competition deadline date was too tight).  

Torrit Grey is made up from pigments collected from Gamblin’s air filtration system that are mixed and recycled to form a unique color.  There is no charge for this product.  

We all have our creativity slumps, and sometimes don’t know how to move beyond them.  A couple of months on from receiving the Torrit Grey tube I still hadn’t used it.  Now, the timing was right and better.  Perhaps this little tube could help restore creativity—kindle an element of surprise and wonder and motivate me to get back into a "flow."

You may view the DocSusan website and blog and think that my creativity comes easily.  Nothing comes easily, even if it may look that way.  Common "creativity blockers" and "enhancers" are listed below.  Perhaps you can identify?  Perhaps you have you own special solutions for navigating between them?
 
Creativity Blockers

• Emotional upsets
• Rejection/lack of appreciation
• Physical illness
• Burn-out
• Isolation
• Lack of motivation/goals

Creativity Enhancers

• Emotional stability and calm
• Appreciation
• Good health
• Rest
• Connection and belonging
• Surprises

p.s. I used the Torrit Grey in a a small work entitled, Love = Poodle for Me.  Love = ? for You? This was for the Love Show, an 8 x 8 fundraiser organized by the Londsdale Gallery, to be held at Toronto’s Gallery 1313 (October 30 - November 9, 08 Auction November 9), to benefit "Nomads" (street youth).

 

About this piece: Love hides in many places. Some never find it.  Others see it peeping through clouds—dream, wish, hope.  Love, for me, masquerades (and dances)  in "Poodle-form." Wherever I go, there they are!  I don’t hide behind my poodles, but we take care of each other —every step of the way. (This piece can hang in four different directions. Please hang it according to what you see in it—and enjoy!)

GUILT(Y) Verdict for OJ Simpson, and/or Others…

October 7, 2008

Guilt hovers for all types of reasons.  Some manage to feel guilty without cause. Others don’t (appear to) feel guilty, but should.  Conscience is a determining factor.  Even if we deceive others, we still have to live with ourselves! 

G U I L T

Got away with it before

Unbelievable but true

Innocence too often punished

Lying lets others down

Time takes care of injustices…eventually

(You may get caught!)

If not then,
When?

If not now
How?

If not this situation
The next?

Those who hurt us (seem to) get away with what they’ve done too often. Or, do they? The high of duping others can, ultimately, be followed by the low of them being able to offer no more excuses—followed by a lack of leniency from those able to invoke retribution.  

It looks like there may be no way out for OJ Simpson this time around.  He may have "got away with murder" 13 years ago, but can’t seem to get away with "kidnapping and armed robbery" now.  A "lesser crime," a greater sentence…

It’s wrong to wish ill on somebody else.  But, it’s hard not to feel relief when obvious (and repeat) offenders push their luck and things don’t pan out for them.  In business, dating, or en famille, certain individuals have a way of taking advantage of others.  If discovered, they may attempt to convince that their ruses are out of character, or provoked.  Also, when people get away with something once, they often try to get away with it again…and again.  No matter how good their stores get, where’s the glory?!

New Year’s Wishes (Please Share)

October 3, 2008
NEW YEAR’S WISHES
 

Here’s to a new year of hope
One during which it’s easier to cope

A new year for rekindling dreams
Finding out things aren’t as dark as it seems

A year when every moment and connection counts
Do unto others as you would wish be done unto you

A year when those who’ve caused hurt won’t be around
Or, they will have changed
Forgiven, forgotten, explained

For some, lessons of the season will have been caught
For others, holy days mean naught

Prayers or hypocrisy, charades and masquerades
It’s not how you act, or utter, in a day, two, or three
It’s what you do all the time

A year to mean what you say and say what you mean
Not dilly and dally in between

There’s always consequences
Even if you’re not the one effected

Guilty or innocent
Good intentions, or not
Life’s laden with responsibility

Take it!

A year to play fair
Show others more care

A year to get beyond what was
Just because…

The lost can get found again
The found may get lost again

There’ll be second chances or third
Even though some may never feel understood or heard

Don’t ever give up!

MIndful, it’s important to be
Not just of "you," also of "me"

However alone or distracted you are
Whatever the excuse of the hour
Remember…

Kindness and consideration give power

Truth, trust, and respect lead to healthy communication
Ignoring and ignorance lead to heartache

Here’s to a year
Where no one’s left out

Here’s to a year
Where everyone’s deemed as valuable as the next
Or treated as such

Forget the superficial and frivolous
The trivial and self-centered

Forget anger and hate
Deception and lies

Your face will say it all, even if you don’t

Your eyes, your smile, your frown
Can’t hide what might let others down

What you don’t say says a lot

Think, feel, question
Acknowledge your part
"Goodness" is an art

Give heart!

Did you do right today?
Did you tread on anyone else’s toes?

Were your intentions sweet, honest, clear?
Did you act out of love, pain, or fear?

Did you return an e-mail or phone call?
Take the time to own up, say "sorry"?

What about the person waiting at the other end?
NIce way to treat a "friend"!

What excuses surfaced?
Was anyone misled?
In public, can you hold up your head?

Do you go to bed peeved, relieved, jealous, or mad?
What makes you sad?’

Do you toss and turn because of someone else, or yourself?

At the end of the day, are you proud of who you are—and can be?

When you’re happy, do you brush aside those who aren’t?
The ones who were there for you when you weren’t as lucky.

Have you tried your hardest?
Have others’ special deeds been taken for granted?

Did you use or (ab)use?

Getting away with things, being unaccountable
What does this really prove?

Someone else may be suffering somehow

No one need insist that they’re nicer than others think
It’s obvious when there’s a missing link

Here’s to a year where the best is yet to come
A time to join together to help positive things happen
If not for your own sake, for those whose lives you touch.

Rosh Hashana, Faith, C.S. Lewis, Good People, Mitvah, Miracle

October 1, 2008

This is a blog piece I hesitated to post.  Could it upset, disappoint, or depress readers?  How might you perceive me as writer?  Regardless, it felt right to go ahead.  I thought and thought again…  Though the artwork and intentions of this site are positive, for the most part, being real and confronting the uncomfortable is an essential part of who I am.  Sometimes, it’s not possible to gloss over strong sentiments (even if they appear negative or disappointing). Everything we show can help us (and others) grow! Anthony Hopkins as C. S. Lewis, in the movie Shadowlands, states, "We read to know we are not alone." (1993).  I write to know this too!  Fifteen years later this simple movie-line still has powerful meaning.  Perhaps, that’s what compels me to share the following poem with you.

FAITH

Feelings we have
Attachments we make
Intuition to guide, or not
Trust earned, or undone
Habits and happenings

Faith…
What is it really?

To have and to hold, or so we’ve been told
Or not…

To give us drive, make us feel alive
Or the opposite?

Faith…

Some live by it
Others would like to
Many find it impossible

Believing and grieving
Striving and diving

A day to wonder and worry
Conscience and consciousness

Some things don’t make sense
Others are full of pretense

The seemingly good others among us aren’t
Those with the best qualifications can’t

Let-downs abound
Those who’ve tried hardest drowned

Expectations and disappointments
Anxieties and concerns

Many, many burns

Dusting oneself off
Keeping things in perspective
Ever reflective

Quelling those rambling thoughts
The ones that slap us in the face
Slow down our pace

Trying, yet again, to start fresh
A new year
A new way
On track to stay

Ah, if it were as simple as it sounds
Ah, if we weren’t responsible for our surrounds
And those with whom we’ve attached—by choice, slip-up, or destiny

The people we’ve trusted
The hopes we’ve had
The dreams unrealized

The feeling stuck
Face in muck

Kicked instead of caressed
Naked, but not undressed

Those who’ve taken advantage
And those who’ve had advantage taken

Wrong isn’t right
And right shouldn’t seem so wrong

Spirits lowered
Disappointments showered

Inspiration sought
What matters can’t be bought

I opted not to go to synagogue for Rosh Hashana. It didn’t feel right.  Instead, quiet contemplation stimulated this poem.

Though we’d like to think and believe the best, not all rabbis are "good."  Nor are all regular  "good people."  Hypocrisy and double standards are an unfortunate norm in every organized religion at every level—as well as among friends, acquaintances, colleagues, and family.  (And, let’s not forget in business and politics!)  Though many folk are afraid to see or state it, sometimes it’s hard not to wonder:  "What’s the point? Who can you really trust that’s not just out for themselves, regardless of their position and responsibilities?  Who are the ’show-men’ and ’show-women’ (the ‘insinceres’) in our lives?"

Rosh Hashanah (the head of the year) can be many things to many people.  Generally, it’s marked by ritual and family gatherings.  However, like Christmas, Valentine’s Day, weddings, birthdays, and other (intentended to be) ceremonious times, the "spiritual" isn’t always what’s obvious, or triggers (questioning and distressing) thoughts and responses.  There are always those who feel uncomfortable—left out, or struggling with memories and associations that aren’t happy.  They can sense no genuine point of connection or healthy attachment, despite repeated effort.  Being able to be mindful of this, as well as caring towards individuals in our circles who could be struggling (and left "faithless") is truly a mitzvah (good deed)—some might even say "miraculous."

p.s. The movie, Shadowlands, touched a lot of people in a variety of other ways. Further commentaries on this are shared elsewhere.

Mixed Messages and Contradictions

September 29, 2008

As Rosh Hashana (the Jewish New Year) approaches (starting tonight), all kinds of "mental clean-up" decisions get made.  There’s no better time, than now, to clear upsets and "make nice."

When others don’t know what they want, it’s better to give them space and not get caught up in their vicissitudes of the moment.  We all need to see the light sooner or later.  But, everyone’s light won’t go on at the same time.  Some lights flicker, others act as motion-detectors.  Many need new bulbs.

Often, we can only count on our own power source.  When others send mixed messages, we need to think about moving on, however hard that is to do, and as this poem hints:

Contradiction

Contradiction
An affliction

One thing said, another done
One thing thought, another wanted

You don’t see, others can
You don’t know, others will

Real you wanting to get out
Real you wanting to shout

Needing it all
Has you stall

Going against the tide
Not about pride

A bigger picture is clear
Not in touch with what is dear

Self matters
But so do others

Self knows
Frustration grows

Back and forth
Forth and back

Knowing what’s right
But keeping up the fight

Others see
Others change

Fair exchange
Or so you’d think…

Always carry your own flashlight as back-up, and you won’t be caught in the dark.  Others’ power surges shouldn’t flatten your batteries…

The Cooking Gene—No Exact Recipes, Wholesome Cuisine 2: Cookies and Scones

September 25, 2008

 

Cookies and scones come in various sizes.  Do you realize you’ll usually eat the same amount regardless of size?  This is why I’ve come up with three sizes:  small, medium, and large (as shown in the photo above).  The small are just for a quick nibble.  It’s easy to eat 1 - 4  of them at any time between meals.  The medium are a little more substantial.  These are for formal snack-times. 1 -2  are recommend at a sitting. The large are meal, or meal-replacement size, where 1 to 1.5 should suffice.  It’s hard to find healthy store-baked treats. Instead of a trip down there, and in the same amount of time, it’s possible and easier to make your own!

Please note, I choose to use Bob’s Red Mill products for most of my baking needs.  Their range and quality are superb.  (You can find these at Wholefoods and many other health-conscious grocery stores.)

Bits of Everything
(The not quite a cookie cookie)

• 4 cups ground almonds
• 2 - 3  cups muesli
• 2 cups oats
• 1 cup oat bran flour
• 8 oz honey
• quarter cup flax seeds
• 1 cup mixed dried fruit (including Goji Berries)
• 8 egg whites
• Spray oil
• Baking powder

Quantities might not be exact.  Experiment, and so long as the mixture holds together and can be molded you should be fine.

Mix everything together then form and bake on three different trays, till light golden brown.  (20 - 25 minutes at 375 degrees in a preheated oven).  Check that there’s no sog in the middle of the cookies, with a tester. Remove from the trays as soon as possible, to cool.

Amounts made:  16 large (meal replacement size);  24 medium (snack size); 35 small (bite size)

Garden Scones
(Savory)

• sage
• chives
• 3 cups oat flour
• 1 cup quinoa flour
• 1 cup flax seed flour
• 1.5 cups probiotic yogurt
• 4 eggs
• 1 stick of butter
• 2 cups grated goat cheese
• 2 tablespoons mustard
• salt and pepper

Quantities might not be exact.  Experiment, and so long as the mixture holds together and is dough-like, you should be fine. 

Mix everything together and dust the baking tray with quinoa flour. Once they’ve been cut, place the scones closely together for baking.  Preheat the oven to 450 degrees then bake for 15 minutes, or till golden brown and firm (no sog in the middle).

These scones can be served with butter or goat cheese spread, even humus or advocado—whatever takes your fancy.

These are called "Garden Scones" because I was fortunate to use my own homegrown herbs.

The Cooking Gene—No Exact Recipes, Wholesome Cuisine 1: Soups

September 22, 2008
 

 

Growing up, I spent a lot of time in the kitchen watching my mother.  She’s still meticulous following recipes, even after cooking for almost 70 years.  No exact instructions for me! Observations and taste buds take over. With a little understanding of formulas and ingredients, I’ve discovered it’s hard to go wrong.  Also, cooking in bulk is cost-, time-, and mess-efficient.  Make large quantities and freeze—even, and especially, as a "one."  Nice to have someone else to cook for/appreciate what you’ve made. However, dipping into the freezer for meals and treats prepared in advance can feel like someone else might have cooked for you!  Self-nurturing, by choice or out of necessity, can be as creative as it is satisfying…and healthy.

Soups need sautéed onions and lots of vegetables, and should be puréed/liquidized.  Adding fruit juice and garden herbs makes them all the more nutritious and tasty.  Fall is a great time to store up for winter, especially when there’s such interesting produce being harvested locally.

8 Squash Medley

• 8 giant squash (each one being of a different variety)—baked till cooked through
• 6 giant white onions—sautéed till golden brown
• EVOA (Extra virgin olive oil) to sautée the onions
• 2 cups apple sauce
• 3 cups orange cranberry juice
• salt and pepper to season
• chives (from garden if possible)—cut up and added after making purée

Blend all ingredients together for a thick sweet main-course soup.

Curried Parsnip with Caraway

• 4 bags parsnips (approximately 1 - 2lbs each)—baked till cooked through
• 6 giant white onions—sautéed till golden brown
• EVOA (Extra virgin olive oil) to sautée the onions
• 1.5 cups orange cranberry juice
• 3 cups orange cranberry juice
• salt and pepper to season
• curry powder to season
• caraway seeds to season

Blend all ingredients together for a thick spicy main-course soup.

Toronto’s Surprise Tax: $60 for What Exactly?

September 19, 2008

 

Earlier this month, I paid renewals for my my driver’s license and vehicle plate.  Funny, the envelope that was mailed to me with the forms for these didn’t include anything about a new $60 Toronto resident’s tax.  Since I’d been out-of-town a lot over the summer, I thought I might have missed news coverage of it.  Apparently not.  Most agree this one got snuck in without hoopla. Astonishing?  Or, Perhaps we’re all paying too much attention to US politics?

At College Park’s (long-lined) Ontario Service Counter, there was no explanatory literature, or prominent signage.  The only thing necessary to know, it seemed, was that if you didn’t pay up there and then you couldn’t make the other renewals.  Employees working at the counter weren’t afraid to mention that they didn’t agree with the tax (they’d be paying it too).  When I got home, I pulled up a September 1 (08) Globe ad Mail article which offered more details. Then, when speaking to friends and acquaintances who drive in Toronto but live in the suburbs, their snigger wasn’t surprising.  This extra charge didn’t apply to them!

From Sarah Palin’s lipstick to John McCain serenely placing his rose on the September 11 memorial at Ground Zero, while Barack Obama appeared to toss his, most of us (myself included) have been more engaged with what’s been happening on the other side of the border than with local politics and consequences. (Please check out the drinks menu at the Gladstone’s Melody Bar, in the photo above.)

Let’s remember that Canada has its own (40th) Federal Election October 14, 08. Americans might not know about this, but many Canadians don’t either…  On its eve, it seems, the Conservatives have been chopping arts funding right, left, and center. This fact may influence artists’ votes!

p.s. Regular readers might remember my Potty Pots in Rosedale (three-entry) series, from last year. Elections in Canada, it appears, can coincide with interesting displays of how tax payers’ money is allocated, locally as well as nationally. (For more links, please check out the third entry in the series: Potty Post in Rosedale, Part Three—As Elections Near, September 15, 2007).

Reacquainting with Toronto

September 17, 2008

 

There’s no better way to get to know your own city than by having visitors in town—a chance to do things you wouldn’t usually, and become more aware of what’s on offer. This past weekend was a good one, event- and weather-wise, to check out places and happenings I hadn’t before:

The Beach Celtic Festival
Organizers made a point of stating this was a "Beach" activity (not a Toronto one), clarifying, to friends from New York and Boston how the Beaches are a distinct community (from Toronto) and proud to be one. There was a fun atmosphere and a variety of performers.  Fathers as well as daughters had a chance to display their community spirit and dance routines!  (Please see photo at the start of this blog entry.)

Queen West Art Crawl
Knowing the amount of work and expense that goes into putting up individual displays, I’m not sure how participants might have felt or how the jurying and set-up processes went.  The overall impression/quality appeared mediocre and disappointing to those from other parts.

Paws Way
This is a "pet discovery" center that appeals to all, non-pet-lovers included, with its animal heroism exhibits and themed lecture series.  The hours and information services are also user-friendly, especially for later on a rainy Saturday afternoon.  (Not clear who the creators/sponsors of this venture are, but the Purina logo is included.)

The Drake Hotel
Yes, they do make the best afternoon tea scones in town (apart from my own), and the comfort food at the bar isn’t bad either.  Edamame followed by grilled cheese, with champagne, proved an interesting combination!

• Gladstone Hotel
Their Saturday night Karaoke is a lot of fun, for participants and listeners!

Chippy’s on Queen
If you’ve not tasted the "real thing," these may be as good as it gets in the ‘hood. We didn’t like the cooks touching money and (?), and then the food, without washing their hands in between.  But, a line was building, and maybe they were short-staffed. Can’t really go wrong with chips when they’re home-cut. However, the batter on the fish was a tad crunchy/heavy…  That said, it’s a nice concept and there’s a good menu and price range. The $7.99 (cod) can be enough for two!

United Airlines: A US Domestic Experience

September 14, 2008

For 2$ a bag you can check in your luggage at the curb, if traveling domestically in the US.  I did this for a Chicago - Boston flight recently.  Inside the terminal, the lines were long.  But for a fee that many others seemed to be paying also, you could, essentially, queue skip.  Interesting process, the lines inside make you want to check-in outside.  But, if there were no lines inside, a revenue-generating op like this might not be possible.  Convenient?  Then there was the plane.  The first one we sat on, for about an hour, had engine problems, so another identical model was prepared a few gates down.  Another hour on, all passengers had deplaned and replaned.  Only two hours late into Boston, frequent flyers appearing unsurprised. Just a typical day with United?  No fuss and no apology messages necessary?  At least that’s what I perceived as someone who isn’t terribly familiar with US domestic aviation practices.

Please check out some of the other entries on this blog about airports and airline travel:

BMI (British Midland):  First Impressions, September 6, 2008
 
Airport News Stands: Jennifer Aniston, “Straggler Single”: Uncommon Attention, Common Problems. (Poetry about Dating and Related Blog Entry Links Included), August 22, 2008

Charter Flights, May 26, 08

• Planes: Flights of Feeling, May 21, 2008

Traveler’s Poem: From Airport to Destination, May 18, 2008

 

The Early Bird Gets the Table—Yorkville Not Busy Despite the Toronto International Film Festival (08)

September 11, 2008

 

Last Friday evening, passing through Yorkville, I noticed a bunch of empty tables:  at Sassafraz, Café Nervosa, Dimmi, Remy’s, Lettieri—all the usual hangout corners.  At  6:30 - 7:00 pm you could take your pick.  So, spontaneously, I decided to stick around:  choose a restaurant where I’d not been before—Flow.  Since the dogs were with me, this worked out well. They could perch on the perimeter hedge of the patio in the comfort of their travel bag, with a view out onto the Hazleton Hotel and One.  The waiters were attentive and kind.  A large bowl of iced water was served to them, and a sliver of duck from a complimentary amuse gueule.  My own dinner of blackened cod and root fries, followed by meringue, was also nicely presented and delicious.  It’s very easy to (be made to) feel uncomfortable when dining solo. But, for some reason, I had the contrary experience here.  By 8ish the Ronnie Hawkins Band was heating up on the roof of an adjacent parking lot and the rain had started to come down.  The night was just beginning, and the opening weekend of the Toronto International Film Festival underway…

BMI (British Midland): First Impressions

September 6, 2008

Fed up with Air Transat’s/Thomas Cooke’s Toronto-Manchester (UK) service (described in a previous blog entry, Charter Flights, May 26, 08), I’ve been fortunate to be able to try a different Manchester-bound routing.  Happening to be in Chicago last month, I flew BMI from there to Manchester, direct (and back).  The results were positive:  a more comfortable plane, friendlier crew, better baggage allowance and food, a nice variety of free magazines, personal entertainment systems in each seat, and less fuss at booking and check-in, also 20-minute early arrivals (both ways) with speedy baggage delivery.

The only disappointment was Chicago O’Hare’s International Terminal, where there are limited nutrition options once you go through security. (Bring your own food!)  Toronto’s renovated Pearson can definitely set an example here (if you are up for paying the price).  BMI doesn’t have a Toronto service, unfortunately. 

Interesting to note:  BMI crew stay at the Holiday Inn, Chicago Mart Plaza—another favorite of mine!

(Chrysanthe)MUM’s the Word…and SQUASH

September 1, 2008

 

Labor Day weekend comes around too quickly for those who live in colder climates.  It marks the official end of a summer that’s always too short, and (commercial) reminders pop up everywhere, heralding harvest-time.  (Chrysanthe)mums are beautiful flowers, but they’re also hardy—can withstand crisper nights and mornings.  Then there’s the amazing array of squash that start to fill grocers’ stands. Time to make purée (adding cider, onions, and apple) and stock the freezer with vats of home-made soup, ready for dreary winter days ahead. Even those of us who don’t think we have rituals usually do. Maybe they’re as simple as displaying and sampling seasonal produce!  Mums and squash are two of my most familiar, and favorite, overtures into fall.  What are yours?

Relationships that Work, No Communication-Glitches: Mazal Tov to Ellen and Portia on their August 16, 08 Wedding!

August 29, 2008

Portia de Rossi was asked about the best (relationship) advice she’d been given prior to her wedding with Ellen de Generes.  Recorded in a People Magazine’s September 1 08 exclusive about their nuptials, she said it came from Wayne Dyer:

"’ Just be kind to each other and be very respectful and considerate.’"

Whether for romantic/intimate relationships, or between friends (close or not), similar "rules" apply.  Kindness, respect, and consideration matter.  Cliché but true, "By doing unto others as we would have done unto ourselves, we can each, in our own special ways, help to make the world a better place, two (people) at a time.

Possible relationship-glitches
(listed in random order) come from "happiness blockers" like:

1.  Over-attention to "me" not "we"

2.  Secrecy and manipulation

3.  Jealousy and envy

4.  Broken promises and elusiveness/evasiveness

5.  Lies and deception

6.  Game-playing and mixed messages

7.  Quickness to anger and judgment

8.  "Me" first

Even if someone else treats you badly, or you feel jaded or pessimistic, these are not good enough excuses for acting out/treating others unfairly.  Life is short and precious, and most of us are looking for the same basics—to love and be loved.  How we get there (if we are at all able to), might not be quite as simple or definable, unfortunately.

Possible relationship-glitch-fixers
(listed in random order) include "happiness unblockers" like:

1.  Greater attention to an "us"

2.  Openness and consultation/frequent friendly "check-ins"

3.  (Personal) contentment and (genuine) goodwill to others

4.  Word-keeping and being upfront

5.  Honesty and directness

6.  Playing fair and being clear—keeping everyone’s well-being in mind

7.  Patience and flexibility

8.  "You" first

Earlier blog entries on related subjects include:

Play Nice—Near and Far! (John Edwards too…) (August 13, 2008)

Manipulation (August 9, 2008)

No "Please," No "Thank-You," No "Happy" (May 30, 2008)

• Reciprocity (Feb 8, 2008)

Confidence (Feb1, 2008)

• Give to Give (poem) (Sept 5, 2007)

Too Good to Be True?  It Is! (August 7, 2007)

• Keep Your Word (July 25, 2007)

The Courage to Speak Up—Use Poetry (July 10, 2007)

• A and B List Friends (July 8, 2007)

Make Things Clear—Avoid Misunderstandings (April 17, 2007)

Abuse Checklists (May 26, 2007)

Rejection Protection (February 25, 2007)

• Friends Help Friends (December 7, 2006)

• Comparison-Making, Envy, Jealousy (June 23, 06)

Giving Back, Creatively

August 26, 2008

Artists and academics have opportunities to give back in creative ways, if they’re alert to them.  Sometimes, it simply requires a little extra energy and resourcefulness. There are too many possessions (the fruits of our labours, as well as research/study aids) that we store up, but don’t use.  So, why not donate them to others, and have them put to good use?  

I have been involved with Boston’s Art Connection since 2006, and am thrilled to have had  artwork chosen for display in a dozen of their member-charities.  Yesterday, I drove to Boston to transport 20 more paintings to them.  I also delivered my entire arts therapies journal collection.  The intention is for this to be divided between Lesley University and the School of the Museum of Fine Arts (SMFA), two of my alma maters.  (Right now, it will be housed at Lesley’s Porter Square campus, at the art therapy core program.)

The journal collection contains:

Arts in Psychotherapy, 1992 - 2000,  Vol 19 #1 - Vol  27 #3 (42 journals)
American Journal of Art Therapy, 1992 - 2000, Vol 30 #3 - Vol 38 #4  (32 journals)
Art Therapy. Journal of the American Art Therapy Association, 1992 - 2008, Vol 9 #1 - Vol 25 #1 (55 journals)
American Art Therapy Association Newsletters, 1992 - 2008, Vol 25 #3 - Vol 12#5 (62 newsletters)
Canadian Journal of Art Therapy, 1992 - 2008, Vol 6 #1 - Vol 21 #1, and Newsletters (26 journals, 11 newsletters)
Inscape. Journal of the British Association of Art Therapists,  1984 - 2000 (24 miscellaneous journals and one newsletter)
Journal of Poetry Therapy, 1993 - 2000. Vol 7 #1 - Vol 13 #3 (25 journals)

Other entries on this blog that look at
opportunities for artist-giving, include:

• Creating a Magic Pot: Artists and Community-Giving (May 8, 2008)
• Nuit Blanche/Live With Culture: Give a Litte Get a Lot, Give a Lot Get a Little. C’est la Vie! (September 30, 2007)
Giving:  Give to Give (September 5, 2008)

Airport News Stands: Jennifer Aniston, “Straggler Single”: Uncommon Attention, Common Problems. (Poetry about Dating and Related Blog Entry Links Included)

August 22, 2008

Last week, at Pearson in Toronto, airport news stands’ magazine covers heralded Jennifer Aniston’s and John Mayer’s upcoming (fall) nuptials.  That was Wednesday. The next day, Thursday, at O’Hare in Chicago, headlines indicated that their whirlwind relationship was over.  

Some may feel sorry for Aniston.  Others are fed up hearing about her.  In actuality, Aniston’s bumpy romances—where she’s seems to have the mischance to hook up with men who have wandering eyes and/or short-enthusiasm spans—aren’t unusual (no matter how beautiful or famous she is).  

Think of the enormous numbers of "regular people" who experience similar predicaments, over and again.  Between Internet serial dating/perusing, those who constantly look for better (when they have the best right next to them), commitment phobia, and more, there are umpteen reasons why relationships with great potential don’t seem to stick.  And, as time goes by, opportunities for lasting and genuine connection go down.  Coupled friends, who don’t always realize how lucky they are, move on with more stable routines (normal "developmental milestones"/family lives) leaving "straggler singles" out of the loop.  "Straggler singles," might have put equal energy into trying to couple. However, not everyone is gifted with what they want or deserve, no matter how worthy or ready they are for it.

One of the things I love most about poetry is how it manifests timelessness, especially where certain universal messages and themes are concerned.  Writing this blog entry led me back my book, Poetic Wisdom. Revealing and Healing (published 10 years ago, in 1998).  Two poems in it, about dating/relationships, seem to have relevance here.  Please check them out: 

Dating Behaviour
 
There’s dating behaviour
And regular behaviour

To their regular friends,
They’re the "nicest guys"

But, to a blind date,
They can be the worst surprise

A whole other persona is shown,
Which can cause the most tolerant of females to moan

For men on dates,
There’s seldom healthy states

With maturity offering no guarantees,
There are some real grand masters of tease

The stories that they tell,
Yes, they think they’re swell

The return ‘phone calls that they don’t make,
A certain cause of heart-break

The emotional tax that they bill,
Cause for many a female ill

But, if the female seems to brood
She’s the one considered rude

There’s dating behaviour
And, there’s regular behaviour

A New Relationship 

Consideration, sensation, elation
Forming a healthy relation

The gentleness of his touch
His words that mean so much

That softness in his face,
So comforting to be in his space

Encounters of a new kind,
But old wounds are not always left behind

Although his words are sweet,
Do you really know his regular beat?

Although his alibis sound fine,
Why do you worry if he’s giving you a line?

Have you met your match?
You’re falling, but will he catch?

Wanting to be in his arms,
Wanting to feel his charms

Regretting the night without him near,
What did you fear?

How long do we have to wait?
Wanting that feeling of a more secure state

p.s. September 1, 08 People Magazine, found at O’Hare this morning, and read after posting this blog entry, has a brief "scoop" on the Anniston/Mayer breakup.  Apparently, Mayer is quoted as saying, "’I ended a relationship to be alone, because I don’t want to waste somebody’s time if something’s not right.’"  An Aniston source is said to have commented, "’Jennifer is totally fine. John was in love with himself.’"  Again, classic responses/interpretations and typical scenarios, maybe? Uncommon attention, common problems…

For more about dating and relationships, please check out some of the other related entries on this blog.  These include:

Play Nice—Near and Far! (John Edwards too…) (August 13, 08)

Single Because, Just Single, or (Im)Perfectly Single: Unscientific Findings (April 13, 08)

Dating Games and Disappointments, On- and Off-Line: Bravo’s Millionaire Matchmaker Helps Identify Obstacles to Relationship-Making (January 25, 08)

Single Woman Syndrome (SWS) (January 30, 07)

Bad Date Indicators (January 22, 07)

Dating Know-How—For Serious Daters (December 4, 06)

Debenham’s Hubble Bubble Chocolate Soup Versus Costa Coffee’s Triple Chocolate Muffin.

August 20, 2008

 

Last weekend, on an overcast Saturday afternoon, the restaurant at Debenham’s in the new Liverpool One was bustling.  There was a menu card on every table advertising chocolate soups.  But, from what we saw, we were the only customers ordering one.  The "hubble bubble" looked good in the photo (and as above), but, according to my niece, a chocolate aficionado, it was a little disappointing.  So, off to the plush new two-storey Costa Coffee on the corner of Lord Street we went, and found a triple chocolate muffin.  This got a five star rating, and satiated her craving!  They also have soya milk latté there—and it rivals Canada’s Lettieri’s.

Memories: The Mersey Ferry, An Interesting Ride

August 18, 2008

On Saturday, for sentimentality’s sake, I took a ferry across the Mersey.  The round trip is 50 minutes, and we hardly saw the time pass.  There were two main distractions:  

1. A Long Haired Miniature Dachshund puppy called Sam sat next to us.  He was doing a homework assignment for "puppy school":  taking a ride on public transportation.  Not only was he very relaxed, he enjoyed a lot of attention and strokes from everyone around, nestling in my lap for a good portion of the trip.  (No nervousness, unlike my older dog Lev who can shake terribly on boats, as in thunderstorms. Sage, my younger dog, on the other hand, is just as calm as Sam was.)  All dogs have their own ways, like humans.  Some things you can’t change, even with training.  We look forward to reading more about Sam’s progress on his blog: samlamb.wordpress.com

2. After pulling out of Seacombe dock and turning around, the river got choppy (The commercial ship that was adjacent to us shows this, inserted below.  Also, please note the Liverpool skyline in the background.) A big wave shot across the upper deck and we were drenched. Quite a surprise! Wet through to our undies, it took most of the rest of the day to dry out!

 

Take-Out: Best Soya Latte and Burgers in Toronto

August 15, 2008

 

I’m back to indulging in the occasional soya latte!  And, at Yonge/St. Clair (on St. Clair) it’s from Lettieri.  The other morning, a heart formed on top (as pictured above).  Fun!  You’ll also find Hero Certified Burgers in the same premise—the best (healthiest and most creative) burgers in town. Try their Wild Alaskan Salmon Filet or Soul burgers for a change. Yum!

p.s. Regular readers might remember my Unscientific Study of Coffee from July 19, 07 

PLAY NICE—Near and Far! (John Edwards too…)

August 13, 2008

Whatever you do that involves others requires a shift from "me" to "we" thinking.  Simple in theory, harder in practice.

Keeping everyone happy—and challenges to that—are usually based on three fundamentals, in most instances. Here is a brief  "how to" overview of fundamentals that seem to matter:

Consider:
1. How and why you’ve come together. Are goals similar?
2. What the rules might be—what’s  right and wrong, ethically, morally, circumstantially.
3. Where clarifications are necessary (if rules are bent), so misunderstandings don’t happen, and one party isn’t misled.

Be:
1. Fair and honest
2. Open and respectful
3. Flexible and considerate

…as best you can.  Most people know when they are taking advantage of someone else, and the person being taken advantage of knows too!  Don’t keep (the idea of) a relationship going at any cost in the hope that it’ll get better—because you’re the one who’ll be paying afterwards.

Upsets come from:

1. Being out of synch/selfishness—one person putting their own needs first (saying and doing differently or vice versa).
2. Expectations of both parties not being expressed or agreed upon (in advance or as they shift).  Avoidance isn’t a solution, just a way to upset someone else.  
3. Distractions being allowed to take over (one person changing their priorities, but not telling the other, and not putting in equal effort).

Long distance relationships have higher stakes and extra obstacles:

1. Trust, openness and communication matter even more.
2. Out of site should not be out of mind. (Excuses are easy!)
3. Practical, financial, and emotional realities are all stretched, tested, and differ.

Bottom lines:
1. It’s not all about you!  Never was!
2. Everyone has limited time and energy. Please don’t waste another’s!
3. Consequences happen.  We might not realize at the time how we affect someone else, but a lot of damage can come about from what might be considered "trivial."  As much as you might not be hurting, someone else could be in agony…

Cliché but apt: "Put the shoe on the other foot!"  We all have hopes and dreams, and it takes courage to make oneself vulnerable—even though life is short, and there are only so many opportunities for happiness.  If you know that you are jeopardizing someone else’s well-being by not being upfront and playing things out because it suits you, think again…

Alas!  If things are "too good to be true," they too often can be…  No matter how one conducts oneself in other circumstnaces (or is seen to be to the oustide world), it’s daily enounters, and opporunities for genuine intimacy that reveal who they really are and can be (or not).
 
The most powerful, wealthy, or good-looking among us have the greatest responsibilities and weaknesses, since they may have more possibilites to get away with things. Because of who they are or what they have (regardless of where it comes from) and their bigger-picture "do good" deeds, they can raise the loudest alarm bells!  Entitlement may be an outcome, but not a justification…  

Though news of the the "John Edwards Sex Scandal" is only just breaking, and details and coverage aren’t all clear, this is just another example of what we see not always being what we get.  Or, what we imagine could be possible (and wonder why not) actually being so.  Role models are hard to find, and "everyday people" imitate and get away with much more (than before) just because they can.  Sad, but true, this is something that’s become almost unremarkable socially.

Those who may be seen to have "less going for them" are invariably more reliable—and better at "playing nice!" On-line daters, take heed when making selections!  What impresses and allures on screen, might not in real life!

Consumer Watchdog and Consumer-Care

August 11, 2008

By chance, not choice, I find myself becoming a bit of a "consumer watchdog" on this site—in the arts, animalcare, home maintenance, and beyond. Therefore I’ve just added a new sub-section to the Well-Being category:  Consumer-Care.  There are so many ways customers and clients can get fooled.  And, it’s only through sharing experiences that we learn of possible injustices, games, and scams.  Regulations are lacking in many industries, and certain individuals/businesses will, too often, try their luck, and break rules.  Unsuspecting, or vulnerable consumers are duped over and again.  Awareness is power, and power is a privilege—one that can, hopefully, be put to good use here, with information, lessons, and cautions.

Best Fish and Chips in Ontario, Canada

 

These can be found in Killarney at Herbert Fisheries.  Maybe because the fish is caught fresh, and you see it being prepared? Maybe because country air and exercise give you an appetite?  Maybe because there aren’t many other options in the area?  Whatever the case, this ever-busy stand keeps visitors lining up—and satiated!  Most important, the batter is light and right—nutritious and delicious!

 

MANIPULATION

August 9, 2008

These days, individuals can end up more isolated and self-involved than ever, with the shift from a "me-focus" to a "we-focus" proving difficult. Attention of any type, even if it’s harmful, tends to allure. This is when judgment gets clouded and mistakes are made. Age-old problems, like manipulation, take on fresh force.  No matter how technologically savvy we are—how many "friends" we have on Facebook—basic human-to-human "communication glitches" abound. These need to be dealt with in real-world time, and have real-world consequences. 

Manipulation comes from those whom we least suspect and expect  It creeps up and masquerades as kindness and generosity. Then, suddenly, there’s a wakeup call—a financial, emotional, or physical price to pay to the person who claims to be offering assistance/friendship "out of the goodness of their heart." Alas! The one who’d encouraged us to count on them really had their own agenda all along.  But, ultimately, even this manipulator loses too. The relationship needs to be severed and things can never be the same again. Trust and respect is gone, as well as a whole lot more. Time to move on, as this poetic reflection explains…

Dear Manipulator

You were so nice, so kind
I was so blind

You wanted to be there for me
Talk to me
Look out for me
Help me

Solve each and every problem you thought I had
All those things others never noticed

I don’t know where you came from
But suddenly you were there.

You were everywhere

I couldn’t do without you
But, in reality, you couldn’t do without me

I gave you purpose and cause
You thrived on applause
Being wanted, needed, and knowing

The more I tried to disentangle,
The more you tried to strangle

Disengaging was hard to do
Caused me more angst than you know

Disengaging was hard to do
But it enabled me to grow

When self-esteem is down and we don’t have adequate support networks, we are all the more vulnerable and susceptible to those who survive/thrive on manipulative behavior.  Manipulatolrs usually seek attention to help assuage their own wounds, longings, and lackings.  Exagerated gestures and finding ways to become indispensable may be a ploy to help the manipulator appear valuable to others, as well as important in the wider world.  But, tension mounts when the manipulated feels trapped or deceived.  Self-protection (hopefully) kicks in.  Breaking free takes courages.  It also leads to loss. But loss leads to learning.  Know better for next time!

Earlier blog entries that discuss related topics include:

Reciprocity, Feb 8, 2008

Give to Give
, (poem), Sept 5, 2007

Keep Your Word
, July 25, 2007

A and B List Friends
, July 8, 2007

Friends Help Friends
, December 7, 2006

Best Summer Deal for Yoga: Roots in Rosedale, Toronto

August 7, 2008

With my constantly changing routines and busy travel schedule, I usually find it hard to commit to extra-curricula classes.  Also, I am not a "gym person".  But, this past week, a neighborhood offering met my needs and interests admirably.  Roots’ flagship store in Rosedale has free one-class passes for their yoga studio.  Stimulated by the first class, I decided to take advantage of a "summer special"—unlimited classes for a week for $20. Though classes are reduced in number for the season, there were enough to meet my needs, and four out of five were enjoyable—especially the pilates. The studio is low-key, no mirrors or fancy accessories, and appears to have a regular clientele (all female).  Positioned at the back of the building (away from Yonge Street) the view of tree-tops through the window is well-planned and soothing.  And, eventually, you stop noticing the rattles of the subway line down below.  Definitely a positive experience!

(Not) Compelled to Join. Social Networking Happenings

August 4, 2008

Have you heard of WAYN (Where Are You Now?)? An interesting concept! I hadn’t until I got repeated e-mails from them a few months ago. Apparently, an acquaintance had added me as a "friend" and I needed to confirm that we do, indeeed, know each other. The first notification said I had three messages waiting for me. Then, a matter of hours later, I got another notification stating that I needed to "confirm friendship" and that I had 11 messages waiting for me. (I didn’t respond.) And, just as WAYN stopped e-mailing, another unknown (to me) Canadian/Ontario social networking site began, Two Ones.  Another "acquaintance," apparently, wanted me join him there. Only two notifications this time. (Again, I didn’t respond.) How many on-line social/networking groups can one join, and be active with on an on-going basis—especially if invitees who already know each other (and are seldom in contact) off-line?  More to the point, how much time is it possible to spend on-line?  What’s happened to old-fashioned ways of going out and making "real live friends"—spending actual time with people you’ve known for a while , or would like to meet in person.  As many others have done, for professional reasons, and due to "friends’" urging, I joined Facebook, Myspace, and Linked In.  However, I have only been moderately active with one of them—Facebook.  This is the site that where the majority of people I know (or one might believe I know) seem to be active, for one reason or another… 

Drinking Problems in Ontario, Canada: Ironies, Causes, and Comparisons

July 31, 2008

 

Little wonder there needs to be public service announcements advising against drinking and driving (while operating water vehicles).  The LCBO (Liquor Control Board of Ontario) occupies prime real estate in popular lakeside locations.  In Killarney and Port Carling, their properties are waterfront.  Look at Port Carling’s pick-up dock (in the photo posted above).  On a recent road trip through Northern Ontario, no matter the basics communities seemed to lack, government liquor stores appeared prominent and dominant.  Maclean’s Canada Day double issue, with a feature offering the "startling facts" about Canadians vs Americans" gave interesting statistcs. Apparently, 27% of Canadians conusme alcholhoic drinks "at least ‘a few times a week’" compared to 19% of Americans.  Also, 1.3% of Canadians’ household expenditure goes on alcohol compared to 1% of Americans’.

One to One at Apple: Customer Satisfaction and Doggies Included

July 26, 2008

Apple raises the bar on customer service and satisfaction, encouraging repeat business and spontaneous purchases. Win-win for everyone!

With their Procare and One to One assistance, you can get Apple technical support (for 15 mins) and/or personal instruction (for one hour) weekly.  Annual fees are very reasonable, and trainers savvy, friendly, and versatile.  Also, depending on location, canine assistants have been known to enjoy participating too!  

Lev and Sage are always eager to learn, and happy to observe from their travel bag.

 

Lev (as editor in chief of this blog) is pensive. 

Sage (as editor in chief of the DocSusan website) takes his job seriously (sometimes).

p.s.  Please note that the Eaton Centre Apple Store will be "undergoing renovations" mid-August for 10 weeks, so their space and services will be reduced during that time.

Art Shows: Business Priorities Versus Exhibitor Satisfaction

July 23, 2008

Tis the season when artists get solicited to apply to art shows.  And, when you’re juried in (supposedly chosen by noteworthy judges, due to your artwork being of a particular standard) it’s easy to feel chuffed.  In fact, the excitement might help you overlook how much you then have to pay to register (on average, between $1000 and $3000) exclusive of accommodation, transportation, importation tarifs, printing, and other costs.  

Having participated in three international shows, back to back (December 2007 - April 2008), Florence Biennale, Toronto Art Expo, The Artist Project (Chicago), I’ve had ample chance to discover the expectations and disappointments such experiences can generate.  While the organizers make money (mostly from the artists), artists can feel short-changed and become frustrated for a variety of reasons:

1.  Feedback isn’t seen to be responded to, or remedied, when things go wrong, or aren’t as suggested.
2.  Conditions (for setup and takedown) can be as exhausting as they might be chaotic.  There are a lot of logistics, but not every protocol is logical.
3.  Booth location might be unfair (yielding unequal opportunities)—attached to seniority of participants, favoritism, or the luck of the draw.
4.  Advertising and ticket sales (on the show’s part) might be insufficient.
5.  Inconsistencies (who gets away with showing/selling reproductions) or expands beyond their allotted physical space could be overlooked.
6.  Excess charges for sundries, like lighting, electricity, flooring and furniture, usually supplied by third parties (that aren’t as good quality as advertised) can mount up, unnecessarily.
7.  Out-of-towners travel expenses receive little, if no, subsidy.
8.  Shipping (from out-of-town) is problematic, organizers neither subsidizing charges nor helping resolve practical/procedural complications.

Of course, the above is just a partial list.  The photos included below (taken at The Artist Project, 08) reveal additional glitches. All photos were taken during show hours, and this is just a small selection:

1. Busy aisle (but booth 4123A was almost the only booth not in an aisle).  Caution:  Object to being isolated. Neighbors matter!


2. Display and cleaning closet alongside each other. Caution:  What’s next to you is important.


3. Empty café opposite the booth.  Caution:  A café might appear like an attraction, but only if people go to it…


4. Garbage bin infront of display frequently. Caution:  Nice to have amenities close by, but not that close…


5. Endless cleaning stuff passing in front.  Caution:  In an out-of-the-way booth, distractions like these don’t make things any better!


6. Open closet and show guests, side-by-side.  Caution:  Not every booth can be ideally placed, if organizers are maximizing on floor space (and revenue).


7.  Traffic flow to the aisle marked "exit" (misses the booth completely).  Caution:  Organizers might argue that this is not a "problem," but when they bypass the booth, themselves, distributing "feedback forms" it’s a little ironic.


8.  Raised wall joints that make hanging difficult.  Caution:  After-the-fact, you might be told that these could have been attended to.  But, by whom and how at a time when any "special request" makes it seem like you’re a "fuss-pot"?

 

Typically, show organizers, no matter the stature of their show, appear unconcerned about responding to individual artist feedback post show, or prepared to compensate for problems.  Instead, it seems, their focus is on group solicitations for follow-up shows (expanding revenue options). There are plenty of fresh artists eager to exhibit their work who’d be thrilled to have it accepted (regardless of organizational issues and expense)!

Rainbow on Yonge Street, Toronto

July 21, 2008

With all the thunderstorms of late, there’s also been a lot of rainbows.  Hopefully, that means (a lot of) good luck is on its way.  Check out this rainbow on a usually drab section of Yonge Street (close to Yonge/St Clair).  An ordinary evening can become special in an instant, if we’re open to acknowledging it…

 

 

Impossible To Take a Bad Photo in CHICAGO

July 17, 2008

The more time I spend in Chicago, the more I like it!  The architecture is amazing at any time of day.

The skyline can be magical, especially at sunset.

Lakescapes are full of surprise:  a pink sail on a pink night.

Even a hotel room view can be cause to marvel. (This shot was taken from the Holiday Inn, Merchandise Mart Plaza).

 Then there are the juxtapositions.  Man and naure come together in interesting ways.  An early morning stroll through Millenium and Grant Parks led me to a wildflower paradise, gardeners already busy at work.

 

For more about Chicago, please check out this blog’s June 5 entry, Chicago, My Kind of Town.

Newport RI: Nature, Nurture, and a Proposal

July 14, 2008

An evening stroll along one of Newport’s beaches, last Friday night, led us to a sandcastle.  From the front, it was a work of art.


Around the back, there was a marriage proposal inscribed (to which the answer was "yes," of course)

The shore line and waves looked pink, as did seaweed deposits washed up there—part of the red tide phenomenon.  

Then there were the clams; their shells, at least.  Gulls were fat, happy, and plentiful!

 

Older Dogs’ Health Watch

July 10, 2008

Older dogs are like well-worn gloves. They fit perfectly, but shouldn’t be taken forgranted.   We don’t know when they’ll fall apart, or how. But, if we are careful with them, they can enjoy long happy and healthy lives.  

As shown throughout the DocSusan blog and website, Lev and Sage are my best friends, room-mates, editors, studio assistants, exercise coaches, and a whole lot more.  Most days, all is well with them. They know my quirks and I know theirs. But, as they’ve gotten older, I’ve become a little more cautious and concerned at the least sign of illness. Because of their size and age, I realize that things can happen very quickly, and signs and symptoms must be taken seriously and acted on without delay. On April 2nd 08, I posted a blog entry about this, Veterinary Emergencies. Three months later, I’m already reporting fresh developments…

From the end of May through June, Sage had had a strange sneeze. First it was every few days. Then it was a couple of times a day, and only coming from his left nostril. His eating and walking seemed normal, and he was sleeping well at night (not snoring, as others with congestion might). However, I was still anxious. Round one of trips to the vet led us to Children’s Benadryl.  Doctor Rachel Wolfson, a dedicated young vet at Rosedale Animal Hospital was very attentive.  As well as presribing this allergy medication, she also took bloodwork. We stayed in touch as Sage’s condition, despite clear bloodwork (and the Benadryl) didn’t seem to change. Doctor Cindy Kneebone at East York Animal Hospital added homeopathy to the mix, as well as giving Sage a head Xray, where nothing unusual was found. For three weeks after this, we carefully monitored developments. Then, finally, no improvement, and with more obvious discomfort shown by Sage—not being able to walk more than a few steps without sneezing—we sought specialist help.

Doctor Doug Mason at Toronto’s Veterinary Emergency Clinic gave us a same day appointment, and performed investigative surgery. After a Catscan and numerous other tests, an abscess (and related build-up) were removed from behind one of Sage’s teeth (which had to come out). A complete course of antibiotics and pain killers followed. Now, we are looking more closely at Sage’s entire mouth and gums, to determine if other teeth need to be extracted or not. Doctor Sharon French, a veterinary dental specialist who consults with Toronto Zoo (and is also at Toronto’s Veterinary Emergency Clinic) is now involved with Sage’s case, and has prescribed Maxiguard Oral Cleansing Gel.  So far, so good. We like her, and her approach!

Apparently, gum disease is not an uncommon problem with older small dogs, like Sage.  Unfortunately, undetected, it can be life-threatening.  I realize, because of the expediency and caring of a diverse group of of vets, and my constant vigilance and concern, Sage’s life has been saved.  I caution other pet owners not to overlook any of their pets’ symptoms, however fussy they may believe other people think they are. Our pets mean so much to us!

Unfortunately, veterinary interventions come at a price. Future blog articles will look at typical pet healthcare costs.  It is sad to know how many dogs are put to sleep, owners (understandably) unable to keep up with the bills for  treatment, or prepared to administer (complicated) medications.

p.s.  End of August update: Our claim through PetCare (all parts of it, including those not related to dental/mouth conditions) was denied.  There will be a lot more in future blog entries about this, as well as a closer look at veterinary practice, procedures, and accountablity, as well as insurance company savvy.

Pringles and Ipod for Long-Distance Drives

July 9, 2008

Long solo drives (like Chicago-Toronto) require easy snacking and easy listening.  When there’s no one sitting next to you to pass treats, change a CD, or take over the driving, it’s important to know how to be self-reliant.  Experience has taught me to eat right and light.  Pringles’ small Grab and Go containers (2.8oz/80g) are about as easy a solution as possible for a quick tasty bite that doesn’t make the steering wheel sticky.  They’re also easy to get out of the pack—wedge between the legs and don’t crumb. The Sour Cream and Onion have just enough seasoning, without leaving a strong after-taste.  For entertainment, the Ipod works great—that is if you’ve programed a play-list.  No CDs to change or screen to look at. Just plug in and go!

Summertime Can Divide Canadians

July 7, 2008

Summertime in Canada, (particularly Ontario), at first glance, seems to divide the population into two:  those who have cottages and those who don’t.  Those who have cottages enjoy miles of private shorelines.  Those who don’t can find it hard to gain access to a lot of areas—no parking allowed without resident permit and scant public facilities.  Even when a beach is public, regulations can be prohibitive—with limited hours, no pets, parking and entry charges, and more. A  Sunday afternoon trip to West Kirby, last month, prompted me to think about summertime phenomena and marvel at the old-world charm and simplicity of the setting—few obvious restrictions and daytrip fun for all without fees or memberships.  Please look below to glimpse (on-going) pleasures of British yesteryear:  families, dogs, adult kids, fisherman, and sailors welcome.

 

 

NATURE’S WONDERS Caught on Camera: Keep Your EYES OPEN

July 4, 2008

Keep your eyes open—and camera handy—wherever you are, even close to home.  Nature will surprise, delight and astonish if you give her time and consideration.

Some things are easy to pass by. Others make us stop and pay attention:

• Tree stumps by a dried up river bed:  Connecticut, US, November 07

• Frost coated fallen apples:  Liverpool, UK, December 07

 

CRAFTS Opportunities for All in BOSTON: Old or New, From Scratch or With Help

June 28, 2008

Boston and New England are craft-enthusiast-friendly.  Each time I’m there, I want to start working on a new project.  For basics, Windsor Button (open since 1936), close to Boston Common, has every supply you can possibly need.  This includes a vat of buttions at the entrance, from which I display a selection in my 2004 painting, "Memories."

 

Then, on Newbury Street, the more recent 1154 Lill Studio offers a few short cuts—assisting with the assembly of custom designer bags and accessories.  I checked it out, packed with clients the day before Mother’s Day.  Such a neat concept—for a personal visit, group party, or special gift!  Their prices range from $26 - $185, and there’s something to suit almost everyone’s taste. 1154 Lill came into being in Chicago in 1999 (where its headquarters are), and a local boutique in Lincoln Park.  Additional boutiques are located in Philadelphia and Kansas, and there’s in-home party opportunities as well!  Congratulations to founder Jennifer Velarde!

England Isn’t Just London. Travel North West For Authentic Local Experiences

June 25, 2008

There’s so much more to England than its capital, London—something I rediscovered earlier this month, visiting childhood haunts in the North West.  

A stroll along Otterspool’s Promenade, overlooking the River Mersey on a Saturday evening. 

 

A walk around the "lake" at West Kirby (on the Wirral Peninsula) on a Sunday afternoon. 

 

A trek over to Hilbre Island on a quiet weekday.

 

Then there were new dining experiences… British food can’t be described as "bad" anymore!  In Liverpool, on Church Street, just off Penny Lane, and all along Allerton Road, a wide variety of restaurants are popping up.  We tried Spire and weren’t disappointed.  Healthy fare, satisfying portions nicely arranged, and friendly service.

In West Kirby, opposite the promenade, there’s the Sunset Lounge Bar.  It’s been there for the last 21 years, and we signed a petition, at the owner’s urging, that the local council not close it down for redevelopment.  A delicious mid-afternoon lunch snack hit the spot—well prepared food and old-world charm, good fuel for that walk around the lake.  No!  Visitors are not walking on water (in the Weskirb photo); the divide between the "lake" and inlet has a creative and historic walking trail.  And, looking off into the distance, some more modern/incongruent constructions are clearly visible:  wind turbines opposite Hoylake’s shoreline, the next resort over. Energy-saving opportunities are changing natural land and sea scapes everywhere, even here.

 

“Dirty Dancing”—A Mid-Week Deal in Toronto

June 20, 2008

Earlier this week, I was excited to be part of a quartet that attended Dirty Dancing, at the Royal Alex Theatre in Toronto.  We took advantage of a mid-week special (four tickets for the price of three), making a spontaneous same-day purchase.  Sometimes, the best night’s entertainment happens when you don’t have long-term plans for it, but break routine.

Not only were the sets and costumes superb, but the cast was consistent and well-chosen.  This wasn’t the kind of show that had you wondering when the interval was going to happen. And beyond the actual performance, we were also struck by deeper story-lines, like that of a nuclear family with two adult-children.  

Siblings often have distinct personalities (and outcomes), and the daughters, Frances and Lisa, were excellent examples of this.  Sometimes, one child can be seen to do no wrong, and the other child, no right.  One has "higher goals" and she is misunderstood. The other ’s behavior is less commendable, but she’s more likely to get away with it (though not grow from her mistakes).  Also, parents often seem to forget their own pasts when making suppositions and demonstrating differential treatment.  Not knowing (or attempting to learn) all the facts, and making judgments for the wrong reasons can be problematic, unless non-family members have a chance to intervene.

Though much of the music was familiar, and there was a strong urge to want to go home and get dancing lessons, this staging of Dirty Dancing, it was clear, offered more than the immediately obvious.  Seeing the movie years ago, I’d been more focused on visual and auditory effects.  This time around (perhaps helped by the stellar performances of the leads) it was refreshing to be able to consider deeper messages and meanings. Lively afer-show discussion ensued!

KLIMT at the TATE in Liverpool

June 16, 2008

 

Yet another accolade for Liverpool this month!  The Tate’s Klimt exhibit is a hit.  Last Monday, as an artist walking through, I became tearful in some places, identifying in different ways with practice, process, product, and response.  It was only on entering the gift store that I was disappointed.  A poster of the spectacular painting, "The Three Ages of Life," in my mind, had desecrated the original work.  It was up there for sale with only two stages of life—mother and child.  The old lady (old age) had been removed. 

As I start to make reproductions of my own artwork, I am extremely sensitive to what the artist might have thought about this crop.  A third of his vision had been removed without his consent or knowledge, and the greater meaning behind the piece damaged completely. Speaking to the manager of the gift store, I got an explanation.  It was all about commerce—financial returns.  She stressed how everyone cuts up Klimt, showing me images in a book of how fashion designers had made prints from excerpts of his work. This "nothing unusual" piece of merchandise (the two-thirds print) would sell better (allegedly have more mass market appeal) and bring income to the Tate.  It sounded like the message she was trying to give was that because the money would be coming back to the Tate (was not for "commercial benefit") that it was acceptable. As our conversation continued, the manager went on to tell me that postcards displaying the whole piece had already sold out, and there would be more later, once other images sold to make space again.

The postcard image that had sold out has been inserted at the start of this blog entry.  The two thirds image from the poster was also available at the store on a mini greeting card, and is inserted below.

 
The day after my visit to the Klimt exhibit (last Monday), the friends I’d been with there called to let me know that others were upset by the Klimt crop. The Guardian had just published a letter by a Maureen Everhsed which they’d headed "Age old problem."

IN MEMORY of Tim Russert, and Others Less Easily Remembered

June 14, 2008

I have been touched, today, by all the remarkable tributes to Tim Russert, NBC Bureau Chief and Moderator of Meet the Press.  Most Sunday mornings, his voice has been "background entertainment" while I’ve done household chores.  He was a fixture whom it was hard to imagine wouldn’t grace television news and debate well into old age. 

Tim’s sudden heart attack yesterday was yet another reminder to all of us that life is precious and we can’t have complete control, especially over its endings.  When someone as unique and admired as Tim is gone from our world in moments, without warning or preparation, we are stunned and ache.  From President Bush to regular viewers, everyone seems to have a reflection to offer, a deep fondness for this role model and outstandingly successful professional who remained a very down-to-earth family man and personal friend to so many.  My sincere condolences to all those dear to him.  He will be sorely missed.

At times like this, it’s hard not to think of more private individuals too, and their endings—those who haven’t enjoyed public success or recognition in their lives, those without family and friends who’ve supported and encouraged them. When their time comes, will it be recognized how their lives were meaningful or how much they could be missed?   How might things have played out differently for them, given a chance, voice, or simple luck?

It’s clear that we all leave our mark on the world in different ways, others’ impressions shaped by how we’re remembered or forgotten.  The following poem is dedicated to those who pass in greater silence and anonymity.  Maybe there was more to say about them, but there was no one to say it? Maybe their lives could have been happier and more fulfilled, but there was no one to spur them on? What might they have said if they could have written their own eulogies?  Perhaps this is one possibility?

AFTERWARDS

I was on top of the world
Or so you thought

Had achieved milestones,
Or so you thought

You didn’t know me well
You didn’t want to

You didn’t take me seriously
Though I asked you to…many times

You thought that I had more bounce-back than I did
You thought that I was stronger than I was

You thought that the day would never come
The day when I would succumb

I never did give up
Until now

I never did know how
Until now

I never wanted to
Hung on in the hope that things could change

More active
Less reflective
No, that didn’t work

More reflective
Less active
That didn’t work either

Needed, yes I was
If it was all about you

Admired, yes I was
If I lost myself in what I did

It was all up to me.

“Liverpool One” Wins—Helps Make A Once-Great City Great Again

June 11, 2008

 

It’s like Liverpool hit the fast-forward button all of a sudden!  As somebody who hasn’t lived there for more than a quarter of century, its a lot easier for me to see this.  First came the Albert Dock complex, then the Capital of Culture, and now Liverpool One

Though there’s still hard hats, cranes, and construction everywhere, on a beautiful sunny day, this week, I was thrilled to see my hometown revived and bustling.

 

Please check out some of the posters inserted below that tell a little more about this new landmark.

 

Better still, go visit Liverpool.  You will be surprised, delighted, and entertained.  The shopping isn’t bad either…

When more carefully manicured cities, like Toronto, feel bereft of ambiance and energy in comparison, it’s clear something is working right in Liverpool.  The graphic design for its construction posters (inserted above), also helps with mood.  I couldn’t think of a city where the heart symbol fits better. You can say a lot else about Liverpudlians, but you can’t deny their friendliness, directness, humor, spirit and heart.  HeArTs off to them!  

Christopher Hart (no heart-typo) made this interesting comment in a Times Culture supplement after Paul McCartney’s recent Liverpool concert, "It’s a battered and bleeding heavyweight of a city, struggling to haul itsel off the canvas.  But it has an astonishing charisma—and I can still hear the sound of 35,000 voices ringing in my ears, singing about "times of trouble" and "all the lonely people" and "take a sad song and make it better."

A comment on the Liverpool 08 home page by Alexei Sayle states, "I’ve been all over the world looking for excitement, and it turns out that the most thrilling town I’ve ever visited is the one I was born in."  Right now, many non-resident Liverpudlians will find it hard not to agree!

Favorite Dog Toy is a Duck

June 8, 2008

 

During Lev’s 11 years, and Sage’s 8, we’ve tested many different toys. The only one we’ve decided to replace several times has been a large floppy Duck, a member of the Duckworthy Family, produced by Multipet.  Even though it comes apart like most others (and we wonder about its safety and how environmentally friendly it is), it’s still the one chosen over and again by both dogs.  Also, recently, we came across a smaller version for Sage.

 

CHICAGO, My Kind of Town

June 5, 2008

 

With extended trips to Chicago in April and May, I have a growing list of recommendations for visitors. Even without much time to get out and about, because of "show schedules," I’ve been very impressed by what this city has to offer, and the well-known friendliness and kindness of locals.
 
You can’t have a bad meal, as the following easy-dining eateries demonstrated (in no particular order):

• Fulton’s On the River (fish)
Ben Pau (Asian)
• Tizi Melloul (Mediterranean)
The Brick House (fun)
• Shaw’s Crab House (fish)
• Lou Malnatis (pizza)
• McCormick & Schmick’s (fish)

And, for take-out, Fox and Obel (gourmet foods), close to Navy Pier, is hard to beat.

Spectacular architecture is everywhere. Don’t miss the legendary architectural boat tour that has the best views. You might even notice a city kayaker alongside.

 

Then, for a spot of exercise, check out the incredible East Bank Club (Oprah’s gym). A friend kindly invited me to a yoga class there.  The studio it was held in overlooked the river as the sun went down, making the experience all the more pleasurable.

And, for animal-lovers, missing pets or thinking of adoption, a visit to The Anti-Cruelty Society (157 Grand Avenue) is encouraging.  It occupies a whole city block and has a "transparency policy," domestic animals in-care viewable through all windows. 

 

Alternatively, a quick walk through Lincoln Park Zoo, in easy-reach of downtown, offers a more exotic break.

Nature and entertainment aren’t forgotten outside of parks, either—even on ("Magnificent") Michigan Ave.  Check out the Saturday afternoon street-performers. And then there’s all those shops…

 

But, if you are in town for "business," like I was, there’s other priorities, and staying at the Holiday Inn Merchandise Mart Plaza helped—consistently a comfortable, caring, and convenient environment.

Though I haven’t tried it yet, a Segway Tour is on my list of "must-dos" for next time.  I’d also like an evening out on Rush, which seems like a lot of fun…

With all Chicago’s summer festivals, as well as museums, galleries, parks, and lakefront, I really look forward to more visits to this super-friendly city, that’s clearly a shining example to others in so many ways.

Many tourists seem to be impressed with Toronto’s cleanliness. However, unfortunately, its warmth, joie de vivre, welcome, and energy aren’t quite as remarkable.  Locals point out obstacles too, like in Peter Kultenbrouwer’s May 10, 08 National Post article about Yonge-Dundas Square, "A public square that isn’t public."

The Candy Men Can! All Candy Expo, Chicago

June 3, 2008

 

The National Confectioners’ All Candy Expo is the most fun trade show I’ve attended. Since I enjoy painting candy, it was a great way to view (and sample) new still-life possibilities. Therapy and writing conferences might be stimulating, but they can’t compete. Held in Chicago at McCormick Place, May 20 - 23, 08, ACE also gave me a chance to spend more time in the US’s friendliest city. (A blog entry, "Chicago, My Kind of Town," coming next!)

All types of goodies were represented at ACE, and my favorite exhibitors (in no specific order) included:

Jelly Belly (beans)

Necco (hearts)

Pure Fun (candies)

Mama Mellace’s Naturals (nuts)

Black Opal Licorice

Melville Candy (lollipops)

Choclatique (organic hand-painted chocolate)

MarebluNaturals (crunch cubes)

Little i (mints)

Jelly Belly’s 110th Anniversary Party, hosted by Herm Rowland (Chairman of the Board), topped the list of most unusual entertainments and show hightlight. David Garibaldi, whose father happens to work for the company, put on an outstanding performance.

 

Garibaldi paints, dances, delights and amazes with his stunning portraiture. He’s also fun to talk to! At the end of the evening, guests went home with a Waterford Crystal commemorative Jelly Bean (that I’ll treasure)!

Despite ACE’s festive atmosphere, more serious political divides still weighed on some attendees’ minds…

 

No “PLEASE,” No “THANK-YOU,” No HAPPY

May 30, 2008

"That’s nice!", "Well done!"  "Good for you!" "Great job!" "Keep up the good work!" Kudos is always appreciated, with a little encouragement going a long way.  However, it’s not always forthcoming—especially at times when needed most, and from those we’d like to have issue it.  And then there’s that magical two-word phrase, frequently forgotten, "Thank you!"  

Whether you’ve cooked for dinner guests, made matches between acquaintances, or looked after a friend’s cat, it’s always nice to be acknowledged and appreciated.  But, the more you give out, too often, the less this happens.  Feeling overlooked and taken for granted, continually, can take its toll—make us behave in ways we might not instinctively.  Enter the era of the "cautious" and "jaded."  Sadly, the notion of "once bitten, twice shy", can ring louder than ever.  

Self-absorption, becoming a predominant character trait in western society, today, it’s not surprising that "Please" is missing from many people’s requests.  And, without a "Please," it’s unlikely there’ll be a "Thank you."  Positive change happens one person at a time—personal displays of good manners and respect helping more than might be realized.  Seeing how giving the gift of a "Please," Thank you," or "Well done" can boost someone else’s spirits, can be a great first step in feeling better about yourself too!

Charter Flights

May 26, 2008

Sometimes, a charter is the only way to go, like it or not. Flying during the Christmas rush (unless we have a choice not to) might not be a good idea, as this poem tells…  

The Charter Flight

Screaming, screaming kids
Anxious chatter
Little air
Heavy care

A plane that feels like a cattle truck
Floor full of muck

Toilet worse
The "holiday flying" curse

Crew as kind as can be
Just doing their job

Trying to locate a Dr. on board
Of calamities there’s a hoard

Eventful flight
Calm not in sight

A long eight hours
Bitter morning coffee overpowers

To wake up from a sleep not had
Taste very bad

Knees sore
No space infront

Back bent
Toddler’s kicking behind won’t relent

Is the destination worth the journey?
Or the journey worth the destination?

Hesitation

Drunken woman mouthing off
Good thing we’re landing
Louder and louder she gets

Because she won’t remember
For her, no regrets

And, at Passport Control
Another pushing soul
Sniveling and shifting
Infront of me drifting

Let her go
Manners
Many travelers do not know

Or, under stress
Easier to expect less.

In case you’re wondering which airline this poem was written on, it was Air Transat.

PLANES: Flights of Feeling

May 21, 2008

At the end of December (07), I was on a another transatlantic flight.  I’d just visited a family member who was sick and ended up sitting next to someone who was returning from her mother’s funeral. Personal experience with funeral trips, as well as long-distance illness concerns, compelled me to pull out my notebook and record these poetic reflections.

Planes

Planes are for vacations
celebrations

They’re also for illnesses
and deaths

They carry passengers in all kinds of states
At all kinds of rates

No everyone’s planned to be there
Not everyone’s without a care

Life doesn’t just happen on the ground
Feelings gush all around

Tear stained faces
Of heavy sorrow reveal ample traces

Planes for pleasure
And planes for purpose

Planes for good memories
And planes for bad

Planes for happy
And planes for sad

Distance and time
Time and distance

From one reality to another
Time and distance

From one reality to another
Planes transport us

To places we want to know
And to places we’d wish never to go

Some journeys are not ours to decide
But, from them, impossible to hide

Some journeys may seem worse than they are
All that thinking while traveling far

Neither here no there
There nor here

Landscape changing
Mental rearranging

Flight out
Don’t know what to expect

Flight back
Time to reflect

Planes are for all kinds of reasons
Of life, reveal the many seasons.

TRAVELER’S POEM: From Airport to Destination

May 18, 2008

(sunrise, from the plane)

In 2007, I seemed to take a number of plane flights back to back.  Flying Toronto - Munich, in November, I put pen to paper, and wrote this poem.  It’s always interesting to have a little notebook in bag when traveling, all kinds of interesting reflections to record…

From Airport to Destination
Entering that no-man’s land
Where nothing’s planned

Having to be me
Unabridged reality

Airport, a transitional space
No sense of place

Stress of the day
A chance to melt away

Urgency of the hour
Losing its power

Time to breathe, watch and be
Consider humanity

En famille, coupled, or alone,
There’s those who moan

Eye contact or not
Some carry a lot

Travelers’ stories to share
An option to care

Personalities in extreme
Babies scream

Personalities subdued
Not everyone’s rude

Transported with strangers
Not thinking of dangers

Sunrise before landing
Cloudscape outstanding

New day dawning
Not sleep, but not yawning

Excitement for what can be
Wide open opportunity

Free of the confines of home
The world to roam

Not knowing what might be next
Excited versus perplexed

Seizing the hour
Embracing the power

The ability to see
Nothing has to be

A new chance, a fresh start
Peace of heart

Travel conjures spirit and hope
Tests abilities to cope

Ready to dance
Ready to prance

Wandering works well for me
No issues of identity

Wandering is what I want to do
Makes me feel like new.  

 
 
 
(above the clouds, from the plane

I Miss BOSTON!

May 14, 2008

It was great to be back in Boston last weekend, albeit just for an overnight visit.  This city stirs so much positive energy for me.  Good friends and an environment that’s quaint, cultured, and progressive seems to entice locals as well as travelers.  Spring blossoms and time with special friends, of course, were bonuses!  

The last time I was in Boston was Labor Day weekend, and much has changed since then.  Soon-to-be landmarks are now open—or almost:

• The Liberty Hotel, on Charles Street, with its bars and restaurants.

Check out the unique refurbished jail cells, with "light shows."  Then, go downstairs for a meal at Scampo. The food is well-prepared and presented. It’s just the acoustics that need a little work.  You may lose your voice tying to have a conversation with dining companions!

The Mandarin Hotel, on Boylston Street

The New Apple Store, on Boylston Street scheduled to open today (May 14, 08).

Although I (like many others) have found the Macbook Air to have a few unexpected kinks, I am still a big fan of everything Apple, and this is a super location.

Saturday lunch was at Stephanie’s. But, unfortunately memories were better than actualities.  Somewhat disorganized and dirty, and not quite as delicious, I wondered what was happening there. Sunday breakfast was at the Panficio Cafe. Clean, efficient, and very delicious, this is definitely a must-try.

Boston has something for everyone, and it certainly loves its parades.  I came across two of them, by chance.  On Saturday, "Youth Pride" on Boston Common.  On Sunday, "Duckling Day Parade," along Charles Street and on to Boston Public Garden.

 

Won’t Gain Weight Eating Out at Toronto’s Royal Ontario Museum Restaurant, C5

May 11, 2008

Special occasions often call for unique settings in which to celebrate.  These are places that you visit once, hoping to experience something out of the ordinary—not with the notion of getting a "good deal."

Recently, I joined friends for a one-of-a-kind evening at C5 (the restaurant/lounge under the ROM’s Michael Lee-Chin Crystal). What we will remember most about the venue:  high prices, miniscule portions, unique decor.

At this new Toronto dining attraction, you’re clearly paying for ambiance and originality.  Though the food is tasty (what there is of it), those not on calorie controlled diets may need to go home to a hearty meal later—or fill up on treats at a movie afterwards, as we ended up doing.

Glimpses at Portion Size and Decor

Portion size:
An appetizer that’s about mouthful-size, really!

Decor:  
Sunlight offers a warm glow on a rainy evening as the blinds come down. 

 

Creating a MAGIC POT: Artists and Community-Giving

May 8, 2008

 

Recently, an e-mail arrived inviting me to decorate a terra cotta plant holder to be auctioned off at a charity event, Eat Play Love, put on by Toronto’s Children’s Peace Theatre, this Saturday, May 10, 08.  Though I had no previous knowledge of the charity and wouldn’t be able to attend the event, I thought it was a fun idea and interesting cause.  This past Monday evening, the pot was delivered.  By Wednesday afternoon, I’d glamorized it with faux jewels and iridescent paints. Almost overnight, a non-descript container started to turn into a "Magic Pot."  Artists are often called on to give in whatever ways they can.  Whenever and however possible, most of us try our best—whether time and resources permit, or not.  The finished pot is inserted above.  How it looked before treatment is inserted below.

 

I have had the privilege of being an artist donor for Boston’s Art Connection for several years, already.  This is a marvelous one-of-a-kind artist- and community-friendly organization.  It would be wonderful if other major cities could follow its model, bringing artists and the wider community together, year-round, in mutually satisfying and innovative ways. 

Artists Need Moral Support—and Caninekind Offers the Best

May 5, 2008
 
My chief cheerleaders are Poodle Pal studio assistants, Lev and Sage.  And, should I appear to forget this, they’ll plonk themselves between me and my easel, no painting getting done till I take a break and acknowlege them.

KAMP GALLERIES Welcome Susan R. Makin, Fine Artist, to Their Stable

May 2, 2008

 

I am thrilled to announce that Nicholas G. Vahlkamp is now my art dealer in Chicago and the Midwest.  He is co-principal of the Kamp Galleries:  Chicago, at the Drake Hotel, 140 East Walton Place (off Michigan Ave/The Magnificent Mile);  Winnetka, at 563 Lincoln Ave.

Please check out the galleries’ current shows:
• At the Drake, Chicago:  "Rediscovering Modern" (May 1 - May 31, 2008)
• In Winnetka:  "Chicago Artists We Love"  (April 1, 2008 - June 30, 2008)

Toronto Artists Narrow Scope, Collectively. Beware!

April 29, 2008

A quick Google search to find other artists’ impressions of Toronto Art Expo (08) led me to the Artists Toronto blog.  After agreeing with some of the commentaries posted there about the event, I thought I’d look into membership.  Sharon Barr welcomed my "application."  What happened next was curious.  10 days later, she sent me a friendly-solicitation for ideas to help grow their site.  Suggestions wanted included the donation of e-mail lists and industry connections as well as initiative to devise a group show.  26 days later, I received an anonymous  "jury" rejection from a personal e-mail address that had the name "Jones" in it. A quick Facebook search enabled me to deduce that It was Stan Jones who’d provided the "glad tidings." It simply stated:  "It is the consensus of our committee that the images you have submitted for approval do not meet the subjective objectives of our committee."  I wasn’t sure what that actually meant, or what they could really be looking for.  All I was aware of were inconsistencies.  Note the time line for communications.  Application, solicitation, rejection.  Also note that they don’t have a 2-week application response turn-around, as posted.  One would expect elitism/run-arounds in the wider art world, but not from a parochial group that touts itself, in correspondence, as a "viable grassroots undertaking." By the way, you’ll find the Artists Toronto blog piece about Toronto Art Expo under the header "The Big Spring Art Shows."  The date given for it, right now, is March 8, 2009.  Of course, we know it must be 2008—and will likely be corrected, eventually.

p.s. Since posting this blog entry, I have received clarification from Mr. Jones about the AT "committee."  Apparently, it has five members (including him).  He states, "’Subjective objectives’ reflect the consensus of our jury in what we feel is a degree of artistic merit that we’re collectively comfortable with.  But it is only our opinion."  Unfortunately, still no explanation of the application, solicitation, rejection procedure.  Only a remark about  familiarity with "entrepreneurial drive."  If they do really intend their site to be "the main connection between Toronto artists and the art loving community" (as announced on their home page), they’ve demonstrated an interesting modus operandi with a target audience.
Perhaps it’s personal artist-artist-friendly experiences in the US, Europe, and beyond that make me all the more sensitive to Toronto artists’ (unnecessary) obstacles.

Child- and Man-Friendly Art at The Artist’s Project

April 27, 2008

Children enjoy my artwork, at The Artist’s Project, too—strollers being rolled up to low hanging pieces, like Majesty and Flirt, the Giraffes.

Men really seemed to like my painting, Passion.  One man was happy to pose  for photos.  He just happened to be wearing a shirt that color-coordinated.  Pink-obsessed little girls were also drawn to this piece.

 

A Lot of Work in a Small Space at The Artist Project

April 26, 2008

 

My booth at The Artist Project ended up being a retrospective of the last 18 months’ work.  

 

After two days of unpacking and hanging, it was time to relax and take a phone call. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries

Welcome to CHICAGO: The Artist Project Exhibition Opens Tonight!

April 24, 2008

Outside the Merchandise Mart main entrance, a wire face sculpture has just been errected.  US flags wave in the background on a warm spring day, with Chicago River architecture as backdrop.

 
Tonight is opening/preview night and my Artist Project booth is finally set up, after two days’ preparation. To take a closer look at individual pieces, please check out DocSusan’s Artist Galleries

p.s.  The face sculpture is called SHO, and was created by Spanish/international artist, Jaume Plensa who is represented by the Richard Gray Gallery.  In Chicago, he is known for his design of the Crown Fountain in Millenium Park.

Kilimanjaro Imax Video

April 22, 2008

All thoughts (for me) lead back to Kilimanjaro at some point.  Once you’ve completed this ascent, it’s hard to forget it.  I was thrilled to have a friend tell me about the OLN screening of the IMAX movie, To the Roof of Africa, March 16, 08.  Two things struck me about this movie, in particular.  Firstly, what wonderful weather conditions the group seemed to have!  (The struggle my own group had experienced against the elements was incomparable.)  Secondly, how right the guide, Jacob, was with his remark that Kilimanjaro is a place where ordinary people do extraordinary things—leave their everyday lives to stand in a place between heaven and earth.  Since every climb is unique (conditions, obviously, do vary) it’s important to be properly prepared:  tealize that the movie may make things look a little simpler than they might actually be for most, physically and emotionally. 

24/7

April 19, 2008

In North America, 24/7 schedules make it hard for us to keep up with ourselves.  Every day of the week is the same and work hours seem to have no beginning or end.  We have to be "on" all the time—with a Blackberry or cell, even while walking the dog or at the grocery store.  We think we’re saving ourselves time—trying to create more space for leisure—but are we really?  There’s always something else to do and another qualification to have.  It’s not just knowing how to do what we do, it’s knowing how to present and sell it.  And for that, you probably need writing or computer skills (that might have nothing to do with the job in hand) as well as a factory connection in China. Slowing down and switching off aren’t usually an option if you want to get ahead.  No time for bed!  Then there’s the relationship you don’t have, which frees up more time for work and disables you further from having any personal life at all.  Then there’s the diet you can’t stick with because convenience food is convenient.  Also, if you’re in the middle of a home renovation, you probably won’t have your kitchen fixed, properly, for at least another year.  Whatever can go wrong offers new challenges—takes time beyond the 24/7 that you don’t have in the first place. There once was a movie about working 9 - 5.  Can you believe it?!

Artwork Approval: Animalkind like Animal Magic!

April 15, 2008

 

As you’ll see from the photos (above and below), Poopals, Lev and Sage, approve my new Animal Magic Collection.  And, they have their favorites!  To see more, please check out the Animal Magic/Artist Project Gallery.

 

Single Because, Just Single, or (Im)Perfectly Single: Unscientific Findings

April 13, 2008

April 1, 2008, I switched on the The View half-way through a "Hot Topic" discussion.  It appeared to acknowledge dismay among 45s to 50s who haven’t accomplished what they’ve hoped to.  Factors that don’t make them feel any better were described as including lack of community and so many people being alone (especially women).  

Being so intensely engaged in my "Animal Magic" painting project (just switching on the television for "background"), I was aware I’d postponed posting blog entries that have been in the works for a while. This episode of The View prompted me to want to add to the discussion.  Relationship (or lack of relationship) disappointments, misperceptions, and day-to-day struggles are common to us all, which is why I believe it’s good share them. 

This blog entry’s "warm topic" draws attention to why some singles might ellicit more sympathy than others, and how perceptions might help shape realities…

Definitions:
1. The "Single Because" is single again.
2. The "Just Single" has always been single.
3. The "(Im)Perfectly Single" doesn’t like to be defined…

Some candid and common assumptions about each type:

The "Single Because"
can prompt perceptions that include:
1.  Did succeed at one time
2.  Has been proven worthy
3.  Has had something to offer (and can again)
4.  Has suffered a "loss" that should be remedied (replaced)
5.  Needs help because of a changed situation
6.  Will benefit from being in relationship

The "Just Single"
can prompt perceptions that include:
1.  Hasn’t tried hard enough
2.  Isn’t worthy of more
3.  Doesn’t offer enough
4.  Has no "special needs"
5.  Is not a priority
6.  Could be "difficult" in a relationship

The "Single Because" is widowed, divorced, or separated.  Both the "Just Single" and the "Single Because" might be single parents. The "(Im)Perfectly Single" might have "options," but still keeps on looking for that "impossibly-perfect other"—even if less than perfect, personally.  Perhaps that’s why the description, "Player," is easily substituted.  A "Player" is often charming, generous, good-looking, and smart.  But there’s usually a flip side:  self-absorbed, inconsiderate, insensitive, and cowardly, too.  Instead of focusing on, and trying to stick to one (really liked) other, this person can’t commit:  either "fades away" or ends things abruptly, a million excuses as to why things cannot work.

Those who seem to ellicit most sympathy, socially, are widowed or single parents.  The genuine distress their situations frequently cause can’t be denied.  But, some do know how to take advantage of circumstances—get extra help and attention that might not have come their way otherwise…

No matter one’s single status, a recent book, by Pari Livermore might be enouraging to those seriously searching, especially if female.  Called How to Marry a Fabulous Man, its Today Show feature told a little about Ms Livermore and her one-of-a-kind philanthropic dating service and philosophy, as well as her "31 ways to meet, catch, and keep Mr. Right." 

Every Art Studio Needs a Watch-Dog

April 10, 2008

…and mine is Lev. Please check out the silouhette in the bottom left hand corner of the image below.

I, also, have the responsiblity to watch over Lev, and Poodle pal, Sage.  This morning’s Today Show discussed the alarming rise in dognapping, giving lists of recommendations on how to protect our canine companions.  The information provided is worth checking out.  Its in the form of an article called, Pets as Prey:  Alarming rise in dognapping:  Smart advice on how you can protect your canine companions from theft

Italian Lessons and La Dolce Vita

April 7, 2008

  

Even after studying beginner Italian for three semesters at the Toronto’s Italian Cultural Institute, and buying a bunch of self-help books and tapes, I wasn’t confident enough to speak the language once in Florence (for the Biennale). However, this didn’t detract from my enjoyment of being there, and sensing what was said and written—taking in the ambiance, mood, and energy. In Italy, la dolce vita (the good life) is energizing, especially when a stark Canadian winter sets in.  At a quick glance, here is some of what seems to matter:  art(s), food, hairdressers, individuality, laughter, playfulness, style, uniqueness

Food tastes different—fruit and vegetables smell like they’re supposed to (haven’t been forced or altered), and time is taken over meals. Friends gather in large groups and share what’s on the table—at home and in restaurants.  There’s a lot there, but servings are adequate, not excessive.  People learn how to dine, course by course, and interact while eating, from an early age.  They also are seen out walking on a daily basis.

There may be chaos surrounding organized events and activities, but everything gets done, just in time, and happens how it’s supposed to.  Along the way, it might be realized that biggest isn’t necessarily be best.  More intimate gatherings and personal/neighborly relationships prevail.  Instead of being home alone, many are out doing their daily grocery shop, or frequenting destinations in easy reach, by foot.  The streets bustle with locals engaged in habitual activities that have existed for generations:  going to mass, errecting and taking down market stands, or standing up for an aperitif and antipasto at a corner bar. Even well-known bursts of rain don’t stop everyday life, or visitors.

 

A few local tried and proven recommendations in Firenze include:  Carlo Bay: haircare; Cellai: hotel accomodation; Grom: gelato;  Madova: gloves; Muniaciello: pizza, cocktails, music, Rivoire: lunch, pastries, home-made chocolate; Zaza: fun, central trattoria; Zechhi: art supplies.

The Artist Project, Chicago: Free Passes

April 5, 2008

The organizers of Artropolis have kindly given their Artist Project participants a link to share with friends and clients. By clicking on this, you will be able to download free passes for all five shows making up the Artropolis weekend. If you do attend the Artist Project, please stop by my booth (8-4123A) and say "hi." Look forward to seeing you there! The DocSusan Artist Project Gallery will have further updates and images closer to the time!

Veterinary Emergencies

April 2, 2008

New puppies draw a lot of attention.  Dogs’ aging processes and illnesses don’t get enough. In the last month, I’ve experienced two veterinary emergencies with poopals, Lev (now 11) and Sage (now eight).  These have reminded me how quickly caninekind live their lives.  Anything that happens to them seems to come about almost instantaneously (far more speedily than with humans).  Sage got a blocked anal gland, with absess.  Lev had a third eyelid appear that I didn’t know exists.  Both dogs’ conditions were alarming.  Sage did a lot of licking and could barely walk.  Lev pointed her head in my direction, eye completely white (no eye ball showing). Thankfully, I noticed each dog’s symptoms promptly, and got emergency veterinary appointments and treatments.  I treasure every moment with such wonderful companions, and am thankful to have found appropriate, expedient, and convenient care for them.  Sometimes, there’s a tendency to wait and see what happens if we’re feeling poorly.  Animals don’t seem to have as much time as we do. Not only can they not explain to us how they’re feeling, they also tend to display greater bravery (suffer in silence).  If we have pets in our lives, it’s our responsibility to be alert to changes in their conditions, taking action right away if we are aware that something could be wrong.

Sage thanks East York Animal Clinic staff, and Dr. Kneebone.

Lev thanks Rosedale Animal Hospital staff, and Dr. Davidson.

Yonge/St. Clair: Neighborhood Trust

March 31, 2008

 

Walking through the Yonge/St. Clair Centre (Toronto) to purchase a treat at Timothy’s, Easter Friday morning, I wasn’t surprised to notice that Ziggy’s/St. Clair Market (Loblaws flagship supermarket) was closed (grills down).  What did catch my attention was their display of floral merchandise that wasn’t locked away. Even if there are hidden cameras, and this is the way things are left daily, I still find it remarkable.  Perhaps that’s because I grew up in Liverpool.  Even though it’s the European Capital of Culture for 2008, most stores (and their goods) still have to be boarded up when businesses aren’t open.

Jay Leno—King of Late Night, and the Jungle

March 29, 2008

Painting for The Artist Project, I have animalkind on my mind.  And, whatever is on one’s mind can pop up, by coincidence, in other places.  The leapyear edition of the Tonight Show (February 29) was a wild-animal enthusiast’s delight.  An avid cat-lover, Jay showed fearlessness romping and head-butting with a lion cub, massaging hyenas, and cuddling with baby leopoard-kind.  After backing off from a a mongoose, he wasn’t phased to see his stage "marked" by a feline guest who was just doing what animals do. Even human guest human, Patricia Arquette, was coaxed to talk about her fondness for dickdicks—interesting to her because they mate for life and always poop in the same spot.  In just moments, Dave Salmoni’s animal parade, Patricia Arquette’s explanations, and Jay Leno’s playful jests had transported me back to the African bush. I felt truly privileged to have been able to see all animal types in their natural settings—and to be painting some of them now.  Jay Leno proved his versatilitiy and power yet again.  No wonder the media is abuzz as to what he’s going to be doing next, and at what price.  The Tonight Show (and painting into the wee hours) won’t be the same without him!

Art Shows for Artists. Behind the Scenes, from Toronto Art Expo to The Artist Project, Chicago

March 26, 2008

There are more international art fairs and artists than ever. While visitors may only witness final happenings, what goes on behind the scenes for artist participants can present a totally different picture (no pun intended). In Italy (at the Biennale), logistical idiosyncracies went with the territory.  In Toronto, for an established local event, like Art Expo, perhaps my expectations were too high.  When event dates were moved up, just before Christmas (with tardy website adjustments, and a clash with a competing art show), other surprises weren’t yet in the air. (Please see an earlier blog entry, "Change of Date, Change of Fate:  Toronto Art Expo 08 Snowed Under," March 16, 08)

Reminders were included in Art Expo e-communications assuring that "no other" show goes to Art Expo’s lengths to make things easy for those exhibiting.  However, return e-mails, phone calls, and receipts, were difficult to obtain. Also, pre-show move-in wasn’t happy. Arriving for a mandatory end-of-the-day slot, it was disappointing to discover that recommended (rented) booth equipment wasn’t in place, making eventual set-up uncertain and tense. (I am very grateful to those who took non-job related initiatives, well into the night, to help postion my display prior to the next morning.)

Art Expo artists incur heavy costs for the privilege of participation, no matter show actualities. Here’s my own tally:
Sums Paid to Rime Canada:  $1957
• Amount for the smallest booth (5 x 15 feet):  $1695
• Amount for participating in the Toronto Life Advertisement option:  $265
Sums Paid to "Recommended Decorators":  $859.34

Booth’s basic fixtures (not included in booth registration fee, and outsourced)
:
• Showtech:  rental of 2 high ceiling mounted floodlights (secured at a greater distance from the booth than anticipated):  $540.14
Stronco Show Services:  rental of a 5 by 15 foot strip of (poorly cut) grey carpet, no underlay:  $166.95
Canfence:  rental of a custom-made (yet rusty and broken) fencing enclosure on which to hang the artwork:  $152.25
Sums Paid to the Toronto Convention Center:  $55
• Parking Pass:  $55
(Internet connection not taken because it was $895 +5% gst for wired access, and $395 for wireless access)

Different art shows, I now realize, can be lighter on the wallet, and suggest less possibilities for set-up stress/additional costs. Take, for instance, the Artist Project (Toronto), which happened the same weekend as Art Expo.  Here are their booth rates: 5 X 10 $600 + $300 = $900; 5 X 15 $900 + $400 = $1250; 5 X 20 $1200 + $400 = $1600; 10 X 10 $800 + $400 = $1200; 10 X 15 $1200 + $600 = $1800; 10 X 20 $1600 + $800 = $2400. A note from the Artist Project’s user-friendly Website clarifies inclusions: "We have negotiated a great price for the gallery style hard-wall system. The cost for this rental is included in the price of your booth. This system will facilitate a smooth and easy move-in; all you need to do is hang your artwork  and provide your electrical and lighting. As well, these walls will ensure a high-end, professional looking show…"

Right now, I’m looking forward to exhibiting at The Artist Project, Chicago, April 24 - 29, 08.  So far, the greatest administrivia difficulties and financial expenses connected with this show pertain to cross-border protocols and logistics.  Shipping to an out-of-the-country event, and determining far-from-home transportation, accomodation, and on-site necessities presents fresh challenges and adventures…

If this blog becomes a little less active over the next few weeks, please understand.  Now, back up to the painting studio!

Wearable Art: Crochet and Canvases Match at Toronto Art Expo

March 23, 2008

 

For Toronto Art Expo’s opening night, I wore one of my home-made crochet creations. Many times, we make hand crafted clothes and then feel too afraid to wear them.  But, for special occasions like an art exhibit, I thought it might be fun to do so.  This crocheted outfit had many commenting that I looked like my paintings!

For more Susan-of-a-kind crochet creations please check out the crochet gallery linked to a previous blog entry, (Crochet for Stress Reduction, Fashion, and Fun, December 25, 2006).

Art Aficianados: Children and Dogs

March 20, 2008

Just as in Florence, at the Biennale, in Toronto, at Art Expo, children and caninekind seemed to gravitate to my artwork. (Please see this blog’s earlier entry:  Florence Biennale: Observations and Feedback, February 4, 2008)

Children, as well as adults, get excited about my candy paintings in particular!

How did this dog sneak into the Convention Centre for a show, and not get asked to leave? Perhaps when attendance wasn’t high, rules were overlooked…

Change of Date, Change of Fate: Toronto Art Expo 08 Snowed Under

March 16, 2008

 

This Sunday morning (today) was crisp but spring-like. Woken by birds singing and seeing the snow melt, I couldn’t help but think back to last Sunday morning—having to dig myself out of the house.  Last Saturday night, I abandoned my car at the Metro Toronto Convention Centre parking lot because we were in the midst of a snow storm—weather conditions that didn’t bode well for Toronto Art Expo attendance.  Originally, Toronto Art Expo was supposed to be held this weekend (March 13 - 16) and these dates could have worked out better had they been kept.  

When Mr. Peter Maguire (President of Rime Canada/Organizer of Toronto Art Expo) confirmed the date switch (off-line, just before Christmas, and on-line, well into January) from March 13 - 16 to March 6 - 9, 08, I was uneasy.  Apparently, there were two main reasons for the date-change:  to catch March break big-spenders before they left on vacation, and to upstage Toronto’s Artist Project’s first-year, which Maguire didn’t want to have poach his audience a week in advance.  

Sometimes, calculations and manipulations just don’t work.  Mother Nature is more powerful than humankind.  What is meant to be will be, rash or reasonable decisions and changes having little influence over outcome.

Irony:  A week after the event, receipts still haven’t been issued by Toronto Art Expo for expenses already paid (despite pre-show requests).  However, on the Saturday of the actual event weekend, reapplication packages were hand-delivered to each participant’s booth for next year (2009). Then, on the Sunday two paper warnings appeared.  The first note stated that 5 pm would be the cut-off time for resign-up.  Those who didn’t do so by then would be subject to re-jurying and possible price increase.  They’d also lose seniority over booth allocation.  The second note extended the deadline till 6 pm because of "traffic on the floor."

As I sat quietly in my booth (few attendees in evidence) musing about how Toronto Art Expo 08 (at least from what I’d witnessed) seemed doomed from the start, any notion of feeling pressure/anxiety to sign up (and pay up) for a repeat performance seemed a little silly.

Fake, Recyclable, and Decorative Winter Florals

March 14, 2008

 

Every winter I try to be as creative as possible with the floral arrangements/greenery outside my home.  But, in a cold snowy climate this can be difficult—especially for someone who favors natural over fake. This year, I made a 50-50 display (50 percent natural, 50 percent fake), and it’s been more long-lasting and attractive than previous years.  In fact, the fake parts (fruits and berry branches) have had better durability than expected.  Even after holding a lot of snow they will be recyclable for next year’s arrangement!

p.s. Canada Blooms may be happening right now, but nothing’s changed with the arrangements outside my home. No hint of spring!

From DOODLEMANIA to ORGANIC ART at Toronto Art Expo, March 6 - 9, 2008

March 6, 2008

I am exhibitng my spring fine art collection "From Doodlemania to Organic Art" at Toronto Art Expo, March 6 -9, 2008 (Toronto’s Metro Convention Center). After the event, I will offer behind-the-scenes tidbits pertaining to this "happening" and its organization on this blog.  What artist participants experience and what the general public notices, will likely be interesting (and different)… Participating at the Florence Biennale had predictable bumps (some of which are already recorded on this blog).  Showing artwork in a foreign country with different ways and standards is always an adventure!  In Toronto, however, and due to the heavy costs of participating at an event that’s not in its infancy, my expectations have been higher…  Let’s see what happens!

My booth is 401 u/l.  It’s on the upper level, in the far back left-hand corner, at the bottom of aisle A and adjacent to the toilets.  Please stop by and say "Hello!"  Hang out for a while!  Look for sping colors and feelings. I hope to create a "cozy, welcoming corner":  a little sanctuary tucked away in an overwhelming, large, noisy hall.  

Painting through a  "long, cold, lonely winter," this "Litttle Darlin’" has been crying out for spring—imagining it in a myriad of shapes and colors. (Please click the link just given and listen to the You Tube song that you’ll find there!)

The paintings on display, I hope, will lift the spirits, and hearts, of Art Expo visitors.  Oh, and, by the way, most of them are for sale!  The Art Expo mandate is that only originally work can be displayed and sold there.  Reproductions are available to order, outside of the show…

Holistic Dental Hygiene: For Dogs and Their Humans

March 4, 2008

 

Dental Hygiene is important, for caninkind as well as humans.  However, too often this gets overlooked, especially as dogs age and have greater health risks. The routine to change smoke detector alarms when the hour moves forward or back is a good one.  Special days have a way of triggering us to remember special routines.  This year, Valentine’s Day was all the more significant for me, and will be in the future—as "Poopals Appreciation Day."  Lev and Sage had a trip to the vet to get their teeth cleaned.  Anne, the technician at East York Animal Clinical did a wonderful job, and Dr. Cindy Kneebone prescribed a potion to facilitate tartar removal year-round. No brushing required!  Leba III is a totally natural spray in solution—for humans as well as dogs.  It’s too early to gage long-term results, but we’re hoping so far so good.  Take a look at Sage’s clean teeth in the slightly hard-to-see snapshot above!  (Sage wouldn’t keep still.)

p.s. Please note:  a November 08 Google Search, "complaints about Leba 111" led the searcher to this blog entry.  In view of Sage’s dental demise (around the same time) it’s now unclear how much this product actually helps.  Optimism is always good, but reality can be a greater teacher…

p.p.s. Please check out this newer blog entry:  48-Hours of Caring for Sick and Elderly. Sage Makin, Little Wonder-Dog’s Recovery in Images, November 10, 2008.

 

Disabled Stickers, Narrow Streets, and Snowbanks

March 2, 2008

This morning, I can hear the birds singing, a treat I’ve not been aware of in a long time.  It’s a sunny but crisp Sunday, and I think I can feel spring in the air.  I don’t know if this is true, but can only hope that we could actually be in for some milder weather and related mood changes.  To quote a familiar Beatles’ song, "It’s been a long, cold, lonely winter."  In a climate like Toronto’s, when snow is heavy, situations arise that would be unusual elsewhere, like the one described here…

Adequate and accessible parking for the genuinely disabled is essential, but not when be hazardous.  For too long, vehicles with disabled stickers (not necessarily disabled drivers) have been allowed to park on busy mid-town cross streets, like Balmoral.  These roadways that get even narrower when snowbanks pile up, like this past February. When a Wheel-Trans vehicle tried to squeeze between a parked Mini (with disabled sticker) and an iced over snowbank there was a wedging, and neither vehicle could be moved without tow truck assistance and police intervention.  Consequence, the street was inaccessible to regular traffic for three hours.  What are the chances  that a Wheel-Trans vehicle should squish a car displaying a disabled sticker.  Perhaps there’s a message in the irony?

Police vehicle cutting off the "accident area, parked vertically—shows how narrow the street is

Typical family size SUV arriving at "accident area"—shows the street can only really accommodate one lane of traffic



Typical street traffic congestion:  snow or no snow

 

LONDON Landmarks Change

As I walked through Leicester Square last September (07), the bells on top of the landmark Swiss Centre chimed, an array of tourists and super sized Beefeater impersonator standing by.

With a redevelopment of this site, I was happy to have witnessed its last days.  I remember, during the late 70’s- early 80’s, when I was a student in London, the Swiss Center was a "hot spot."

 

What happened in the interim, to this and so many other familiar places?  Everything changes… When we’re around all the time, we might not notice.  When we’re away for long periods, differences can be striking!

User-Friendly LONDON

March 1, 2008

On my overnight visit to London last September (07), I noticed that London’s signage has definitely improved.  It tells tourists (and locals) exactly how long it might take to walk from one place to another.

 

It also advises where CCTV cameras are watching!  (There’s 10,000 of them!)

 

What’s not improved are the one-way streets.

 

Then there’s the traffic congestion.  Public transport is encouraged.  But, sometimes, that too can be quiet overwhelming, with red buses appearing to be coming at you from every direction, especially at Picadilly Circus.

 

Green LONDON: from Pink Cabs to Green Attitude

February 27, 2008

You don’t have to look very far to see Londoners are going "green."  Their awareness and habits are revealed in a few quick snaps from my overnnight visit there last September.  

An electric car

Organic food businesses, as advertised on this van

City of Westminster recycling at Covent Garden

A carbon neutral taxi

 

A wooden playground

 

There’s also a free magazine for pick-up in the doorway of many stores, called New ConsumerI chanced on its fifth birthday edition last September (07).

Taxi, Taxi! LONDON’S Colorful Cabbies

February 25, 2008

In North America, we’ve just started to hear about "pink cabs." The Pink Ladies cab company was started in Warrington (Northern England), in 2005, and has been so successful it’s now looking for franchisees. Pink cabs are driven by women for women, saftey and comfort being paramount.  In the days when all British cabs were black, "Pink Ladies" might have stood out.  Now they are part of an already colorful streetscape.

 

I hadn’t been in London for quite a while till Fall 07. (I still haven’t managed to finish writing about that trip on this blog, with so many other life/travel interruptions.)  When there, I couldn’t help but think how much brighter a place this city has become because of its colorful cabbies. Traditional "stiff upper lip" black vehicles are transformed into mobile advertising machines.  When I noticed the first colourful cab, I thought it was a one-off vehicle.  Then, each way I turned, I saw another and yet another.  Time to pull out the camera and start snapping.  Cab after cab, I collaged their images into a poster (inserted above) on returning home.  Funny what strikes us on our travel adventures.  I’d never have thought that cabs would capture my attention like this.  I suspect their ads are working! You certainly can’t help but notice them.

Other ads, I was aware, were displayed by humans.  I chanced on a bunch of placard supporters close to Covent Garden station.  I didn’t envy their job, sitting there holding arrow signs to local businesses. Fortunately, it was a balmy September morning.  I don’t know how widespread or seasonal this form of (in)human(e) advertising might be…

 

AOL Canada Encourages Mac Users to Sign Up with Other Providers

February 22, 2008

If you own a Macintosh computer and live in Canada, beware!  You will not be able to get technical support, and it doesn’t look like this situation is going to change, now or in the future.  AOL Canada, it seems, prefers to lose long-standing/loyal members. I was told by an AOL Canada supervisor, today, that it has been an "AOL business decision" not to service their Mac users in this country (for the last few years, already). The supervisor I spoke to suggested that if I am paying for a service that’s not working for me (such as the one he is employed by—AOL Canada), I should cancel it completely. In fact, he offered to give me the next month for free till I can sign up with another e-mail provider, and arrange to have my e-mails forwarded.

Looks like AOL Canada has no intention to remedy what their supervisor described as "dwindling numbers of AOL/Mac Canadian users." In fact its own employees are openly discouraging  With the launch of the new MacBook Air, this is indeed a pity!   AOL Canada users should not expect to be able to access US technical support, either. If you take the initiative to contact them, you will be told that they don’t service Canadian accounts, once you reach a technician who’ll say that your account can’t be found. However, when you punch in your account details, the (automatic) voice response system that transfers callers to technicians (on receipt of that information) will announce that your account has been found (ie. assistance will be forthcoming)!

Also, MacUsers everywhere are, probably, well-aware of the incompatailities between Mac’s Leopard operating system and AOL.  Even though remedies are currently being tested, patience and waiting to see what happens might not be the best options. The inablity to access e-mail (and trying to sort out how to) wastes time, provokes inefficiency, and generates frustration! 

I do apologize for any interruptions in communications at the moment. Please understand that it’s due to the Mac/Canadian AOL connection (or lack of it), not moi! 

HOTEL Cellai, FLORENCE: Creativity, Culture, Renaissance in Action

February 20, 2008

 

We research some hotels in advance.  Others, are found by chance.  When the Florence Biennale travel agent billeted me at the Hotel Cellai, I didn’t know what to expect, but ended up being surprised and delighted. This boutique hotel, I think, might enhance any arts enthusiast’s visit to Florence—epitomizes the Florentine spirit and its evolution. 

Originally, a small bed and breakfast, the premise has been in the Carvallo family for three generations—passing from grandmother to daughter to son.  Francesco, the current owner/manger credits his three decades of "international renaissance education" with strongly influencing his hotel’s remodeling and expansion.  The Cellai now has 70 rooms, and is brimming with artwork, ornaments, fine furnishings, and old-world charm. Each room is different from the next and the lounge areas are comfortable and intriguing.  Magazines and books are are in key locations throughout, opened on pages with special quotes, images and articles.  Also, various contemporary artists’ canvases are exhibited on a rotating basis in a living room area.

Although the hotel looks complete the way it is, Carvallo is in the process of adding three more common areas:  a billiard room (with a purple-clothed table).  Geometry is one of this designer’s passions, and the room’s intention will be to give a sense of the "forces of the universe." The second addition will be a "love room"—one that’s not really intended for use, but to be viewed as an installation of sorts, built around a red velvet sofa (from a 1890 - 1905 "pleasure house").  "It cost a fortune," Carvallo admitted, reminding that people will be looking at it, not sitting on it.  There’ll also be special mirrors (from another "pleasure house").  Finally, there’ll be Libertine prints, showing people flirting. The third, and final, new space, will be a wine bar with books and silk curtains.  20th century style will be set off to advantage here, with black and white photos from 1920 - 1970 being an important decoration (from Carvallo’s extensive personal collection).

Interior design, according to Carvallo, is like "a medicine" for him.  His own home celebrates the 1940s - 60s, but has paintings from the 17th, 18th, and 19th centuries as well.  Carvallo especially loves still-lives from the nineteenth century that have dark backgrounds and Italian origins—mostly from Florence and Naples.

Carvallo appears a modest and diligent man, and blushes when telling that his interior designs have been featured in niche magazines. He is also very excited about another space, adjacent to the hotel, that is also nearing completion.  It is to be called the "Spazio Bianco" (White Space).  This is where his designs will have a chance to leap into the contemporary world (beyond the 17th, 18th, 19th, and 20th centuries).  He loves the idea of covering centuries, room by room, as he has done so far.  The "Spazio Bianco" (White Space), as its name indicates, will be totally white and have a wooden floor, also painted white.  Carvallo is particularly looking forward to creating special effects in there.  The simplicity of the decor, he thinks, will offer unique possibilities, like to change the color of the air.  

The event space/gallery is 150 square meters, and will be the hotel’s cinema, if there’s no special event or exhibition happening.  Carvallo plans to show Italian black and white movies from 1948 - 1968 (from his personal collection).   He’s also looking forward to playing there once a week, with his band, "The Pink Freuds."  Carvallo is the vocalist.  In the band, there’s vocal, piano, guitar, electric guitar, and drum.  Apart from a female lawyer, all the other band members are male—and professionals with significant day jobs:  an architect, economist, town planner, and geologist (responsible for Florence’s public water systems).

Carvallo’s attention to detail shows everywhere, and not least in his agenda for the event space/gallery.  The product line "San Zanobi" (local oils and wines) will be available for tastings.  Then, once a month, vintage dresses will be shown, from a flee market close by.   And, there’ll be a salon-type atmosphere with literary readings and art shows.  Carvallo is "connected," so the offerings are guaranteed to be interesting!  Cecco Mariniello, the number one (and reclusive) Italian childrens’ book illustrator is the Cellai’s postcard designer—and, right now, these postcards are "giveaways"!

Carvallo doesn’t have a secretary, and says he makes all his own decisions and designs.  His days are long and guests catch him fluffing cushions early morning, or with papers all over his desk well into the evening. In the day, he drifts in and out, covered in dust from construction. Carvallo explains how, in Italy, "Everyone wants to change things themselves, and put in their soul…and then there’s Italian mothers who ‘kill’ Italian boys…"  His own mother, at 83,  went paragliding in Florida recently, and his father lived a healthy life until his passing at 90.  Carvallo’s mother still helps out at the Cellai, and he says he’s appreciative of that.  "Traditionally, Italian men talk but don’t do.  Women do…," he stresses.  Carvallo might just be an exception to his own rule!

Carvallo is hoping to open all his new additions this spring.  Then, he’s planning to start selling artifacts that he’s collected, as well as artworks from displays.

 

BIENNALE POETRY: Showing at an Exhibition

February 16, 2008

 

At the Florence Biennale, sitting at my exhibit most days, I had a lot of time to reflect on what was happening there.  I either doodled my thoughts in a sketch book or wrote them up as poetry.  Here’s a poetry sample:

Showing at an Exhibition

You paint for hours
They pass by in seconds

Some look
Some don’t

Some comment
Some won’t

Snaps here
Snaps there

Those who care
Those who stare

Sitting, watching, waiting
Never know who’s passing by

Not anticipating
But happy for a break

Not shy
But consistently wondering why

How and what
A matter of luck

How and now
Not wishing to feel stuck

Nice things said
But not going to my head

Confidence in bursts
For success we all have our thirsts

Reactions good
Messages understood

Art works when responses are clear
Positive audiences assuage fear.

The Artist Project, Chicago: Susan’s Artwork Chosen

February 14, 2008

JUST ANNOUNCED! DocSusan is thrilled to have been chosen to participate in The Artist Project at Artropolis, Chicago’s citywide celebration of arts, antiques and culture, April 25-28, 2008 (preview opening, April 24).

The Artist Project
is Artropolis’ key event showcasing independent artists. An annual exhibition and sale in its second year, it features original work from a juried selection of 300 established and emerging artists. Included artsists cannot be affiliated with galleries. This gives visitors a rare opportunity to discover and obtain interesting and affordable art directly from its creators.

Other Artropolis happenings include: Art Chicago, The Merchandise Mart International Antiques Fair, NEXT, and The Intuit Show of Folk and Outsider Art. They are all held at the The Merchandise Mart.  And, at the same time, throughout the city, an abundance of other activies are scheduled to take place at major museums, small galleries, world-class concert halls, cutting-edge clubs, lakefront parks, private parties, and more.

In Anticipation of VALENTINE’S DAY, Singles Included

February 13, 2008
 
(Image taken from DocSusan’s Heart Self-Help Galleries)

 

Please take a moment to be in touch with a friend who doesn’t have a Valentine, and let that person know how much they mean to you/you care about them.  A simple phone call or e-mail may be just enough!  If you’re happy—and fortunate to have attention from a "special other"—try to be extra sensitive to whose circumstances are different.  Though Valentine’s Day (February 14), gives many a cause to celebrate (and for commercialism), more folks than seems fair feel uncomfortable as it looms. This poem tells a little more:

VALENTINE’S DAY

Loved?
I’m not sure about that

What is love anyway
If you haven’t felt it?

What is love anyway
If another person hasn’t meant it?

What is love anyway
If you’re all alone?

If it’s you who makes the calls
If it’s you who cares about everyone else

What is love?

Please tell me
Because I don’t think I know

Happy Valentine’s Day!

 

 

Add to Valentine’s Day, Ontario’s first annual Family Day, four days later, February 18, 2008.  Apart from proving an inconvenience for some in the business world, this second "relationship-rejoicing" day may add to singles feeling more out-of-place (a significant percentage of the local population).  According to February’s Village Post, its very name is "puritanical," and just begs for satire!

(Please remember to visit DocSusan’s Heart Self-Help Galleries!)
 
 

Please Vote for Susan’s Artwork in Saatchi Gallery On-Line Competition

February 10, 2008

Please vote for my artwork.  Just click on this link: http://www.saatchi-gallery.co.uk/showdown/index.php?showpic=118145. It’ll only take moments to click the star on the far right! THANK YOU!! Voting is February 11 to 18. 

This is a Saatchi On-Line Gallery competition called "Show Down."  "Buon Appetito!" is my exhibit from December’s Florence Biennale.

YouTube Videos of the "Buon Appetito!"exhibit are at this link: http://www.youtube.com/results?search_query=Susan+Makin&search_type=&search=Search

"Buon Appetito!"  Year: 2007.  Dimensions:
20 x (60 x 60 cm) 20 images combined to make one (244 x 305 cm)

This body of work was created especially for the 07 Florence Biennale exhibit. Built around a representational theme and message, it’s about getting back to basics and promoting food as fun, something that is more of a "positive" in overweight/diet crazy societies. All of the images are from life and depict edibles that should be familiar internationally. The book, More Than Just A Meal: The Art of Eating Disorders (2000), shows my serious long-term commitment to promoting healthier life-styles, especially where food is concerned.



 

RECIPROCITY

February 8, 2008

Reciprocity can be tricky sometimes. There are those who give in order to receive, those who give in order to mutually benefit, and those who like to take but not give back.  Those who give to give, no strings attached, are exceptional.

In real life, we see this with dinners, gifts, phone calls, and so much else.  Certain individuals always seem to offer a whole lot more for a whole lot less.

In cyberspace, gaining "reciprocal links"—like having "friends" on Facebook—has become a supposed indicator of success, popularity, and networking ability.  In recent weeks, I’ve noticed an increase in offers to exchange links, so as to raise Google rankings. But, what might "virtual-reciprocity" imply to the non tech-savvy? Because we exchange a link and list another web address on our site, does it mean that we endorse it too? If we decline a request to exchange a link, what is the message that we’re giving back?  That we don’t like or approve of it?  Will someone list us without us having to list them?

Because, for now, I don’t have distinct link lists, I try to include as many links as possible in blog entries and website text.  Requesters who’ve taken time to review my sites usually understand—and see a place where they might be inserted.

A Florence Biennale artist who has just requested a reciprocal link exchange is Ann Haessel. A fiber artist from Alberta, Canada, you might like to check out her site.  Unfortunately, I did not get a chance to see her work at the Biennale.

Other entries on this blog also offer perspectives on RECIPROCITY.  These include: 

Give to Give, (poem), Sept 5, 2007 

Keep Your Word, July 25, 2007

A and B List Friends, July 8, 2007

Friends Help Friends, December 7, 2006 

“Happy Birthday!” Editor-in-Chief and Studio Assistant, Lev

February 5, 2008

 

Everyone loves a new pup.  I love two older ones. LEV, the editor-in-chief of this blog, and my senior art studio assistant, is 11 years-old today!  (Poopal, Sage, was 8 in December.)  Still working and playing hard, Lev chose a nice new doggy bed and some chew bones from Prettie Yiji to mark her special day. She also let me buy the same for Sage. Dog-lovers, it’s really worth a visit to this one-of-a-kind Hazelton Lanes boutique. Not only did the owner offer a nice discount, he also added in an extra pack of treats for the birthday girl—and free delivery, on his way home after staying late.  Sometimes you can find better deals than at PetSmart and Pet Valu in the least likely places!  Special customer service and more unique merchandise are typical non-chain store advantages too!

 

Florence Biennale: Observations and Feedback

February 4, 2008

Seeing the general public view my artwork was very gratifying.  "Buon Appetito!" as I’d hoped, had broad age-appeal. Young children, and their parents loved it!

So did caninekind!

Then there was what was written in my visitor book.  Certain entries in other languages—Italian?—could be figured out without translation, even with handwriting that was hard to read… Here are some examples:

• "Complimenti, fresco, colorato, diret, molto bello… can I eat it?!"
• "Your works taste good!  I love it!"
• "Colori, allegria e voglia di vivere!!"
• "SORRY  I’m on a diet…Very, very nice…"
• "From Canadian to Italian, you know how to communicate the contrast in what is real flavour and artificial flavour.  In Italy, little flavour need be enhanced.  Your paintings speak of the vitality in food here."
• "Une magie di colori, complimenti!"
• "Trionfs di colori.  Il motion artisco della quotidiannite.  Rapporto el publblico diretto basato su un patrimonio commune di sensezioni e percezioni.  Grazie!"
• "Thank you for the light!"

Feedback from other Biennale artists, viewing recent blog entries on this site, suggests the need for new Biennale recognition/prize categories: "artists’ choice" and "viewers’ choice" awards.  Perhaps "children’s" and "canine’s choices" wouldn’t be a bad idea too!  That way there might be more interesting (and fairer) outcomes.

February FUNK

February 3, 2008

The "January blues" are legendary. Then comes February, and moods sink lower. Is there anything that can be done to help? Some are too familiar with the pain (not just in January or February, but year round) and don’t need to have it explained (like in the poem below). Others are able to escape it— supports, special advantages, or attitude making things easier.  Living in warmer friendlier climates (or taking a sun break) can also be helpful.  But this isn’t always possible.  In cities such as Toronto, known more for aloofness and coldness than ambiance and joie de vivre, extra efforts need to be made.  It’s important to be aware of those around us, and check-in on them—include, invite, encourage, or reciprocate.  At least, try and offer a smile or "hello," even to someone you don’t know.

FEBRUARY FUNK

Looking good on the outside
Doesn’t dull the pain within

Do you know that pain?

Under the nose
In the throat
Around the eyes

An upset that you feel
Even if others don’t see

Do you know that pain?

Maybe you don’t
Likely you won’t

Do you know the sadness of
Loneliness
Hopelessness
Helplessness
Despair?

Seeing that others, clearly, don’t care

A "Please"
"Thank you"
"Sorry"
"Well done"
Might pick up someone else’s day

Few brave enough to show the way

Don’t ask "Why?"
Ask, "Why not?"

CONFIDENCE

February 1, 2008

CONFIDENCE

Confidence is driven by others
Not just ourselves

We know, ourselves, what we do, feel, think
What’s right, wrong, uncomfortable, or easy

Others affirm, deny, encourage, avoid
Enable and disable

Contribute to who we are and can be

It’s who surrounds us
And who doesn’t

It’s what they say
And what they don’t

How they respond
Or not

No matter our strengths and weaknesses
Failures and successes
Feedback and allegiance matter
 
Others indicate the worthwhile, and the not so
Include and exclude
 
What we’re left with is up to us.

Inspiring SIBLINGS

January 30, 2008

I’m thrilled to be contacted by those who enjoy my poetry. Earlier this month, Susan Kusel, of the Wizards Wireless Blog, wrote to ask permission to include excerpts from my Kilimanjaro series on her "Poetry Friday." Her brother, Russ, was due to climb Kilimanjaro, and she wanted to provide him with inspiration. How wonderful! Last week, after Russ returned from his successful ascent, Susan posted her own poem to honor his journey. Comments back to both blog posts, by readers, and Russ, himself, were, affirming, touching, and thought-provoking. Siblinghood at its best!

RELATIONSHIP “Uppers” and “Downers”

January 29, 2008

Even relationships assumed to be "on" might be "off."  Apparently 20 million American couples are in low- or no-sex relationships.  January 28th’s View featured Bob Berkowitz discussing his (and his wife’s [Susan Yager-Berkowiz]) recent headline-attracting book, He’s Just Not Up for It Anymore. Why Men Stop Having Sex, and What You Can Do About It.

This topical text draws attention to a number of interesting questions about where men’s disinterest comes from, including:
1.  Is it physical, emotional, psychological, or simple partner-boredom?
2.  Is it an anger-response about other aspects of a (failing) relationship, or symptomatic of depression?
3.  Is it due to too-easily accessible porn (some men becoming unable to be turned on without it)?
4.  Is it an outcome of "natural causes"?

How sexless men’s partners might feel is also considered.  Are they dejected, relieved, guilty or suspicious (of infidelity, asexuality or homosexuality)?

Whether there’s sex in a relationship or not, many still prefer being seen to be part of a "two" than "unchosen"/solo.  Long-term solos (by chance or choice) have their own "going-sexless" challenges—and (usually) fewer viable alternatives, as well as less public empathy.

Even if a partnership is sexless, it might still be supportive and status-affirming. This was demonstrated to me recently, at lunch with a colleague.  She announced, "Going to be 50 this summer, and I’ve more self-confidence and daring than ever—must come from being married with kids…"  "How do you think those without marriage and kids might feel, the same "big birthday" coming up," I asked. "What keeps them going?"  Quiet and visibly uncomfortable, she couldn’t imagine or relate, and changed the subject.

Dating Games and Disappointments, On- and Off-Line: Bravo’s Millionaire Matchmaker Helps Identify Obstacles to Relationship-Making

January 25, 2008

New relationships used to get off to more comfortable starts because respect, consideration, and life-cycle stages seemed to matter.  Each person involved (or wanting to be) had incentive to keep things going—sought greater interdependence and collaboration (believed in a better quality of life as a "two").  Today, distractions and alternative options are more alluring than working on what’s infront of you—and got good possiblities.  Eyes wander more than ever before—if not in actuality, virtually.  

Cyber—cheating prevents many new connections from growing as they might have, easy "escapism" too available. High potential matches are stumped before they are started.  Serious daters (looking for a monogomous long-term relationship) dance with serial daters (those ever-seeking perfect and better). Once serial daters get what they think they want, it looses appeal and the chase becomes more exicting than the catch. On to the next!  Some endings are abrupt.  Others "fade away," one (cowardly) person knowing what they’re doing, the "worthier other" being left disappointed or surprised.

There used to be a commonly followed "three-date" practice (not to judge too quickly). Today, even second chances are hard to come by.  If someone isn’t perfect—better quality than the person ruling them out, from the very first encounter or because of an "off-moment"—there’s no hope for continuity or tolerance.  Why waste time with someone who might be human—have as many flaws as you do?  A quick fix, rather than hard work (as necessary for most everything else) prompts expectations…and disappointments.

Bravo to "Bravo" for alerting us to Patti Stanger’s Millionaire Matchmaker team!  Thanks for displaying that guys one would think "apppropriate" aren’t necessarily ready—still fantasizing over unrealistic catches, or need "fine-tuning."  A show that is "out-of-the-box" in its showcasing of a service that attempts to coddle those who pay to seek what even money can’t buy. That aside, Patti’s Dating Commandments are worth checking out (millionaire or not).

DEPRESSION ALERT! and Heath Ledger’s Unfortunate Death

January 24, 2008

Heath Ledger’s unfortunate death has generated much discussion about its nature—whether it was accidental or not. From the LA Times to Time (and beyond), it’s become a major news story!  Close family and friends of the deceased insisted right away on "accidental causes." Noone likes to think about, admit to, or acknowledge the "S"(uicide) possiblity, at anytime.

Media have provided a lot of extra/invasive hype, with many presumptive questions.  Naturally, suggestions of foul play abound, with analyses of the actor’s distresses.  Whatever the truth might actually be, we’ll never really know. Sadly, the one person who could have told us isn’t around anymore.  Apparently, he was found alone, face-down and naked on his bed, by service providers (his housekeeper and his masseuse).  Close family were thousands of miles away, and the face that Ledger gave to the world in his many outstanding film performances was, obviously, not the face he wore privately (of late).

Ledger was famous. That’s why we get to hear, see, and read about him, and his final days and hours.  But, there are many other individuals, just like this movie star, dying every day—and in our own midst. Their burnout, despair, frustration, and loneliness cannot be remedied effectively.  Accidents and non-accidents happen, closer to home and all the time…

No matter the nice things said and done after a "loved one" is gone, nothing can make up for what was not said and done when he or she was alive (manifesting that all wasn’t right). The "take-home message" is to be more mindful of those around us continually—and sensitive to our interactions with them.  We truly never know how we might affect someone else, and what the consequences might be.  What’s not a big deal for you, might be for someone else. Everything adds up.  And, sometimes, just one more disappointing encoounter may be that one more too many…

This following simple poem, "Depression Alert," is an important one to remember. I included it (below) in tribute to Ledger. His untimely death provides an opportunity to share sentiments that might not have gained exposure otherwise.  Think of those with whom your life intersects. Perhaps they need a little more attention, consideration, and follow-up than you’ve been able to give them till now.  We may all be "busy," but…

DEPRESSION ALERT!

The places you don’t go
Clothes you don’t wear
People you don’t see

Others’ imaginings…

A life of ease
Please don’t tease

The pain
Nothing you can explain

Torment deep within
Understanding thin

Not who they think you are
Distance very far

Spoken up and not heard
Silent and more congenial

Another funeral.

You Tube Videos of Florence Biennale Posted Today

You Tube video footage of my participaton at the Biennale was finally posted by the Biennale crew today, in three parts. I had no clue about what they were ultimately going to do, or editorial input. You’ll find me buried inside the footage if you’re patient—in parts one and two. Not in part three, as far as I can see…

part 1 http://it.youtube.com/watch?v=00Nr_2h52E4

part 2 http://www.youtube.com/watch?v=XEfKwVFiy_U&feature=related

part 3 http://www.youtube.com/watch?v=d8nnl1xQZT8

Men in Suits: From the Biennale to Trump Tower

January 22, 2008

 

An after-the-event Florence Biennale critique with judge Gregorio Luke was helpful. With perseverance and commercialism (of my imagery), he forecast, "new doors opening."  Luke stood out from other exhibition judges with his extra efforts to speak to as many Biennale participants as possible.  His general message was that it’s not what ciritcs say, it’s what you do as artist.  An expert on Frida Kahlo, he suggested using her approach as "model": communicating directly with the public.  In fact, during his official presentation, Luke stated, "Don’t try to go to a closed and elitist art establishment." (Image above, taken during Luke’s official presentation.)

Gilbert and George, honored with the Biennale’s "Lorenzo il Magnifico"
career award, are quite different from Kahlo—in intention, appeal, and subject matter.  During Tim Marlowe’s Biennale interview with them, they insisted "Art has to be powerful or people pass it by…"  (Maybe they meant "shocking"?).  Their "Naked Shit" series (the title of which Marlowe repeated over and again in his questions) is just one example.  Gregorio Luke, the first time I introduced myself to him, stated,  "I don’t know your name, but I remember your art!"  Encouraging for work that’s not likely to be considered  "shocking"…

The evening before Gilbert and George’s interview, I ran into them by the Ponte Vecchia.  These "Men in suits" (a way, they claim to be have been able to sell themselves to dealers, from 1968 on) were now "men in overcoats," and a young Florentian was trying to take their picture with his cell phone camera.  I helped out, enabling him to be in the shot with them, then shared that I was a Florence Biennale artist hoping for feedback. Keeping the focus on themselves, the duo expressed surprise that I could have missed their enormous exhibit at the Tate (even though I told them that I don’t live in the UK). A conversation closer…

Another important man (in suit) who cut things short with me, last November, was Donald Trump.  In New York City, the week before leaving for the Biennale, I was meeting a friend at the Trump Tower cafeteria for lunch. By surprise, I noticed "the Donald" going up the escalator, and decided to approach him.  "Mr Trump" I braved, "May I please ask you a question?"  Thin and pale (without TV makeup), he turned in my direction, responding, "You’re a beautiful woman…  where are you from?"  The answer "Toronto," it appears, wasn’t a good one.  Hand up in the air after hearing this, he turned, elevator doors closing behind him.  Alas, no chance to pitch my Biennale exhibit series, "Buon Appetito!" to him.  Since climbing Kilimanjaro, I might have become a little more gusty—but there’s always need for help with closing a deal!

Florence Biennale: Artist Interactions

January 18, 2008

 

Interactions with other artists tended to involve those positioned at close proximity. But, quick wanderings around the exhibition gave an overall feel of atmosphere, energy, artwork, and personalities.  

12 artists I’d not met before, and spent time with during the Biennale are listed below (in alphabetical order). You might like to check out their work:

Jeff Beier (sculpted painting)
Joy Engelman (environmental painting)  
Jim van Geet (figurative painting)  
Pam Ingalls (Russian impressionist painting)   
Olga Karpeisky (still life and portrait painting)
Rian Kerrane (sculpture/installation)
Janice Lawrence (joyful painting)  
Charlotte Lugt (abstract painting)
Mary Medrano (painting)  
Miriam Pet-Jacobs (mixed media)  
Danish Saroee (photography)  
Mona Youseff (realist painting)  

12
artists I didn’t get to meet at the Biennale, but whose work I enjoyed viewing, are listed below (in alphabetical order):

Ina Bartelds (floral painting)
Karima Ben Otmen (painting with Arabian influences)
Gina Blickenstaff (mother/child portraits)  
Maria Catuogno (sculpture)  
Cheri Christensen (Russian impressionist painting)
Ann Dunbar (watercolour painting with embroidery) 
Kimmo (Kimmo style painting)
John van der Kolk (sculpture)
Bria Kromm (painting with layers and symbols)  
Nancy Lamb (figurative landscapes) 
Maria Isabel Parra (multi-media artist)
Sergei Zlenko (Russian figurative painting)

Some artists, attached to causes, were able to be more visible because of this:

Pomm Hepner (watercolor painting) got extra wall exposure and mention due to her Artists for Human Rights membership. She is also a prominent Scientologist.
Josie Taglienti (abstract pastels) promoted the Fine Art Registry, having been sponsored by them.

My Biennale display neighbors were two painters with very distinct styles and techniques:

Denise Faegenburg  
Amy Swartelé  

Having had a chance to review Biennale artists’ websites since the exhibition, I realize that while some had their best work on show there, others didn’t. The Biennale was, in many cases, an opportunity to sample a small piece from much larger pies and gain exposure.

Of course, there are many other artists I’d like to link in this blog entry, but that’s what the official catalogue is for, and where most participants were given equal space. Painter Nafisa Naomi, however, got a double-page spread—in advance of her winning first prize for her four canvas display, "Regeneration".  Unusual coincidence!  So did mixed media artist, Jackie Sleper—in advance of her winning first prize for her sculpture, "Modestia," given pride of place in the Biennale main foyer area (as shown here).

We don’t often know what will end up as an award winning work, or exactly why. A closer look at "Regeneration" (segment pasted below) may appear a tad disappointing—have viewers wondering how the canvases joined together (or whether they were supposed to).

Some nationalities weren’t as apparent at the Biennale as others. The Dutch had a huge contingent—97 (maybe).  840 artists from 76 countries were present, I believe.  There were also a lot of transplanted artists (those who found it hard to say which country they actually represented), like Plein Air Cottage artists, Helen Tilston and Violeta Shtumeyzen.  One evening, six of us went out for dinner, and found, by chance, that what we all had in common was being from one place but living in another.  Some had changed countries two or three times.  I could relate!  Is it the artistic spirit that encourages these moves, or modern day life?

Florence Biennale: Pros and Cons

January 15, 2008

 

Traditionally, if you search on-line, the Florence Biennale has had mixed reviews.  Having now participated, personally, I feel somewhat qualified to share pros and cons.  My You Tube video interview was filmed on Day 4, and focuses on the positive (though we are still waiting for the Biennale folks to post it).  This blog entry considers the whole picture (no pun intended).

Let’s stress the positive (in random order):

1.   Abundant networking opportunities between artists
2.   A live how-to guide for how to show your artwork (or not)
3.   A chance to discover what’s hot (possible) and what’s not, in art, and beyond
4.   An extended stay in Florence (and not as a tourist)
5.   Web presence enhancement (through participation)
6.   Time out from the studio—chance to taste "la dolce vita"
7.   General public’s feedback—international audience
8.   Connections made with viewers passing through
9.   Networking locally (in Florence)
10. Opportunities for commissions, sales, shows
11. International perspective and acknowledgment
12. Personal development opportunities

Familiar common complaints
(in random order):

1.   Not enough visitors (likely not helped by time of year)
2.   Difficult layout and unfair allocation of display spaces
3.   Inadequate local publicity and attendance
4.   Most judges more aloof than approachable
5.   Select work given attention by judges, much of the rest ignored
6.   Certain presenters stood out, others had listeners walking out
7.   Environmental conditions challenging (heat, air, light…)
8.   Display equipment challenging (not flattering to artwork)
9.   Snack bar (food and service) not as expected for Italy
10. Many better works weren’t considered for prizes  
11. Too many artist-participant expenses and frustrating "administrivia"
12. Too much sitting around for artists who stayed on site

Those who go back again (participate in subsequent Biennales) demonstrate they’re not concerned with the glitches.  Those who don’t, have either been put off the first time, or simply can’t participate again for a myriad of other reasons.  In a world, and at a time, when fresh possibilities arise daily, pros, cons, and alternatives are reviewed carefully—as are first-hand accounts.  No matter what’s been considered disappointing about the Biennale, there’s still a lot of good to be said about it.  The opportunity to follow-through on the invitation to show at such an epic event comes to most of us only once.

In an ealier blog entry
, I explained how preparing for the Biennale likely enabled me to complete the Kilimanjaro climb.  Now, having completed the Biennale, I realize that the Kilimanjaro climb might have helped me to make the most of participating at the Biennale.

Lessons from KILIMANJARO

January 11, 2008

 

(Photo:  those who made it to the top of Kilimanjaro, with self and guide

Even though my Kilimanjaro climb is less recent, certain lessons from it are memorable.  These include:

1.   Better sustain the cold
2.   Bathe less extravagantly
3.   Economize on clothes and possessions
4.   Stop clock-watching
5.   Take things more slowly
6.   Observe and listen
7.   Not fuss about comfort and convenience
8.   Require less sleep
9.   Sleep in uncomfortable conditions
10. Eat more simply and be less picky
11. Not need news from elsewhere
12. Take time out from electronics (TV, Internet, cell, etc.)
13. Push self further and harder, and not complain or avoid
14. Get less flustered about externals/what can’t be changed
15. Focus, no distraction, whereever and whenever
16. Chat with strangers and hear their stories
17. Open up to seizing the moment
18. Get back to basics (with everything!)
19. Assess what really matters
20. Be more fearless

Just like New Year’s resolutions, lessons learned on the trail can be hard to follow long-term, especially when there’s so many of them (and potential obstacles).  Though everyday hastles aren’t exactly the same as chance-in-a-lifetime climbing challenges, circumstances and reactions mightn’t be too different!

TANZANIAN Safari POETRY Continued (9): Poems 15 and 16 (of 16)

January 8, 2008

Poems 15 and 16 provide closure to my Tanzanian travels—reveal their legacy and an after-trip evaluation of sorts.  (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)  Next, I’ll share the lessons of Kilimanjaro, which, I believe, helped prepare me for the Florence Biennale experience!

15.  From JRO to YYZ

It wasn’t paradise
But it was very nice

To feel, do, see without a care
In the moment
Just to be there

Coming home, not as fun
Things have changed
Inspiration won

No more half-measures
New ideas as treasures

Different perspective
More reflective

Attitude of mind
No longer to be left behind

Taking chances out of reach before
Fresh possibilities
Wide open door

Wanting more
Needing less

Pushing harder
Evaporating stress

What matters
Finding happiness

Goals simplified
Reality intensified.

16.  Trip Evaluation

Missed what was in front  
When looking behind

Missed what was within
When looking without

Regrouping, regathering
Soaping up and lathering

Coming home’s been a process
Messages mixed
Needing to be fixed

Coming home’s been a rebirth

Opportunities to do not as before
Paving the way for a whole lot more

Magic in the moment
Risk ahead of reason

Adventure needs to live
So much to give

Magic in the moment
Life is short

If we don’t do it soon
Chance is we never will

Staying with the feeling of the climb
Not wanting to run out of time

Need to make it to the top again
No matter when

No more struggle
No more muddle

Some know how
Others know now

Never want to say
I knew then

Power of doing
No more brewing

Living each new day
In a special way

Recognizing what’s good
The important understood.

TANZANIA Safari POETRY Continued (8): Poem 14 (of 16)

January 5, 2008

 

 
Poem 14 was written on the journey home.  (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

14.  2 Degrees C in Toronto—Light Snow Falling

It’s a long way back from Africa
Dreams fade to realities
Magical moments diluted in airports

Travel companions shift gear
Though you’d like to hold them near

What’s been put on hold has time to unfold

2 degrees Celsius in Toronto, light snow falling
Announcement on landing

Welcome back to a world where simple pleasures easily lose focus
Ready to journey away again

Planning for what, where, when
Already.

TANZANIAN Safari POETRY Continued (7): Poem 13 (of 16)

January 2, 2008

 

Poem 13 describes final game sightings, heralding the trip’s conclusion.  (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

13.  Day 9

Penultimate game drive
Not as alive

Sightings less prolific
Nothing scientific

Simply, the end of the trip is nigh
Almost time to say goodbye

From more to less populous parks
Expectations and excitement, less sparks

Nature full of wonder
At the right place
In the right moment

We’ve felt it
We’ve been there
We long for it
We’ll remember it

Big beast of a jeep
Adrenaline rush
Hush!

Two cheetahs to the right
Lolling under a tree
New feeling of glee

When it’s over it’s over
Or so you think

"Hakuna Matata!"
Staying cool helps

"Caribou!"
A welcome that lasts

A family of giraffes to the left
Mother, father, three calves

Gracefully and elegantly close our trip
Of magic a real sip.

TANZANIA Safari POETRY Continued (6): Poem 11 and 12 (of 16)

December 30, 2007

 

Poems 11 and 12 describe personalities we met along the way—highlight less typical cultural exchanges and adaptations.  (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

11.  Safari—Day 7

Bats by night
Bows by day

Our last tented camp
Another sleep entertained rest
Malarone dreams, the best

Wildlife squawking and screeching
Tent solid
No breaching

Electricity and water rationed
Camp hostess impassioned

Lovely Argentinean married to German
Children speak Swahili

A goddess in beads and white linen
Male travelers’ heads spinen

With the Hadzabe tribe they get to strut their stuff
Shoot arrows—just enough

Another cultural exchange

Bracelets and necklaces at a price
Reciprocity nice

Journey back
Dust hard to swallow.

12.  Safari—Day 8

Masai village resort
A transitional place
Others set the pace

Texan in charge
Enables aspiring talent to live large

Neither country nor city folk
A different life they know

A cultural exchange, quick training
Everyone gaining…or not

Masai musicians and acrobats at dinner
Later they guard our rooms
With spears, not brooms

What are they thinking?
What are we thinking?

Merging the ancient with the modern
The affluent with the down-trodden

Begging inevitable
Who are the culpable?

A future that’s hard to surge
Paths diverge

For me, not a happy feeling
We lie in our cozy beds at night
Their experience, more of a fight.

TANZANIA Safari POETRY Continued (5): Poems 9 and 10 (of 16)

December 26, 2007
 

 
Poem 9 explains how campers’ fatigue had set in.  Poem 10 describes a more active way of taking in the landscape and meeting its people—cycling.  (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

9.  Safari—Day 6

Chips, spaghetti, canned veg and mince
Usually food that would make me wince

Last tented lunch
Ready to munch

At this point
Anything tastes good
Stomach understood.


10.  Safari—Day 7

African biking
Like its hiking

Dust, gravel, and rocks
Patience and caution
With the posterior so much contortion

The morning wind makes the awkward feel easy
A ride that’s surprisingly breezy

But, then comes the midday sun
For now, nature has won

After lunch under a shady tree
Enough for me

Banana stop
Chapatti stop
Along the way, lost en route, the momentum to stay

Village children draw near
No fear
Our food they’ll hold dear

And so our uneaten lunch we pack into a box
Gently, sweetly, the little ones share
Then comes the fox
Out of his lare

Village bully grabs what he can
That wasn’t our plan

The afternoon sun scorches
Our support vehicle hot as torches

A puncture needs to be fixed
Another adventure
Nothing nixed

Another day in Africa
Luxuriating in the moment
Not thinking about what might be elsewhere
Details swirl, but no heavy care.

TANZANIA Safari POETRY Continued (4): Poems 6, 7, 8 (of 16)

December 23, 2007

 

Poems 6, 7, and 8 describe experiences in the Ngorongoro Crater area, where wildlife was more sparse and a slight safari-fatigue was manifesting.  (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

6.  Safari—Day 4

Into the crater we go
Flat topped Acacias
Then burnt brush
Followed by a nothingness

Hush, hush

An arid plain
Wind blowing
Few animals showing

A solitary ostrich struts her stuff
Finally a photo op.
No fears

Two old lions peruse
One ready to snooze
The other leaves to wander
Has us gazing yonder

A couple of bull elephants take a drink
"They’re old," our guide tells us
That this is a retirement area, it makes us think

Today, the energy’s not there
Day four, our expectations higher, for more to see
But that’s not reality

The Serengetti had us in another place
A faster pace
Multiple herds
More than just a trace.

7.  Monkey Picnic

Monkey picnic
Very slick

Jeeps move in
Monkeys too

Closed the roof too late
Monkey in
Monkey out
No time to hesitate
Monkey see
Monkey do

Cookies from the front seat gone
Greedy monkey eats every one

Other monkeys surround
No contest
He knows how to play the round

And soon the pack is gone

Working each hand
He makes a stand

A snarl as the camera nears
Really upped my fears

Bold male
Cannot fail

Young mother near
But away they steer

Tiny babies suckle
One of nature’s wonders
We chuckle.

8.  Afternoon Drive

Look and you shall see
If it’s meant to be

Pressure on to find a Rhino
Or, to let it go

An on the way, so much more found
By chance
Hyenas, Flamingos, Wildebeest abound

From a distance,Rhino finally spotted
Photos taken of profile

Though not close
Of excitement provides a dose.

TANZANIA Safari POETRY Continued (3): Poem 5 (of 16)

December 20, 2007

 

Poem 5 describes the most potent people experience—with the Masai. (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

5.  Masai

Masai Masai everywhere

Truck in ditch
Makes them rich

One jeep pulls over to help another
Then smother smother

Children on backs of other children
The breast fed
The underfed
The snottied nose
The rings on toes

Picture, picture
Bracelet, bracelet

Haraka, haraka
Quickly, quickly

Little girls pushing sales
Make interesting tales.

Three or free
Hard to understand

From our end
Nothing planned
Clearly a routine
Can’t be mean

Dust fills the air
Nearly there

Tow chain breaks
Up go the stakes

3 jeeps hooked together
Now drizzly weather

2 pet dogs play
While in the company of the Masai we stay

Fantasies of passing the night in their huts
Could think of worse ruts

Small change spent
Time for the sinking sand to relent

Spontaneous visit done
A lot of fun
Everyone won.

TANZANIA Safari POETRY Continued (2): Poems 3 and 4 (of 16)

December 17, 2007

 

Poems 3 and 4 are the second two Serengeti poems. (Please don’t forget to check out the other Tanzania Safari Poetry blog posts before and after this one.)

3.  Safari—Day 3/1

Warm breeze
Flapping tails
Zebras relaxing
Nothing taxing

A third game drive
The bush comes alive

Golden glow of changing light
Snow far out of site

Clear pale blue sky
Faint dustings of clouds

Another day in the life of the bush
Hush, hush

Jeep chatter
It really doesn’t matter

Nature all around
Not a sound

Waiting for something to be
Scouring for something to sight

A fight
A kill
Whatever will

Procreation
Defecation
Sensation
Elation

Ours or theirs?

Worries and cares
This hour we have none
Except with nature
To be at one.

4.  Safari, Day 3/2

From vegetation
To arid plain

From pale blue skies
To billowing clouds

From brush
to rocks

Hush in the jeep
The talkative one’s asleep

Too much excitement for one morn’
Lion cubs newly born and suckling
Lionesses devouring prey
Nothing very far away

Buffalo resting under trees
Buffalo drinking, not thinking
Diet coke can floating down stream
Garbage in a wilderness shattering a dream

Driving fast to leave the park
The vista becomes more stark

A tree here and there
Impala without a care
It’s shade they share

Alone or en groupe
They’re quite a troop

Then nothing for a while
Till jamming of breaks
Up go the stakes

Cheetah under tree

National Geographic yellow jeep
Wide angled lens pops out
Not a peep.

TANZANIA Safari POETRY: Poems 1 and 2 (of 16)

December 14, 2007

 

Many Kilimanjaro climbs are followed by a safari, and ours was no exception.  Also, poetic reflections kept on coming, and will be included in the blog posts immediately following.  You might also like to look back at my other poetic safari experiences from 2006:  general observations, as well as those specific to experiences in Botswana and Zambia

The 16 poems from the Tanzania trip have slightly different emphases and perspectives. Though there are many aha moments, the magic of first-time marveling isn’t quite as pronounced.  Also, having just climbed Kilimanjaro, any experience, no matter how special, is hard to juxtapose.

All 16 poems will be posted chronologically (over 9 blog pieces, which includes this one).  The first four poems were written in the Serengeti, which, for me, was the most potent wildlife experience. 

Poems 1 and 2 are the first two Serengeti poems.

1.  Safari, Day 2

The chorus starts well before dawn
Songs and signals
The volume rises

And still it’s dark outside
Beyond our tents so many animals hide

It’s their space
Not ours
We’re visitors here

Zipped in for the night
Nothing should we fear

Escort with bow an arrow led the way
And, in our tents, we’re supposed to stay

Window canvas open, mesh protecting
A dark clear sky is all we see
Starry, starry, starry night.

2.  Safari Recap—Day 1 - 2

Antelope, gazelles, jackals
Warthogs, lions with cubs
Hyenas and leopard
Elephants, giraffes, zebra
Wildebeest
Hippos, swallows, vultures…

To name but some that we saw
A thirst for more

And, disappointed we weren’t
Next day, a whole day drive
The feeling of being so alive

Watching in wonder and awe
Just as you thought you’d seen the best
Then came more

Dead zebra and hypo
Natural deaths

Dead jackal
Road kill

Wounded and bloodied zebra
Lion kissed but missed

Another lion charging for prey
Not fast enough
All ran away

At the watering hole they knew what to do
Flap their tails, grunt, and cry
None of them were going to die

Solitary bull giraffes
Gave us interesting views
But, a herd of elephants, our very best news

Monkeys preened
Baboons watched over lionesses and their cubs

Tourist-contained jeeps gathered in hubs

Hippos—a hundred or more
Wallowing in their pooh
The biggest outdoor loo

Crocodiles and birds provided picturesque backdrops
So many stops!
A Hamerkop’s giant nest
Oxpacka birds’ symbiosis with giraffes

So many herds
So many terds.

KILIMANJARO POETRY Continued (5): Poems 8 and 9 (of 9)

December 12, 2007
 

 
The two poems that follow look at transitioning back to reality—our own world of others and the Tanzanian roadscape that we found ourselves traveling through (Kilimanjaro, behind and above the clouds and the meaning it may imbue, personally and locally).

8.  Explaining to Others

Explaining to others
Is hard to do

The pain, the gain
The fight, the plight

The keeping going
The inner knowing

The turning of day into night
And night into day

Snow, ice, wind
Burned our faces
Wounds as traces

We know we were there
Our bodies too

But, pinch me now
To put into words
That others can understand

Peek experiences
Intended to be shared

Special moments are private
But things done together
No matter the weather
Give other rewards

A chance of a lifetime experience
Something to hold dear
Especially when others with you have been near.

9.  On the Road

Dust and dirt
Fumes and noise

Back to a reality of sorts

The adventure continues

Skinny goats and cows
Bones protruding

Roadside huts and store fronts
Locals milling
Even for a shilling

Coca Cola clearly the drink of choice
Celtel the monopoly for text and voice

The two biggest advertisers influence
But, where’s the opulence?

You decide

Rich dyes and prints
Each unique
Make wonderful clothes

Women with basket trays of bananas on head
Make a colorful scene
As do their children
School uniforms pristine

About the rest
It’s hard to know yet

Smiles on faces
Police checkpoints enforced

An order amid chaos
Slowly, slowly—pole, pole

Donkeys travel the same road as cars
But many locals walking and talking
Active and out there

Not the most progressive place in the world
But, does that matter?

Western eyes quick to judge
Western minds quick to nudge

Leave these people be
If they’re in harmony

The vibrancy of the plants say it all
Potted for purchase on the curbside
Jacarandas high above
A haze of blue and mauve

Bougainvillea
Dashes of pink
Makes you think.

KILIMANJARO POETRY Continued (4): Poems 6 and 7 (of 9)

December 10, 2007

 
The following two poems look at impact:  after-climb thoughts and reflections.

6.  Day 8—After Climb

Up there
Down here

Down here
Up there

Losing the fear

What once seemed difficult
Might not longer be

What once was out of reach
Attainable in reality

2 days on
The climb is but a dream

2 days on
Thoughts of home flow in

The wanting to stay in this space
Not that

The wanting more time away
Just to play

The wanting to shift
From an environment that doesn’t gel
Where the air is stale
And people pale

The wanting to be in the now, not just today
Feel alive in every way

Vital, intense, passionate, active
The Kili climb reminded me…

Who I was and how I can be.

7.  Day 8—Camaraderie

With some you can
And others you can’t

With some you will
And others you won’t

There’s no knowing who, where, what, when
Except by how you feel
And what you’re enabled to do

The right group
At the right time
In the right moment

Being confident of others around
Made everything feel sound

Knowing we were on the same team
Made hurdles a dream

Familiar and not
About each other we learned a lot

But, oh so much more to know

Seeds of friendship to grow
Or, just right for the circumstance

A special connection, no matter what
A great beginning
Kindred spirits as they are
Not fancied up in a jar

Bonds that’ll mature
Or, bonds that’ll slow?

Magic and mystery surround
Coincidence and luck abound

Staying open is what counts

Continuing onward, upward, forward
No markings on the trail ahead
Spontaneity instead.

KILIMANJARO POETRY Continued (3): Poems 4 and 5 (of 9)

December 9, 2007

 
The first of the next two poems describes approaching the final ascent.  The second records having made it to the top.

4.  Day 5

Nearly there
In the world without a care
Except getting there

What an accomplishment to make it
Real and raw
No way to fake it

What a dream to be above the clouds
See the winding paths we have traveled

Step by step
Minute by minute
Ache by ache
We’re closer to our goal

This time tomorrow
Pole by pole
To the top of Kili we’ll stroll

Winded, worn, and wary
There’ll be nothing scary

What a climb
What a rhyme
Just in time

To complete something others don’t dare to try
Cautiously
Carefully
And with a sigh

What an opportunity
A privilege
A gift

From doing nothing else there can be such a lift

In the moment
Or telling what was
No need for any because

And, what comes next
Who knows?

Applying lessons learned along the Machame Way
To a very different N. American every day.

5.  Day 6, Kili Ascent:  Success

Strong in body
Strong in mind

Strong in mind
Strong in body

To do things out of the ordinary
In ways that are extraordinary

To watch others trying them too

Those who can
Those who can’t

Those who could
Those who would

Those who did.

KILIMANJARO POETRY Continued (2): Poems 2 and 3 (of 9)

December 7, 2007

 
The two poems that follow here are mid-climb, on a long Day 4.

2.  Kilimanjaro, Day 4/1

Equal when challenged
Challenged when equal

The day is long
The body becomes strong

And so too the mind

Others’ responses you can’t always gage
Except with Kilimanjaro as stage

Those who like to talk
And those who don’t

Those who give signals in other ways
A posture, a glance, a shrug
Even a little tug

Camaraderie versus competition
Encouragement versus criticism
Affection versus rejection

A group spirit endures
To everyone, a round of applause.

3.  Kilimanjaro, Day 4/2

Candy wrappers show the way
Who would have thought?
Toilet paper marks the spot
Who would have known?
Cell phone signals around most bends
Who would have guessed?

All true—no jest

Then there’s nature…

Volcanic scree
Treacle scented flowers
Cactus palms that look like people
Caves and rocks
Clouds moving in and out
And through the mist, a burst of blue
The bluest blue you’ve ever seen
In reality, or on screen

A movie this climb is not
It’s so much more

Altitude sickness
Drug reactions
Freezing cold
And outdoor toilets
Offer experiences never had before

The challenge
The fear
The relief
The satisfaction

Each has its place and time

Nearly there
Nearly there
Pole, pole
Slowly, slowly

The final ascent is but 24 hours away
Oh what a day—though it’ll be night through early morn’

Each trail we’ve taken to get to this point
Has tested every joint

The long, the short, the in between

And now the even longer
For the even stronger

The will is there
And so is the way

Pole, pole
Slowly, slowly
The best plan
Woman or man

Contrary to the N. American way
Something to remember
A take-home gift with which to play.

Climbing KILIMANJARO: A Life Changing Experience and Poetic Opportunity (Kilimanjaro Poem 1 of 9)

December 4, 2007

 

Climbing Kilimanjaro was truly a life-changing experience—one I’ve been savoring almost daily since returning.  Some of the details are fading and the final hours of the ascent are a little sketchy.  Only talking with those who were there with me helps, and explaining to others properly is difficult sometimes.  However, from Day 3 of the climb, my wordscapes (poetic ramblings) started up, and I’m very glad to have them to look back at now.  These are where I record details and  feelings in the moment (or shortly afterwards). Even those who weren’t with us on the climb, I’ve found, have the opportunity to get a better sense of what transpired by giving this poetic journal a quick look.   

All poems will be entered chronologically.  The first Kilimanjaro poem is included below, and eight more will be divided between the next four blog posts.

1.  Kilimanjaro, Day 3

No I can’t
Yes I can

No I won’t
Yes I will

Climbing the mountain
Or going to the bathroom
Hesitation
Then elation

Every sensation counts
Tension mounts

Nothing to worry about
Except getting there

About the rest of life
Not a care

The body is what matters
All its pitter-patters

From drug reactions
Tingles and jingles
To rumblings and mumblings

Food and drink
Give us a lot to talk about
As do other folk along for the climb

The mood is high
Pain we want to deny

The humor is good
Most jokes understood

Personalities emerge
Memories surge

Our reality is the now we are in

Nights are cold
Sleep interrupted

Dreams in pieces
Time to think or not

Just the packing
Unpacking
Sorting
And rearranging
Gives us enough to do

Onward and up
We hope to go
Nausea, headaches and all
A thought to appall

The mind is willing
Challenged
The body too

Can we, will we?
Yes please!
Thrill me.

Climbing KILIMANJARO—Making it to the Top

December 2, 2007

I’ve developed an interesting (and practical) habit of being in one place but posting blog entries about another.  When my paintings shipped to Florence at the end of October, in preparation for the December Florence Biennale, I shipped myself to Africa (Tanzania).

It was a long-time special dream to be able to climb Kilimanjaro, and I wasn’t sure how much longer I, or the the mountain, would have to realize it.  What perfect timing to get out of the mind and into the body!  After 10 months of uninterrupted painting and related duties, I was ready for a different type of physical challenge—something I didn’t know would test my mental and emotional strength too.  

If you look back to my blog entries for the end of October, 07, you’ll notice the one from the 24th is entitled Endurance, and the one from the 28th is entitled Stamina.  Ironic!  On reflection, I’m clear that my best training for climbing Kilimanjaro might have been painting for the Florence Biennale! Please check out my Candid Artist Ramblings list, posted on my birthday/rebirth (October 19), the day I set out for Africa.  My sudden and acute awareness of transferable skills and attitudes has been eye-opening and educational since.  

I wasn’t the fittest person in the group, I also hadn’t done enough (almost any) training.  So, how did I make it to the top (be in the 50% who do, and the only woman among peers)?  I think three factors helped:  

1. I had the proper clothing (and wore it)—really took time to organize packing and followed all formal instructions from guidebooks and informal instructions from travellers who’d succeeded previously.

2. I didn’t try to be clever or take chances in any way—used poles, ate and hydrated well, listened to the guides in going "pole, pole" (slowly, slowly), and took the necessary meds.  Thank you Diamox (altitude sickness inhibitor)!  Even though this drug made my hands and feet tingle relentlessly, it was a very good friend and support.  

3.  I didn’t go on the climb with the idea that I had to make it all the way.  I was aware that I might not have the capacity to do so, and could forgive myself weaknesses.  Competition was not what this journey was about for me.  It was more of a spiritual quest about being there and experiencing whatever was meant to be—and accepting it, while still fit and young enough to get myself over there.  

The lead-up days to the final ascent were a honeymoon of sorts.  The final ascent was a whole different story—nothing similar—the most challenging physical endeavor I have ever faced (and no one had informed me about properly).  What kept me going on the final ascent?  Three gifts:

1. The camaraderie of those with whom I was climbing and our attentive guides.  

2. The not knowing what was coming next and not having been prepared for the worst—being in a situation I could do nothing about and just getting on with it.

3.  The not-giving up factor, once I was so close, and because there was no real reason to.  How could I go down (in still bad weather conditions) if I hadn’t made it up?  We’d been climbing for six days and, at the 11th hour, I couldn’t justify turning back. It was the same way down if you made it up or not,  and I couldn’t find a good enough reason to turn around.  Not thinking about what I was actually doing or the discomfort of continuing also helped.  Automatic movements and focusing on other thoughts—and struggles—became a lot more meaningful and empowering. I acknowledged that I never really give up, no matter how awful the task is, making the climb a metaphor for so much more.

For the last hour I wept my way up, partly out of pain, partly out of emotion—maybe more out of emotion. I couldn’t turn off my tears or howls. The tears froze and the howls got absorbed by the wind.  The feelings were intensely private.  But, as discussed later with climbing peers, appropriately universal.  These guys had had their own emotional releases too!  Reaching the top, we all embraced.  It was a magical moment in a glacial wonderland where we were too cold and tired to take photos or stick around.

On October 29, 07, back in Moshi, I was able to check e-mail, and saw that a friend had forwarded a New York Times Sunday Magazine feature article by Tom Bissell about his own Kilimanjaro climb, "Up the Mountain Slowly, Very Slowly." It had been published the day before, on October 28, 07.  What a coincidence!  And, even more interesting, Bissell had been based in Rome, pre-trip—unable to fully-prepare himself, either…

Buon Giorno da Firenze! Florence Biennale Opening Day

December 1, 2007

Today is very special for those of us invited to show our artwork at the Florence Biennale (07 edition).  It’s taken over a year to prepare and it’s hard to believe this Olympics for artists is finally here.  But, if you look at the images below, you’ll see that it’s true.  This is the entrance to the Fortezza, with posters announcing the event.

 

And, here is my freshly uncrated exhibit, "Buon Appetito!" (with crates infront).

 

 

I arrived in Florence a few days ago, on a picture perfect morning, sunny but crisp, and had a magnificent view of the snow-filled Alps on the flight from Munich.  Not a big skier, but this snowscape made me want to be! 

 

 

And, it came after a spectacular sunrise.

 

 

Of course, photos taken at altitude throuh a plane window, don’t do justice to what’s seen live.  But, it’s always fun to share them.

While I’m a little preoccupied with this new chapter of the Biennale adventure, upcoming blog entries will reveal what has refreshed and empowered me since finishing painting "Buon Appetito!" in September—an extra special visit to Africa at the end of October.  The photo below provides a clue as to where.  (Please remember to click on the images to enlarge them.)

 

 

#20. PRECIOUSNESS/VALUE (Reflection While Painting “Buon Appetito!”)

November 30, 2007

Painting—Tomatoes

Reflection:  PRECIOUSNESS/VALUE

Art has value, and value isn’t always financial. Just as it is counterintuitive to put a price on human life, it can be the same with art.  Outsiders don’t really know what’s gone into a piece’s actualization—how much of the artist, him/herself, and how many hours of skill development and dedication.  Art’s value can be unquantifiable, but the market demands to know and set a price.  What does the market take into account?  Training, experience, reputations, originality, popularity, marketing buzz, or trends.  Much rests on possessing the right style at the right time for the right audience.  Talent and hard work might have little influence.  Those who get noticed and are in high demand might have the least to offer.  We’ve seen this in the entertainment and other (trend-setting) businesses.  Art that is precious to some might not be to others. Over time, art accrues sentimental and commercial value (that can be quite distinct from each other).  It becomes part of our homescape, and gets passed from generation to generation.  Many a time, art is able to be reproduced and gain mileage.  One piece volumized has more worth than could ever be imagined.  Sometimes, artists have the tools and ingenuity (or back-up team) to make this happen.  Most of the time, they don’t.  Alas, great art is usually recognized and acknowledged long after its creator is around to enjoy it.

#19. SHARING (Reflection While Painting “Buon Appetito!”)

November 29, 2007

Painting—Sweethearts

Reflection:  SHARING

Artistic creations are frequently private, but all the more interesting when shared.  The individual who makes them is often just a transmitter for the collective consciousness.  Whatever needs to be expressed, or seems to be going on in a particular environment, might appear in a painting.  If and when we’re ready to see it, we do.  Otherwise, the imagery might be enjoyed at face value.  Also, there may be nothing beneath the surface that needs to be looked into more.  Art is simple and art is complex, as are we.  We see what we want to and ignore what we don’t.  Or, we see more than we’re supposed to and make a fuss about what’s not important.  Interpretation is everything and interpretation is nothing.  Only the creator of a piece knows its real essence and intention.  Or, maybe he or she doesn’t… Anything others say about a piece can be projection.  Or, maybe they have insights that are objective.  Having some distance from the work under review—not knowing every brush stroke that’s gone into it—can enable the viewer/critic to see something the artist might have missed (or not realize is there).

#18. LIMITATIONS (Reflection While Painting “Buon Appetito!”)

November 28, 2007

Painting—Strawberries

Reflection:  LIMITATIONS

For some, art can be infinite.  For others, it signals natural or man-made limitations.  Art takes money and time.  Some have a lot of both.  Most don’t, so vacillate and negotiate—try to obtain and balance the two.  Art takes money to create, it also takes money to buy.  Art takes time to create, and time costs money, as well as a whole lot more.  How much a painting costs might not be commensurate with the amount of work that’s gone into developing it.  The power to paint and the power to buy come from different sources, but are intertwined.  What’s fair and what’s not change according to who we are and what we need and can realize .  Awareness matters, as do tenacity and being able to go the distance.

#17. MESSAGE(S) (Reflection While Painting “Buon Appetito!”)

November 27, 2007

Painting—Rice Snacks

Reflection:  MESSAGE(S)

Art is whatever you, as artist, or others, as viewers/critics, may want it to be—at the time of creation or afterwards.  All kinds of purposes can be served by what’s been made visible.  Whether metaphors and symbols are evident or not, various kinds of measures are made clear, from within and without—religious, political, idealistic, romantic, aesthetic, or?  Art has an unrivaled ability to give voice to secret yearnings, hidden agendas, and almost-forgotten dreams.  Art puts artist and viewer, alike, in places they might never travel in real life.  It wets the appetite and makes anything seem possible—at least in the moment.

#16. (SPECIAL) GIFT(S) (Reflection While Painting “Buon Appetito!”)

November 26, 2007

Painting—Raspberries and Blackberries

Reflection:  (SPECIAL) GIFT(S)

Most artists create art because they yearn to do so.  It makes the unconscious conscious. It also has us realize that powers greater than us are at work when we least and most expect it.  The pieces we are gifted with (as creators or viewers/critics), result from creative processes that are part of a bigger picture (no pun intended) and plan.  They help put things in an out of perspective—enable us to dream, remember, wonder, forget, and more…

#15. ARTIST PLUS (Reflection While Painting “Buon Appetito!”)

November 25, 2007

Painting—Peppers

Reflection:  ARTIST PLUS

In order to be a professional artist these days, simply being able to make art isn’t enough.  You have to be a writer, marketer, networker, gallery aficianado—while having computer savvy too (24/7).  In addition, it’s beneficial if your resume lists formal training (from the right schools/with the right mentors).  This is aside from needing to be a handy(wo)man—knowing how to build and adjust the structures necessary for your artistic creations. Also, resources you might not be able to earn through just selling artwork can come in very handy too!

#14. TIME (Reflection While Painting “Buon Appetito!”)

November 24, 2007

Painting—Pasta

Reflection:  TIME

If it’s worth it, it’s going to take time—an indeterminate amount of time.  Nothing else has to matter except taking things to where they need to go, and have them feel right, or right enough.  And while it’s important to be prepared to put in as much time as needed, it’s also important to know when to stop—recognize when a piece might be finished, or have gone as far as it can go with the skills and experience that you have.  When a piece is rushed, it shows.  Every brush stroke that is deliberate reflects effort and care—respect for the work that is being accomplished.

#13. THE PUZZLE (Reflection While Painting “Buon Appetito!”)

November 23, 2007

Painting—Onions

Reflection:  THE PUZZLE

A painting can be like a puzzle.  You don’t always know what’s going to be easy to solve and what’s not (speaking as artist, not viewer).  I try to learn from and remember every step along the way to know better for next time—have things flow more easily.  An area that seems daunting one day might not be the next.  Or, something that looked good one day, may not work out when other elements are added.  Constantly keeping the whole picture in mind may be a better way to proceed, but this can’t  always happen.  Sometimes, we get stuck on one part for no good reason.  The day goes by, and we feel no further ahead.  Then there’s the good days, when everything works, and you can’t explain why.  The brush is magic in your hands and the paint does exactly what you want it to do, or exceeds expectations.  You wonder, "Who’s painting this piece?" The same happens in writing and other expressive/creative arts.  These are moments to savor  because the times of struggle are usually a lot more familiar and frequent.  But, it’s only because of those struggles that we see the difference and appreciate what we never thought might be possible.  To understand happiness, we need to understand sadness, and so it goes with painting too.

#12. SERENDIPITY (Reflection While Painting “Buon Appetito!”)

November 22, 2007

Painting—Olives

Reflection:  SERENDIPITY

So much of life is luck and timing—and the artist’s process can demonstrate this.  We’re fortunate if we’re able to choose what we paint, though our preferences and outcomes are usually influenced by what’s happening around us.  Painting for the Florence Biennale exhibit has given my work a purpose, focus, and appearance that it might not have had otherwise.  I was influenced by space requirements and deadlines.  I also had to be mindful of making imagery that could have universal appeal.  Then, I had to consider my repertoire—my skills, talents, history, and comfortable subject matter—what I may and may not be able to accomplish at this stage of my career.  Finally, there was the budget—an issue that I didn’t want to have prohibit the quality and dimension of my work.  But, it did.  Whether we like it or not, most artists need patronage of some sort.  Art is an expensive business and can’t be made properly without funds—especially where large public exhibits are concerned.

#11. ORGANIZATION (Reflection While Painting “Buon Appetito!”)

November 21, 2007

Painting—Licorice Allsorts

Reflection:  ORGANIZATION

Being organized matters—even, and especially, as an artist.  Better painting happens for me when my desk is tidy:  correspondence caught up on and phone calls made.  Then, I can shut the door on the studio and just focus on the canvas—no distractions or rambling thoughts and preoccupations or interruptions.  Some days, I know from the start that I shouldn’t have attempted to paint at all.  There’s just too much else distracting.  Other days, I regret not carving out specific time to paint—unable to forget about everything else that has to be done and needs to take priority.  We all have different needs and obstacles and must find what works best for us individually.  For me, painting is a sacred act and privilege, something for which I need to enable quiet space and time in order to reap maximum rewards, experience-wise.  I want a piece to be as whole as possible, unpolluted by the vicissitudes of the hour.  Of course, this is an idealist attitude, but it’s nice to be able to dream and hope.  Painting is also interesting because it is influenced by surroundings and happenings, states of mind and energy levels.  Perhaps because I’ve spent some time practicing art therapy, I’m more concerned with art-making that’s product oriented than art-making connected to the exploration of emotions.  This, however, can prove more difficult when creating abstracts—or so I’ve found.