Artist STRESS RELIEF—The Portrait Society of Canada

June 3, 2007

 
An "emerging artist" who paints professionally, full-time, can have a very isolating existence. This year, having decided to devote most of my time to prepare for the Biennale exhibit, I admit to being a little stressed.  When I’m not painting, I’m trying to raise sponsorship funds, and left and right brain don’t always work well together!

When time is limited and exhaustion and lack of self-confidence take over, I’m happy for a few remedies.  First, there’s caninekind.  Studio assistant Poodle Pals, Lev and Sage, witness every up and down, make me laugh, and insist on going for walks. Second, there’s the company of others who can relate and understand. Last Tuesday (May 29, 07), I attended a Portrait Society of Canada master workshop on the ala prima style of painting led by Juan Carlos Martinez at Toronto’s Arts and Letters Club studio. Veronica Tsyglan, the society’s president supervised.  Between Veronica’s exemplary organization and Juan’s unobtrusive mentorship, the experience was a revitalizing and relaxing treat—just the tonic I needed.

On a day when I thought I wouldn’t be able to paint (was "painted out"), and decided to experiment with less familiar materials, techniques, and angles, I was able to create a portrait sketch that pleased and surprised me.  It’s 12in x 9in, oil on wooden board with a black gessoed base (and posted at the start of this blog entry).  I call it "Waiting."  When you’re an artist, there’s a lot of waiting and uncertainty.  Each competition and grant you apply for has you on hold—wondering, hoping, and feeling a tad anxious, especially if you’ve had to pay an application fee and might never receive a response.

Even when painting others, there’s usually a self-portrait of sorts that shines through somehow—"art therapy" happens. Being among other artists and watching their paintings develop, as well as having reassuring and kind experts on hand, was a gift.  After the workshop, I came home and painted again—invigorated from the experience.  I was happy to feel part of a group of professionals that value the artistic vocation—as well as the skill, perseverance, and camaraderie it takes to keep going.

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