Thanksgiving Thanks to The Art Connection, Boston. Effort and Possibility in Everyone’s Reach
By chance, on Thanksgiving eve, I received notification that two more Boston charities were to be given my artwork for display. I greatly appreciate how The Art Connection makes artist donorship possible, even for those who no longer live in the area. I became involved with the Art Connection in 2006, and feel proud and honored to have had several dozen works chosen by 15 of their local charities in the last two years. My artwork is now enjoyed by:
• Andrew Peabody School (A Rigorous Academic Approach with a Commitment to the Arts), Cambridge, MA
• Boston Public Health Commission (protecting, promoting, and preserverving the health and well-being of all Boston residents, particularly the most vunerable, Boston, MA
• Boston Rescue Mission (Transforming Lives at Risk Since 1899), Boston, MA
• Casa Esperanza (a bilingual bicultural Latino community sanctuary for those overcoming homelessness and/or addictions), Boston, MA
• CFCS_TLC (Cambridge Family and Children’s Sevice—Teens Learning Choices Programme), Cambridge, MA
• Community Work Services (promoting independence through employment, for challenged indivduals), Boston, MA
• Goddard House (Serving Elders Since 1849), Jamaica Plain, MA
• HAWC (Help for Abused Women and their Children), Salem, MA
• Health Care for All (providing comprehensive, affordable, accessible, culturally competent, high quality care for everyone, especially the most vulenerable), Boston, MA
• Malden Senior Community Center (a newly developed property providing services to Malden area seniors who previously utilized a center in a windowless basement), Malden, MA
• MAP for Health (health link for MA Asian and Pacific Islanders), Boston, MA
• Sherrill House, (a not-for proflt skilled nursing and rehabiliation Center), Jamaica Plain, MA
• St. Francis House (largest day shelter for the poor and homeless in New England), Boston, MA
• Triangle Inc (helping people with disabiliites), Malden, MA
• Year Up Inc (helping urban young adults), Boston, MA
In keeping with today’s food/Thanksgiving theme, the image at the start of this post is called "Ripe," and comes from the trilogy, "Ripe, Sweet, and Lonely," at St. Francis House (each image: 24 x 24, oil on canvas, 2005). "Sweet" is inserted above this note, and "Lonely" below it. Thanksgiving is a great time to send kind wishes to, and care for, the "ripe," the "sweet," and the "lonely" —in the environment where this artwork is now on display, and beyond. What a suitable home these paintings have found!
Interestingly, The Art Connection is working on a "pilot project" at St. Francis House. Accordingly, they asked me to write about the the pieces I have hanging there, including the "Ripe, Sweet, and Lonely" trilogy. In an effort to make art placements a bit more educational for clients, a statement from the artist, it’s hoped, can help give the viewer a better understanding of the work. This is what I wrote:
"Ripe," "Sweet," and "Lonely": three things I thought about while painting this trilogy. Even though I’m ripe (all grown-up) and sweet (kind), I’m often lonely (as a single adult), just like so many others out there. People might be compared to fruit, with outside (skin) and inside (taste) provoking different responses Also, fruit cut up into pieces (like for a salad), can be arranged on the plate in a variety of ways. Some fruits are placed close together and/or touch. Others end up further apart. Each of the three paintings focus on one description—the" ripe," the "sweet," or the "lonely"—and they are intended to be arranged in that order, from left to right. I am quite comfortable painting food, as well as writing about it. As an art therapist, I had a book published called, More Than Just a Meal: The Art of Eating Disorders. (2000). Also, when I didn’t get into a conventional landscape painting class at SMFA (the Museum of Fine Arts School, Boston) I decided to create my own landscapes in other ways. Food offers many possibilities and gives much cause for thought. There is not only the selecting and arranging of it, but the eating (to celebrate) that comes afterwards. In my earlier work (to which these paintings belong) I came to like using pale blue backgrounds. They show reflections and shadows well, especially when objects are not crowded together. I also like the softness (and restfulness) of this color, and the contrasts it can encourage. All the fruits painted in the "ripe, " sweet," and "lonely" set are among my favorites. Their shapes, colors, textures, and flavors each have their own significance, as well as work well together. As with most of the artwork I create, I don’t like to create one-off single pieces. I also prefer to work on several pieces simultaneously, going from one to the next, consistently.
To view more of my "food art," please check out the Snack Happy! and Buon Appetito! collections as well as the Representational Gallery, all on the DocSusan website.








